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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata in E
Non classifié
187
Piano & claviers
Piano seul
403
Orgue
9
Piano Facile
7
2 Pianos, 4 mains
4
Instruments en Do
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano, Voix
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
Clavecin
1
Orgue, Trompette (duo)
1
+ 7 instrumentations
Retracter
Guitares
Guitare
55
Guitare notes et tablatures
18
2 Guitares (duo)
6
4 Guitares (Quatuor)
2
Banjo
2
Piano, Guitare (duo)
1
Mandoline
1
2 Mandolines (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Orchestre à Plectres
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
3
Vents
Flûte traversière
59
Flûte traversière et Piano
46
Clarinette et Piano
27
Hautbois, Piano (duo)
20
Saxophone Alto et Piano
18
2 Flûtes traversières (duo)
15
Flûte à Bec
14
Flûte et Guitare
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
2 Clarinettes (duo)
8
2 Saxophones (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Soprano et Piano
8
Saxophone
6
Saxophone Tenor et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Baryton, Piano
6
Clarinette
5
Ensemble de Clarinettes
5
Quintette de Clarinettes: 5 clarinettes
5
3 Saxophones (trio)
4
Clarinette Basse, Piano
4
Clarinette (partie séparée)
4
Flûte traversière, Basse continue
4
Ensemble de Flûtes
3
Hautbois (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flute (partie séparée)
2
2 Hautbois (duo)
2
Saxophone Alto
2
3 Clarinettes (trio)
2
Cor anglais, Piano
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone (partie séparée)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violon
2
Ensemble à vent
1
Flûte, Violon et Violoncelle
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Violon (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Basse continue
1
2 Cors Anglais Et Pianoforte
1
+ 44 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
11
Trombone et Piano
11
Cor et Piano
7
Trompette
6
Tuba et Piano
6
Euphonium, Piano (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor
4
2 Trompettes (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
3
Trompette, Trombone (duo)
2
Cor anglais, Piano
2
Tuba
2
2 Trombones (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Ensemble de Cors
1
Trombone (partie séparée)
1
Cor (partie séparée)
1
2 Cors (duo)
1
Trombone basse et Piano
1
2 Euphoniums (duo)
1
Tuba (partie séparée)
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Cuivres
1
+ 21 instrumentations
Retracter
Cordes
Violon
76
Violon et Piano
61
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violoncelle, Piano
35
Alto, Piano
28
Violoncelle
22
Violon (partie séparée)
15
Alto seul
9
2 Violons (duo)
8
Harpe
7
Alto (partie séparée)
7
Violon, Alto (duo)
6
Violoncelle (partie séparée)
6
2 Violoncelles (duo)
5
Contrebasse (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
4
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
3
Violoncelle, Basse continue
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Violon, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
2 Contrebasses (duo)
1
Violon, Basse continue
1
Alto, Violoncelle (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
30
Orchestre à Cordes
24
Orchestre
11
Orchestre d'harmonie
10
Percussion (partie séparée)
1
Marimba
1
Ensemble de cuivres
1
+ 2 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Vous avez sélectionné:
Sonata in E
Trombone et Piano
Partitions à imprimer
11 partitions trouvées
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1
CPE BACH: Sonata in E Minor WQ124 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,S...
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Piano,Trombone - Level 4 - SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5309593. Published by jmsgu3 (A0.551531). Sonata Wq. 124 in E Minor: 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach. The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.
$24.95
Vivaldi: Sonata No. 5 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Trom
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.550514 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Piano,Trombone - Level 3 - SKU: A0.550514 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717741. Published by jmsgu3 (A0.550514). Sonata da Chiesa No. 5 in E Minor for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Sonata No. 1 in E minor, Op. 38 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No. 1 in E minor, Op. 3
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792577 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 44 pages. Gor...
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Piano,Trombone - Level 5 - SKU: A0.792577 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5009441. Published by Gordon Cherry (A0.792577). The E minor Sonata Op. 38 by Brahms was composed between 1862 and 1865. He intended the Cellist and Pianist to be equal musical partners. The Sonata is an homage to Bach, the principal theme of the first movement and the fugue are based on Contrapunctus 4 and 13 of the Art of Fugue. The Sonata in E minor is a major work, 25 minutes in length, brilliantly arranged by Ralph Sauer for advanced artists.
$22.50
Sonata No. 1 in E minor, Op. 38 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Johannes Brahms
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Cherry Classics Music
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Sonata No. 1 in E minor, Op. 3
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792611 Composed by Johannes Brahms. Arranged by Cherry Classics Music. Classical,Romantic Period. Score and part. 44 ...
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Piano,Trombone - Level 5 - SKU: A0.792611 Composed by Johannes Brahms. Arranged by Cherry Classics Music. Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5011019. Published by Gordon Cherry (A0.792611). Cherry Classics has acquired Ralph Sauer's earlier edition of the Brahms (Cello) Sonata No. 1, Op. 38 for Trombone and Piano from Balquhidder Music. Mr. Sauer has taken this opportunity to make a second edition with his latest thoughts on the piece. This major work of over 25 minutes in length is suitable for advanced players. The E minor Sonata Op. 38 by Brahms was composed between 1862 and 1865. He intended the Cellist and Pianist to be equal musical partners. The Sonata is an homage to Bach, the principal theme of the First movement and the Fugue are based on Contrapunctus 4 and 13 of the Art of Fugue. If you've ever wanted to play a solo piece by the great Johannes Brahms, this is it!!!
$22.50
C.P.E. Bach-A. Arazi Adagio from Prussian Sonata No. 3 in E Major Wq. 48
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Anna Arazi
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C.P.E. Bach-A. Arazi Adagio fr
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Anna Arazi
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.906987 Composed by Carl Philipp Emanuel Bach. Arranged by Anna Arazi. Baroque. Sc...
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Instrumental Duet Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.906987 Composed by Carl Philipp Emanuel Bach. Arranged by Anna Arazi. Baroque. Score and parts. 7 pages. Anna Arazi #2036311. Published by Anna Arazi (A0.906987). Adagio from Prussian Sonata No. 3 for Harpsichord by Carl Philipp Emanuel Bach, arranged by Anna Arazi for trombone and piano.
$3.99
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,S...
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Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Sonata No. 5 for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 5 for Trombone and
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Pete Strohm Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928164 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 68 pages. ...
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Piano,Trombone - Level 4 - SKU: A0.928164 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 68 pages. Pete Strohm Music #6411765. Published by Pete Strohm Music (A0.928164). Sonata No. 5 for Trombone and Piano was written for American trombonist Mark Babbitt, Professor of Trombone at Illinois State University. The work is tonal, in three movements. The first movement, Moderato, is in sonata form largely in 6/8, with a lyrical trombone and sparkling piano moving between B and E-flat. The middle movement in A major labeled Andante sospirando has Eastern overtones, both rhythmic and tonal. In a sub-divided 3/4, the sound in the first half is a mystical Lydian, shifting the same melody to Ionian at the midpoint. A dramatic piano section punctuates both halves. The third movement, Allegro is a modified rondo form in a duple meter with an Americana sound. It brims with confidence and playfulness, alternating between C and G-flat, with sweeping themes and a driving, wilder midsection. Sonata No. 5 for Trombone and Piano is an outstanding work for contest, concert or recital. Difficulty level is medium-advanced. Performance time is 17:30. Member, ASCAP.
$15.00
BACH: Sonata BWV 1030 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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harpsichord.
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BACH: Sonata BWV 1030 for Trom
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.551822 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. ...
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Piano,Trombone - Level 3 - SKU: A0.551822 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 60 pages. Jmsgu3 #5735945. Published by jmsgu3 (A0.551822). Sonata BWV 1030 in Five Movements. Duration: ca: 19' Score: 33 pages, 254 measuresI. AndanteII. Largo e dolceIII. PrestoIV. AllegroOriginally scored for flute & harpsichord.
$26.95
Chants du Rhin for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Trombone an
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44...
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Piano,Trombone - Level 5 - SKU: A0.792526 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5008317. Published by Gordon Cherry (A0.792526). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor.
$22.50
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Concertpiece for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Mizesko, Terry
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Mizesko, Terry
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Concertpiece for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792301 Composed by Mizesko, Terry. Arranged by Mizesko, Terry. 20th Century,Contemporary. Score and part. 61 pages. G...
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Piano,Trombone - Level 5 - SKU: A0.792301 Composed by Mizesko, Terry. Arranged by Mizesko, Terry. 20th Century,Contemporary. Score and part. 61 pages. Gordon Cherry #4803945. Published by Gordon Cherry (A0.792301). Terry Mizesko has performed as the Bass Trombonist for the North Carolina Symphony since 1971. As well he is a noted composer and has had his works performed by a number of orchestras and well known musicians. The Concertpiece for Tenor Trombone and Piano composed in 2009 is an extensive work in a traditional yet contemporary Sonata style in four movements. The Concertpiece ends with an eloquent Epilog which sums up the entire work. Movement I is titled Intrada and is mostly in an Allegro Tempo.<BR> Movement II is titled Romanza marked Moderato e rubato Movement III is titled Danza Rustica and moves with quick rhythmic energy. Movement IV is titled Epilog, slow and evocative in nature. Concertpiece is about 27 minutes in length and can be performed by advanced musicians.
$22.50
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Sonata in E
