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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata E Minor
Non classifié
92
Piano & claviers
Piano seul
181
Orgue
5
Piano Facile
5
2 Pianos, 4 mains
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
1
Clavecin
1
Piano, Voix
1
+ 4 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
6
2 Guitares (duo)
4
Banjo
2
Piano, Guitare (duo)
1
Voix
Chorale SATB
3
Vents
Flûte traversière
37
Flûte traversière et Piano
30
Clarinette et Piano
14
2 Flûtes traversières (duo)
12
Hautbois, Piano (duo)
12
Flûte à Bec
10
Flûte et Guitare
10
Saxophone Alto et Piano
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flûte, Hautbois, Clarinette (trio)
6
3 Saxophones (trio)
4
2 Clarinettes (duo)
4
2 Saxophones (duo)
4
Flûte traversière, Basse continue
4
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Cor anglais, Piano
2
Clarinette Basse, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Baryton, Piano
2
Hautbois (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Ensemble à vent
1
Saxophone (partie séparée)
1
Clarinette
1
Quintette de Flûte : 5 flûtes
1
2 Flûte à bec (duo)
1
3 Clarinettes (trio)
1
Saxophone Alto
1
2 Flûtes, Basse continue
1
Clarinette, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, Violon (duo)
1
Ensemble de Clarinettes
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Violon
1
+ 34 instrumentations
Retracter
Cuivres
Trombone et Piano
7
Trompette (partie séparée)
4
Euphonium, Piano (duo)
4
2 Trompettes (duo)
3
Cor anglais, Piano
2
Trompette
2
Tuba et Piano
2
Ensemble de Cors
1
Trompette, Piano
1
Cor
1
Tuba
1
Cor et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres
1
+ 9 instrumentations
Retracter
Cordes
Violon
45
Violoncelle, Piano
30
Violon et Piano
28
Quatuor à cordes: 2 violons, alto, violoncelle
27
Alto, Piano
18
Violoncelle
18
Violon (partie séparée)
15
Alto seul
7
Alto (partie séparée)
6
Violoncelle (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Basse continue
4
Violon, Alto (duo)
3
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Contre Basse
3
2 Violons (duo)
3
Harpe
2
2 Violons et Basse continue
2
2 Violoncelles (duo)
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Basse continue
1
2 Violons, Piano
1
Alto, Violoncelle (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
20
Orchestre à Cordes
4
Orchestre d'harmonie
3
Orchestre
3
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Instruments
ACCORDEON
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AUTRES INST…
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Vous avez sélectionné:
Sonata E Minor
Trombone et Piano
Partitions à imprimer
7 partitions trouvées
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CPE BACH: Sonata in E Minor WQ124 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,S...
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Piano,Trombone - Level 4 - SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5309593. Published by jmsgu3 (A0.551531). Sonata Wq. 124 in E Minor: 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach. The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.
$24.95
Vivaldi: Sonata No. 5 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Trom
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.550514 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Piano,Trombone - Level 3 - SKU: A0.550514 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717741. Published by jmsgu3 (A0.550514). Sonata da Chiesa No. 5 in E Minor for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Sonata No. 1 in E minor, Op. 38 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No. 1 in E minor, Op. 3
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792577 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 44 pages. Gor...
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Piano,Trombone - Level 5 - SKU: A0.792577 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5009441. Published by Gordon Cherry (A0.792577). The E minor Sonata Op. 38 by Brahms was composed between 1862 and 1865. He intended the Cellist and Pianist to be equal musical partners. The Sonata is an homage to Bach, the principal theme of the first movement and the fugue are based on Contrapunctus 4 and 13 of the Art of Fugue. The Sonata in E minor is a major work, 25 minutes in length, brilliantly arranged by Ralph Sauer for advanced artists.
$22.50
Sonata No. 1 in E minor, Op. 38 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Johannes Brahms
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Cherry Classics Music
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Sonata No. 1 in E minor, Op. 3
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792611 Composed by Johannes Brahms. Arranged by Cherry Classics Music. Classical,Romantic Period. Score and part. 44 ...
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Piano,Trombone - Level 5 - SKU: A0.792611 Composed by Johannes Brahms. Arranged by Cherry Classics Music. Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5011019. Published by Gordon Cherry (A0.792611). Cherry Classics has acquired Ralph Sauer's earlier edition of the Brahms (Cello) Sonata No. 1, Op. 38 for Trombone and Piano from Balquhidder Music. Mr. Sauer has taken this opportunity to make a second edition with his latest thoughts on the piece. This major work of over 25 minutes in length is suitable for advanced players. The E minor Sonata Op. 38 by Brahms was composed between 1862 and 1865. He intended the Cellist and Pianist to be equal musical partners. The Sonata is an homage to Bach, the principal theme of the First movement and the Fugue are based on Contrapunctus 4 and 13 of the Art of Fugue. If you've ever wanted to play a solo piece by the great Johannes Brahms, this is it!!!
$22.50
Sonatina for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Sonatina for Trombone and Pian
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Dacker Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.814692 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and part. 33 pages. Dacker Music #2959573. ...
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Piano,Trombone - Level 4 - SKU: A0.814692 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and part. 33 pages. Dacker Music #2959573. Published by Dacker Music (A0.814692). As the title would indicate, Sonatina for Trombone and Piano is a 3-movement composition employing sonata forms on a somewhat smaller scale. It is useful recital repertoire for advanced intermediate to advanced students and professional soloists. The movements are:I. Allegro moderato - sonata-allegro - D minorII. Andante con moto - passacaglia - F majorIII. Allegro - abridged sonata-rondo - D minorGrade 5 - Duration 8:45
$14.00
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Chants du Rhin for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Trombone an
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44...
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Piano,Trombone - Level 5 - SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5008317. Published by Gordon Cherry (A0.792526). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor.
$22.50
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Sonata E Minor
