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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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Piano seul
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115
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2 Pianos, 4 mains
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5
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3
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2
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1
Voix Soprano
1
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Chorale
1
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Flûte traversière et Piano
68
Saxophone Alto et Piano
43
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31
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30
Clarinette (partie séparée)
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26
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25
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21
Hautbois (partie séparée)
11
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9
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Flute (partie séparée)
8
Clarinette Basse, Piano
7
2 Saxophones (duo)
7
Quatuor de Saxophones: 4 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte traversière, Orchestre
6
Cor anglais, Piano
6
Flûte traversière
5
2 Flûtes traversières (duo)
4
Quatuor de Flûtes : 4 flûtes
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Hautbois et Orchestre
3
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3
2 Clarinettes (duo)
3
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Saxophone Alto
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Flûte et Guitare
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2
Quintette de Saxophone: 5 saxophones
2
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Saxophone
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Flûte, Violon, Violoncelle et Piano
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Flûte à bec Alto, Piano
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Flûte, Hautbois, Piano (trio)
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Quatuor de Flûtes à bec
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Flûte, Violoncelle, Piano (trio)
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2 Flûte à bec (duo)
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Flûte, Hautbois, Clarinette, Basson
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3 Clarinettes (trio)
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CUIVRES
Trombone et Piano
34
Trompette, Piano
24
Trompette (partie séparée)
21
Trombone (partie séparée)
18
Cor et Piano
16
Cor (partie séparée)
14
Tuba (partie séparée)
11
Euphonium, Piano (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Tuba et Piano
7
Trompette
6
Cor anglais, Piano
6
Trombone
3
Cor, Orchestre
2
Cor
2
Trompette, Orchestre
2
2 Trompettes (duo)
2
Trombone basse et Piano
2
2 Trombones (duo)
2
2 Euphoniums (duo)
1
Trombone et orchestre
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
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CORDES
Violon et Piano
120
Violoncelle, Piano
62
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon (partie séparée)
50
Alto, Piano
34
Alto (partie séparée)
16
Contrebasse (partie séparée)
14
Violoncelle, Orchestre
11
Violon
10
Trio à Cordes: violon, alto, violoncelle
8
Harpe
7
Violoncelle (partie séparée)
7
Alto et orchestre
7
Contrebasse, Piano (duo)
7
2 Violons (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle
4
2 Altos (duo)
4
Alto seul
3
Violon, Violoncelle (duo)
3
Violoncelle, Contrebasse (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 3 violoncelles
2
Harpe, Violon (duo)
2
2 Violoncelles (duo)
2
Contre Basse
1
2 Violons, Piano
1
Violon, Clarinette, Piano (trio)
1
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
4 Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre
538
Orchestre à Cordes
312
Orchestre de chambre
180
Orchestre d'harmonie
103
Ensemble Jazz
56
Piano et Orchestre
38
Jazz combo
32
Percussion (partie séparée)
18
Ensemble de Percussions
4
Cloches
3
Orchestre, Violon
3
Ensemble de cuivres
2
Big band
2
Batterie (partie séparée)
2
Batterie
1
Vibraphone
1
Voix et Orchestre
1
Xylophone, Piano
1
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Piano Music with Orchestra
Trombone et Piano
Partitions à imprimer
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Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549502 Composed by Felix Mendel…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.14 €
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Trombone et Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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jmsgu3
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.15 €
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Trombone et Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Bridal March, "Here Comes The Bride", for Solo Trombone (Bb, Treble Clef) and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.587583 Composed by Richard Wagn…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587583 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365490. Published by David McKeown (A0.587583). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Trombone (Treble Clef) and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Trombone et Piano
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes The Bride", for Solo Trombone
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David McKeown
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SheetMusicPlus
Bridal March, "Here Comes The Bride", for Solo Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.587582 Composed by Richard Wagn…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587582 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365488. Published by David McKeown (A0.587582). The Bridal March was written by Richard Wagne rin 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Trombone (Bass Clef) and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Trombone et Piano
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes The Bride", for Solo Trombone and Piano
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David McKeown
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SheetMusicPlus
Romantic Concerto for Trombone with Piano reduction accompaniment
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin …
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music
Item Number: S0.703425<br> <br> Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.<br> <br> Below is what the composer has written about his work:<br> <br> "Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.<br> <br> The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.<br> <br> The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.<br> <br> With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.<br> <br> The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."<br> <br> Jan Freidlin <br> <br> The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.
$35.00
32.01 €
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Trombone et Piano
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Jan Freidlin (1944-)
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Romantic Concerto for Trombone with Piano reduction accompaniment
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Cherry Classics Music
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SheetMusicPlus
Concerto for Alto Trombone with Piano accompaniment reduction
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792196 Composed by Gliere, Rein…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792196 Composed by Gliere, Reinhold. Arranged by Cherry, Gordon. 20th Century,Classical,Romantic Period. Score and part. 35 pages. Gordon Cherry #4609007. Published by Gordon Cherry (A0.792196). Reinhold Gliere's Concerto for Coloratura Soprano and Orchestra, Op. 82 was written in 1942-1943 and shows off the composer's gentle melodic musical style reminiscent of Tchaikovsky, Rachmaninov and even Wagner. The choice of a vocal soloist singing without words was not new at that time, as Rachmaninov's beautiful Vocalise had already been composed. But....adding a full orchestra to the mix was a gamble that paid off, as this is one of Gliere's finest works. The Concerto consists of two movements -- Andante and Allegro and is about 14 minutes in length. The 1st movement's rich melodies are full of lush harmonic textures and the work drives from climax to climax. The finale Allegro is lighthearted and bounces along merrily to the end. Gordon Cherry's arrangement for Alto Trombone with Piano accompaniment reduction brings a major new work to the Alto Trombone repertoire. This work can also be performed on the Tenor Trombone, however, the style of the work makes it perfect for the Alto Trombone. Appropriate for advanced performers. (Under license from G. Schirmer Music)
$35.00
32.01 €
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Trombone et Piano
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Gliere, Reinhold
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Cherry, Gordon
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Concerto for Alto Trombone with Piano accompaniment reduction
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Gordon Cherry
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SheetMusicPlus
Concerto for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins.…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
25.15 €
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Trombone et Piano
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Mark Narins
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Concerto for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn D…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.14 €
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Trombone et Piano
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Für Elise Boogie Woogie for C Trombone & Piano
Trombone et Piano
Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.746658 Compos…
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Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.746658 Composed by Ludvig van Beethoven Arranged. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 22 pages. Keith Terrett #2075729. Published by Keith Terrett (A0.746658). An arrangement of Für Elise Boogie Woogie for C Trombone & Piano. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.39 €
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Trombone et Piano
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Ludvig van Beethoven Arranged
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Keith Terrett
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Für Elise Boogie Woogie for C Trombone & Piano
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Keith Terrett
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Trombone (Euphonium) and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.1043239 Composed by Edward Elga…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1043239 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 18 pages. Diego Marani #647927. Published by Diego Marani (A0.1043239). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for trombone or euphonium (C and Bb) with piano is suitable for classroom, repertoire and recital.
$9.99
9.14 €
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Trombone et Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Trombone
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Diego Marani
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.01 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Ave Maria by Franz Schubert, for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.587388 Composed by Camille Sain…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587388 Composed by Camille Saint-Saens. Arranged by David McKeown. Sacred,Spiritual,Standards,Wedding. Score and part. 5 pages. David McKeown #3222417. Published by David McKeown (A0.587388). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a solo for Trombone with Piano. The pdf file contains both the piano accompaniment and the separate solo part. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The overall performance time is around four and a half minutes. The linked full-length youtube performance is the Clarinet version of this arrangement. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for the pianist’s finger coordination. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Trombone et Piano
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Camille Saint-Saens
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David McKeown
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Ave Maria by Franz Schubert, for Trombone and Piano
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David McKeown
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SheetMusicPlus
The Wedding Album, for Solo Trombone in Bb (Treble Clef) and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.587631 Composed by Various. Arr…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587631 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594701. Published by David McKeown (A0.587631). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Trombone in Bb (Treble Clef) with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.14 €
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Trombone et Piano
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Various
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David McKeown
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The Wedding Album, for Solo Trombone in Bb
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David McKeown
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SheetMusicPlus
The Wedding Album, for Solo Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.587630 Composed by Various. Arr…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587630 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594699. Published by David McKeown (A0.587630). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Trombone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.14 €
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Trombone et Piano
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Various
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David McKeown
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The Wedding Album, for Solo Trombone and Piano
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David McKeown
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SheetMusicPlus
Gada Meirin Theme and Variation Fantasy for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1111191 Composed by You Dao Ma.…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1111191 Composed by You Dao Ma. Arranged by Li Kuang. 20th Century,Romantic Period. Score and part. 21 pages. Gordon Cherry #713469. Published by Gordon Cherry (A0.1111191). Gada Meiren Theme and Variation Fantasy is the most well-known trombone composition in China. It was originally written for solo trombone and orchestra (unpublished) by Chinese composer You Dao Ma (1915-2010). The composer adapted the Inner Mongolian folk song Gada Meiren, also the name of the Inner Mongolian hero. The trombone and piano version of this piece was first published in China in 1959. Gada Meiren Theme and Variation Fantasy is a single movement work that depicts a story with four distinct parts. Part one: The repressed emotions of the Inner Mongolian people under the ruler. Gada Meiren led his people to fight against the ruler to protect their home and land. Part two: Gada Meiren's nostalgia for his homeland and people when fighting away from home. Part three: Gada Meiren's death in the battle. People mourned their hero with great sadness. Epilogue: People's remembrance and praise for their hero Gada Meiren, carrying his spirit moving forward. Taken from the 1959 version, this new edition of Gada Meiren Theme and Variation Fantasy for solo Trombone and Piano has fixed notation errors, added dynamics, articulations, tempo (bpm) markings, rearranged the piano score and solo part. All original Chinese terms in scores are translated into western standard musical terms. The solo is about 9.5 minutes in length and appropriate for advanced performers.
$22.50
20.58 €
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Trombone et Piano
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You Dao Ma
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Li Kuang
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Gada Meirin Theme and Variation Fantasy for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van B…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.82 €
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Trombone et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Romance, Op. 13 for Trombone and Piano
Trombone et Piano
Piano,Tenor Trombone - Digital Download SKU: A0.1362757 Composed by Joachim Bruun d…
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Piano,Tenor Trombone - Digital Download SKU: A0.1362757 Composed by Joachim Bruun de Neergaard. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #947132. Published by Gordon Cherry (A0.1362757). Niels-Ole Bo Johansen has recently discovered a hidden treasure of relatively unknown and forgotten works of Danish origin for the Trombone from the early 20th Century. This series of music will be subtitled The Danish Trombone Heritage and will be published by Cherry Classics over the next while. Below is Niels' description of Romance, Op. 13 by Joachim Bruun de Neergaard composed in 1915.Anton Hansen's (father of the Danish School for Trombone) first meeting with Joachim Bruun de Neergaard (1877-1929) was rather a disastrous one. Hansen an extraordinary Trombonist, also a very fine pianist, was hired to play at a dinner dance at Skjoldnæsholm manor. A young man insisted on playing along with the tunes Hansen performed - on a terribly out -of-tune ocarina. Hansen writes in his memoirs that his first thought was that the young man was slightly retarded. As it turned out, he was the son of the family living in the manor, which made the situation even more awkward. That young man, Joachim Bruun de Neergaard was not the slightest bit retarded. He was on the contrary highly intelligent and managed, in addition to his composition studies, to attain a degree in law with the highest honors.The Romance for Trombone and Orchestra, here in the version for Trombone and Piano, reveals a composer with a very fine sense of the trombone’s singing qualities.This work is perfect for advanced intermediate performers and is almost 7 minutes in length.Trombone soloist Johansen and his collaborator, Pianist Erik Kaltoft beautiifully perform Romance on their 2018 album The French Connection. Below is a sample of the work (available on Apple Music and as a CD).
$20.00
18.29 €
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Trombone et Piano
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Joachim Bruun de Neergaard
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Niels-Ole Bo Johansen
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Romance, Op. 13 for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Awaken the dawn (for trombone & piano)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.927663 Composed by Joseph Holli…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Hollings Publishing #6682863. Published by Joseph Hollings Publishing (A0.927663). Awaken the dawn was written for and dedicated to Shachar Israel, Assistant Principal Trombone of the Cleveland Orchestra. Mr. Israel commissioned the work and worked closely with the composer during the composition process. The piece is demanding for both trombonist and pianist.Naming the piece was relatively straightforward, as the composer intended from the outset to use the English translation of the Hebrew word and Mr. Israel's first name 'Shachar' (in Hebrew, 'shachar' means 'dawn'). The title, taken from a passage in the Book of Psalms, is intended to represent the energy and beauty present in the few moments before dawn breaks.The piece begins with a lyrical trombone line, floating over a minimalistic piano accompaniment. Making the most of the trombone's pitch and dynamic range, the trombone becomes increasingly agitated and the piano accompaniment more fragmented. A frenetic passage leads into a fast, aggressive section before returning to the opening melodies.Mr. Israel recorded the piece in 2018 at the Oberlin Conservatory of Music in Oberlin, Ohio with the marvelous Martha Locker on piano. The recording was produced by the Grammy award-winning Elaine Martone. The recording is currently available on Amazon, Spotify and Apple Music.DURATION: approx. 7:30Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.comFollow on TikTok @TikTokComposerFollow on Instagram @josephhollings.
$15.00
13.72 €
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Trombone et Piano
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Joseph Hollings
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Awaken the dawn
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Joseph Hollings Publishing
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SheetMusicPlus
O Holy Night for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548678 Composed by Adam. Arrang…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410439. Published by jmsgu3 (A0.548678). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.82 €
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Trombone et Piano
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Adam
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James M
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O Holy Night for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Two Pieces for Tuba or Bass Trombone & Piano
Trombone et Piano
Small Ensemble Bass Trombone,Piano,Tuba - Level 5 - Digital Download SKU: A0.792415…
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Small Ensemble Bass Trombone,Piano,Tuba - Level 5 - Digital Download SKU: A0.792415 Composed by Edouard Lalo. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and parts. 12 pages. Gordon Cherry #4821591. Published by Gordon Cherry (A0.792415). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$17.50
16.01 €
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Trombone et Piano
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Edouard Lalo
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Ralph Sauer
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Two Pieces for Tuba or Bass Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for Alto Trombone
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.964544 Composed by Peter Ilyich…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.964544 Composed by Peter Ilyich Tchaikovsky. Arranged by Leyandder Trustworthy. Christmas,Easter,Romantic Period,Wedding,World. Score and part. 6 pages. Leyandder Trustworthy #6348533. Published by Leyandder Trustworthy (A0.964544). Swan Lake is a dramatic ballet in four acts by Russian composer Piotr Ilitch Tchaikovski and with the libretto by Vladimir Begitchev and Vasily Geltzer. Its premiere took place at the Bolshoi Theater in Moscow on February 20, 1877, and was a failure not because of the music, but because of the poor performance of the orchestra and dancers, as well as the choreography and set design. The ballet was commissioned by the Bolshoi Theater in 1876 and the composer soon began writing.
$4.99
4.56 €
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Trombone et Piano
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Peter Ilyich Tchaikovsky
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Leyandder Trustworthy
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3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for Alto Trombone
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Leyandder Trustworthy
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SheetMusicPlus
Concertpiece for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792301 Composed by Mizesko, Ter…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792301 Composed by Mizesko, Terry. Arranged by Mizesko, Terry. 20th Century,Contemporary. Score and part. 61 pages. Gordon Cherry #4803945. Published by Gordon Cherry (A0.792301). Terry Mizesko has performed as the Bass Trombonist for the North Carolina Symphony since 1971. As well he is a noted composer and has had his works performed by a number of orchestras and well known musicians. The Concertpiece for Tenor Trombone and Piano composed in 2009 is an extensive work in a traditional yet contemporary Sonata style in four movements. The Concertpiece ends with an eloquent Epilog which sums up the entire work. Movement I is titled Intrada and is mostly in an Allegro Tempo.<BR> Movement II is titled Romanza marked Moderato e rubato Movement III is titled Danza Rustica and moves with quick rhythmic energy. Movement IV is titled Epilog, slow and evocative in nature. Concertpiece is about 27 minutes in length and can be performed by advanced musicians.
$22.50
20.58 €
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Trombone et Piano
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Mizesko, Terry
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Mizesko, Terry
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Concertpiece for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
When the Saint's Go Marching In for Bb Trombone (TC) & Piano
Trombone et Piano
B-Flat trombone,Instrumental Duet,Piano - Digital Download SKU: A0.746761 Arranged …
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B-Flat trombone,Instrumental Duet,Piano - Digital Download SKU: A0.746761 Arranged by Keith Terrett. Folk,Jazz. 4 pages. Keith Terrett #3481747. Published by Keith Terrett (A0.746761). When the Saint's arranged for Bb Trombone (TC) & PianoWhen the Saints Go Marching In, often referred to as The Saints, is a Black Spiritual. Though it originated as a Christian hymn, it is often played by jazz bands. This song was famously recorded on May 13, 1938 by Louis Armstrong and his Orchestra. The song is sometimes confused with a similarly titled composition When the Saints Are Marching In from 1896 by Katharine Purvis (lyrics) and James Milton Black (music).
$3.99
3.65 €
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Trombone et Piano
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Keith Terrett
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When the Saint's Go Marching In for Bb Trombone
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Keith Terrett
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SheetMusicPlus
That's a great start
Trombone et Piano
Trombone and piano - easy - Digital Download SKU: S9.Q7088 5 Easy Pieces. Co…
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Trombone and piano - easy - Digital Download SKU: S9.Q7088 5 Easy Pieces. Composed by Hermann Regner. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7088. Published by Schott Music - Digital (S9.Q7088). Apart from numerous publications in the field of music education, the music teacher and composer Hermann Regner (1928-2008) contributed considerably to the brass repertoire, such as material for wind orchestra and wind band. Influenced by his studies with Carl Orff, he paid special attention to the fusion of instrumental education and contemporary music. A matter of particular concern for him was to write practical, easily playable new music for children, young people and amateur musicians - music that takes the technical competence of beginners into account and motivates them to concern themselves with new sounds, rhythms and playing techniques. 'All begins well' is a small collection of easy pieces for trombone with piano accompaniment. The five short pieces are a perfect addition to instrument lessons and 'Jugend musiziert'. The pieces are very melodic, using simple keys (F major, B flat major, E flat major) which are easy to play by the trombone, and they cover a compass from B flat to E flat1.Das fängt ja gut an ist eine kleine Sammlung von leichten Stücken für Posaune mit Klavierbegleitung. Die fünf kurzen Stücke eignen sich hervorragend als Ergänzung zum Unterricht und für Jugend musiziert. Die Stücke sind sehr melodisch und verwenden einfache Tonarten, die für die Posaune gut spielbar sind.
$11.99
10.97 €
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Trombone et Piano
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Hermann Regner
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That's a great start
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Schott Music - Digital
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SheetMusicPlus
Happy Birthday to You!
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.1152369 By Keith Christopher Mu…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1152369 By Keith Christopher Music. By Traditional. Arranged by Keith Christopher. Standards,Traditional. Score and part. 2 pages. Keith Christopher Music #752592. Published by Keith Christopher Music (A0.1152369). A simple arrangement of the ever-popular birthday song. It includes piano accompaniment with a solo part for any C Bass clef instrument (Trombone, Euphonium, Tuba, Bassoon, Cello, String Bass). Surprise somebody special with this added treat to their birthday! Also available separately for concert band/orchestra, brass ensemble, woodwind ensemble, string ensemble, and saxophone ensemble.
$4.99
4.56 €
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Trombone et Piano
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Keith Christopher Music
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Keith Christopher
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Happy Birthday to You!
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Keith Christopher Music
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SheetMusicPlus
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