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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Standard Time
Non classifié
2 286
Piano & claviers
Piano seul
1 490
Piano, Voix et Guitare
451
Piano Facile
446
Piano, Voix
366
Instruments en Do
241
Accompagnement Piano
83
1 Piano, 4 mains
78
Orgue
47
Piano grosses notes
44
Piano Trio: piano, violon, violoncelle
19
2 Pianos, 4 mains
12
Accordéon
12
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano (partie séparée)
10
Piano Quatuor: piano, 2 violons, violoncelle
3
Ligne De Mélodie, Piano
3
Orgue, Piano (duo)
2
Clavecin
2
Orgue, Trompette (duo)
2
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
307
Guitare notes et tablatures
241
Guitare
207
Ukulele
81
2 Guitares (duo)
33
Basse electrique
31
Paroles et Accords
24
Dulcimer
15
Banjo
15
Guitare (partie séparée)
15
Mandoline
10
Piano, Guitare (duo)
8
3 Guitares (trio)
5
Ensemble de guitares
5
4 Guitares (Quatuor)
3
Dobro
3
2 Dulcimers (duo)
2
2 Ukuleles
1
Ukulele Baryton
1
Ensemble de Ukulélés
1
Mandoline, Guitare (duo)
1
+ 16 instrumentations
Retracter
Voix
Chorale 2 parties
222
Chorale SATB
197
Voix duo, Piano
123
Chorale 3 parties
123
Chorale Unison
64
Chorale SSAA
37
Chorale TTBB
36
Voix seule
29
Voix haute
17
Pack Instrumental pour Chorale
16
Voix duo
15
Voix Alto, Piano
10
Voix Soprano, Piano
9
Chorale
6
Voix Baryton, Piano
6
Voix moyenne, Piano
4
Voix basse, Piano
3
Voix Tenor, Piano
2
Voix Moyenne
1
Voix Tenor
1
Voix Soprano
1
Chorale SSAB, Piano
1
+ 17 instrumentations
Retracter
Vents
2 Saxophones (duo)
457
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
225
2 Clarinettes (duo)
218
Flûte traversière et Piano
209
Saxophone, Clarinette (duo)
207
2 Flûtes traversières (duo)
197
Clarinette et Piano
188
Quatuor de Saxophones: 4 saxophones
185
Saxophone Alto et Piano
167
Clarinette, Violon (duo)
142
Saxophone Soprano et Piano
136
Quintette de Saxophone: 5 saxophones
132
Hautbois, Piano (duo)
132
Saxophone Tenor et Piano
130
Clarinette, Trompette (duo)
129
Flûte, Hautbois, Clarinette, Basson
116
Flûte, Clarinette (duo)
111
Quatuor de Clarinettes: 4 clarinettes
107
2 Hautbois (duo)
81
Flûte irlandaise
79
Saxophone (partie séparée)
78
Flûte, Saxophone (duo)
75
Flûte, Violon
74
Flûte traversière
73
Clarinette
73
Hautbois, Clarinette (duo)
72
Hautbois, Basson (duo)
71
Clarinette et Alto
69
Hautbois, Flûte
68
Saxophone Baryton, Piano
63
Flûte, Alto (duo)
61
Saxophone Alto
58
Flûte, Trompette (duo)
54
2 Flûte à bec (duo)
53
Quatuor de Flûtes : 4 flûtes
52
Saxophone Tenor
44
Ensemble de Clarinettes
43
Cor anglais, Piano
41
Ensemble de saxophones
41
3 Clarinettes (trio)
34
Clarinette Basse, Piano
33
Hautbois (partie séparée)
31
3 Saxophones (trio)
24
Ensemble de Flûtes
24
Flûte à bec Soprano
23
Trio de Flûtes: 3 flûtes
20
Flûte, Hautbois, Clarinette (trio)
19
Quintette de Flûte : 5 flûtes
16
Quintette de Clarinettes: 5 clarinettes
16
Cor Anglais
14
Clarinette, Trombone (duo)
11
Clarinette (partie séparée)
10
Flûte, Clarinette et Basson
9
Flûte et Guitare
7
Instruments en Mib
7
Flûte, Hautbois (duo)
6
Saxophone
6
Flûte, Hautbois, Basson
5
Flute (partie séparée)
5
2 Clarinettes, Piano
5
Hautbois, violon (duo)
5
Flûte, Violoncelle
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois
5
Flûte, Violon, Piano
4
Piccolo, Piano
4
Flûte à Bec
4
Flûte à bec Soprano, Piano
4
Flûte, Basson et Piano
4
Flûte, Violoncelle, Piano (trio)
3
Quatuor de Flûtes à bec
3
2 Saxophones, Piano
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Basson (duo)
3
Flûte, Clarinette, Piano (trio)
3
Ocarina
2
Harmonica
2
Saxophone Baryton
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Clarinette, Alto et Piano (trio)
2
2 Flûtes traversières, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Alto
2
Flûte, Hautbois, Piano (trio)
2
Saxophone Soprano
2
Flûte à bec Tenor
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Alto et Piano
2
Saxophone et Piano
2
Clarinette, Guitare (duo)
2
Saxophone et Guitare
2
Hautbois, Guitare (duo)
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Basson
1
3 Flûtes à bec (trio)
1
Flûte, trombone et piano
1
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
4 Hautbois
1
Clarinette Basse
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
+ 100 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
160
Trompette, Saxophone (duo)
150
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
140
Trombone et Piano
109
Trompette, Piano
103
2 Trombones (duo)
103
2 Trompettes (duo)
100
Trompette, Trombone (duo)
85
Trompette
78
Cor et Piano
73
Euphonium, Piano (duo)
55
Trombone
55
Trompette (partie séparée)
50
Trombone (partie séparée)
48
Ensemble de Trompettes
43
Cor anglais, Piano
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Cor
29
Ensemble de Trombones
24
Quatuor de Cuivres
23
Tuba et Piano
20
Bass Clef Instruments
16
Cor Anglais
14
2 Euphoniums (duo)
12
2 Cors (duo)
12
Tuba
9
Instruments en Sib
8
Euphonium
8
Trompette, Cor (duo)
8
3 Trombones (trio)
6
Trio de Cuivres
6
Cor (partie séparée)
6
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Trompette et Guitare
4
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
3
2 Cors Anglais Et Pianoforte
3
Trombone basse et Piano
2
Cornet et Piano
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
2 Euphoniums et 2 Tubas
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
273
Violon et Piano
215
Alto, Piano
165
Violoncelle, Piano
133
Violon, Violoncelle (duo)
113
Violon
109
2 Violons (duo)
105
Violon, Alto (duo)
98
2 Violoncelles (duo)
97
2 Altos (duo)
85
Violoncelle
82
Trio à Cordes: violon, alto, violoncelle
75
Harpe
54
Alto seul
38
2 Harpes (duo)
24
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse, Piano (duo)
19
Alto (partie séparée)
17
Ensemble de Violons
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Ensemble d'Altos
14
Piano Trio: Violon, Alto, Piano
13
Contre Basse
12
Contrebasse (partie séparée)
11
Violon, Guitare (duo)
10
Trio à Cordes: 2 violons, alto
9
Harpe, Flûte (duo)
7
Violon (partie séparée)
6
4 Violoncelles
6
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 violins
4
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
3
Violoncelle , Guitare (duo)
3
Harpe, Voix
2
Violoncelle, Orgue
2
Harpe, Trombone (duo)
1
Violoncelle, Basse continue
1
2 Contrebasses (duo)
1
Alto, Orgue
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
230
Ensemble Jazz
196
Orchestre à Cordes
154
Orchestre
75
Ensemble de cuivres
68
Orchestre de chambre
41
Jazz combo
35
Cloches
31
Ensemble de Percussions
20
Batterie
17
Fanfare
13
Batterie (partie séparée)
9
Ensemble d'École
4
Marimba
3
Percussion (partie séparée)
3
Xylophone, Piano
3
Vibraphone
2
2 Xylophones
2
Xylophone
2
Vibraphone et Marimba
1
Vibraphone (partie séparée)
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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Vous avez sélectionné:
Standard Time
Trombone et Piano
Partitions à imprimer
109 partitions trouvées
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It's Been A Long, Long Time
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Trombone et Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.592554 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #63663...
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Piano,Trombone - Level 3 - SKU: A0.592554 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366367. Published by David McKeown (A0.592554). It’s Been a Long Long Time is arranged as a solo for one Trombone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Long Long Time
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Trombone et Piano
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FACILE
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Linda Ronstadt
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Valdir Maia
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Long Long Time
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Valdir Maia
#
SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1170906 By Linda Ronstadt. By Gary B. White. Arranged by Valdir Maia. Film/TV,Pop,Rock,Singer/Songwriter,Standards. S...
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Piano,Trombone - Level 2 - SKU: A0.1170906 By Linda Ronstadt. By Gary B. White. Arranged by Valdir Maia. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score and part. 4 pages. Valdir Maia #771252. Published by Valdir Maia (A0.1170906). Long Long Time, a beautiful tune sung for Linda Ronstadt and played in an episode of the Netflix series The Last Of Us comes in an easy arrangement for trombone and piano. If you are a really fan of the serie, don't let this Long Long Time trombone and piano sheet music passes by. It is a nice piece to show your musical skills! Wanna see more of my Easy Sheet Music? See my catalogue and my Youtube channel!
$9.99
Long Long Time
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Trombone et Piano
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FACILE
#
Linda Ronstadt
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Valdir Maia
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Long Long Time
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Valdir Maia
#
SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1170905 By Linda Ronstadt. By Gary B. White. Arranged by Valdir Maia. Film/TV,Pop,Rock,Singer/Songwriter,Standards. S...
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Piano,Trombone - Level 2 - SKU: A0.1170905 By Linda Ronstadt. By Gary B. White. Arranged by Valdir Maia. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score and part. 4 pages. Valdir Maia #771250. Published by Valdir Maia (A0.1170905). Long Long Time, a beautiful tune sung for Linda Ronstadt and played in an episode of the Netflix series The Last Of Us comes in an easy arrangement for trombone and piano. If you are a really fan of the serie, don't let this Long Long Time trombone and piano sheet music passes by. It is a nice piece to show your musical skills! This sheet music has chords to enhance you play!Wanna see more of my Easy Sheet Music? See my catalogue and my Youtube channel!
$9.99
The Most Wonderful Time Of The Year
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Trombone et Piano
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FACILE
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Eddie Pola and George Wyle
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Stephen DeCesare
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The Most Wonderful Time Of The
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Exultet Music
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.627747 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Contemporary,Standards. Score ...
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Piano,Trombone - Level 2 - SKU: A0.627747 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Contemporary,Standards. Score and part. 14 pages. Exultet Music #6050745. Published by Exultet Music (A0.627747). The popular Christmas song that was made popular by Andy Williams has now been freshly arranged for a Trombone solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Sta...
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Piano,Trombone - Level 3 - SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506339. Published by jmsgu3 (A0.549546). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Vivaldi: Sonata No. 4 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Trom
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.550490 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Piano,Trombone - Level 3 - SKU: A0.550490 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4642165. Published by jmsgu3 (A0.550490). Sonata da Chiesa No. 4 in Bb Major for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Trom
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.550514 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Piano,Trombone - Level 3 - SKU: A0.550514 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717741. Published by jmsgu3 (A0.550514). Sonata da Chiesa No. 5 in E Minor for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Sta...
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Piano,Trombone - Level 3 - SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511293. Published by jmsgu3 (A0.549588). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.  Â
$24.95
Vivaldi: Sonata No. 3 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Trom
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.550462 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Piano,Trombone - Level 3 - SKU: A0.550462 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638493. Published by jmsgu3 (A0.550462). Sonata da Chiesa No. 3 in A Minor for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Trom
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.550438 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Piano,Trombone - Level 3 - SKU: A0.550438 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4634181. Published by jmsgu3 (A0.550438). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Trom
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.550538 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Piano,Trombone - Level 3 - SKU: A0.550538 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727291. Published by jmsgu3 (A0.550538). Sonata da Chiesa No. 6 in Bb Major for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards....
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Piano,Trombone - Level 3 - SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504701. Published by jmsgu3 (A0.549525). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Peer Gynt Suite Complete for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards....
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Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306349. Published by jmsgu3 (A0.551509). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Jingle Bells for Solo Trombone
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Trombone et Piano
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INTERMÉDIAIRE
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James Pierpont
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Lawrence H
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Jingle Bells for Solo Trombone
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Lawrence H Underwood
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.967602 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part....
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Piano,Trombone - Level 3 - SKU: A0.967602 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6167767. Published by Lawrence H Underwood (A0.967602). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Blue Bossa
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Jazz
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Szymon Wysocki
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John Fries
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Blue Bossa
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John Fries
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1103256 Composed by Szymon Wysocki. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Score and part. 4 page...
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Piano,Trombone - Level 4 - SKU: A0.1103256 Composed by Szymon Wysocki. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Score and part. 4 pages. John Fries #706542. Published by John Fries (A0.1103256). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Blue Bossa is an instrumental jazz composition by Kenny Dorham . It was introduced on Joe Henderson's 1963 album Page One. A blend of hard bop and bossa nova, the tune was possibly influenced by Dorham's visit to the Rio de Janeiro Jazz Festival in 1961. The tune has since been recorded numerous times by different artists, making it a jazz standard.
$4.99
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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Trombone et Piano
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FACILE
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Trombone - Level 2 - SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Ave Maria by Franz Schubert, for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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David McKeown
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Ave Maria by Franz Schubert, f
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.587388 Composed by Camille Saint-Saens. Arranged by David McKeown. Sacred,Spiritual,Standards,Wedding. Score and part...
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Piano,Trombone - Level 3 - SKU: A0.587388 Composed by Camille Saint-Saens. Arranged by David McKeown. Sacred,Spiritual,Standards,Wedding. Score and part. 5 pages. David McKeown #3222417. Published by David McKeown (A0.587388). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a solo for Trombone with Piano. The pdf file contains both the piano accompaniment and the separate solo part. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The overall performance time is around four and a half minutes. The linked full-length youtube performance is the Clarinet version of this arrangement. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for the pianist’s finger coordination. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Luther: Out of the Depths for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part...
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Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
August
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Trombone et Piano
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FACILE
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Pop musique
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Taylor Swift
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Glauco Fernandes
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August
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Glauco Fernandes
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1264530 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Glauco Fernandes. Pop,Wedding. Score and part...
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Piano,Trombone - Level 2 - SKU: A0.1264530 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Glauco Fernandes. Pop,Wedding. Score and part. 4 pages. Glauco Fernandes #857357. Published by Glauco Fernandes (A0.1264530). Trombone and Piano Sheet Music with Chords: August - Taylor Swift Elevate your musical skills with our exclusive trombone and piano sheet music for the arrangement of the song August by the talented singer Taylor Swift. Specifically designed for trombonists and pianists, this sheet music includes chords, allowing you to dive into the captivating musical world of Taylor Swift.âœ”ï¸ Perfect combination for trombone and piano: If you are a trombone player looking for a delightful piece to perform in collaboration with a pianist, our August sheet music is ideal. With the included chords, you can create a harmonious and captivating interpretation, showcasing the unique qualities of both instruments.âœ”ï¸ Suitable for trombone players and pianists of all levels: Our sheet music is designed to be accessible for trombone players and pianists at various skill levels. Whether you're a beginner or an experienced musician, you can master this beautiful melody and impress with your performance.âœ”ï¸ Explore Taylor Swift's talent: Taylor Swift is known for her heartfelt compositions and captivating melodies. With our trombone and piano sheet music for August, you can immerse yourself in Taylor Swift's musical world and bring her music to life through the expressive sounds of the trombone and piano.âœ”ï¸ Professional quality: Our sheet music is created with the highest standard of quality, ensuring an exceptional learning and performance experience. You will receive a complete and accurate score that provides all the necessary musical elements, chords, and voicings for an authentic interpretation on both trombone and piano.âœ”ï¸ Instant and convenient access: Through our online sale of sheet music, you can have immediate access to the digital format of the August sheet music for trombone and piano. This allows you and your music partner to start practicing and performing this emotionally captivating piece right away.Elevate your musical abilities and create memorable moments with the trombone and piano sheet music with chords for August by the talented Taylor Swift. Take this opportunity to immerse yourself in the music of one of the greatest icons of our time. Start playing August today, following the chords, and let the beautiful melodies resonate through the enchanting combination of trombone and piano.
$6.99
Vivaldi: Sonata No. 1 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Trom
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.550412 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33...
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Piano,Trombone - Level 3 - SKU: A0.550412 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4629993. Published by jmsgu3 (A0.550412). Sonata da Chiesa in Bb for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
August
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Trombone et Piano
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FACILE
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Pop musique
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Taylor Swift
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Glauco Fernandes
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August
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Glauco Fernandes
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1264531 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Glauco Fernandes. Pop,Wedding. Score an...
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Piano,Tenor Trombone - Level 2 - SKU: A0.1264531 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Glauco Fernandes. Pop,Wedding. Score and part. 4 pages. Glauco Fernandes #857358. Published by Glauco Fernandes (A0.1264531). Trombone and Piano Sheet Music: August - Taylor Swift Elevate your musical skills with our exclusive trombone and piano sheet music for the arrangement of the song August by the talented singer Taylor Swift. Specifically designed for trombonists and pianists, this sheet music allows you to dive into the captivating musical world of Taylor Swift.âœ”ï¸ Perfect combination for trombone and piano: If you are a trombone player looking for a delightful piece to perform in collaboration with a pianist, our August sheet music is ideal. You and your partner can create a harmonious and captivating interpretation, showcasing the unique qualities of both instruments.âœ”ï¸ Suitable for trombone players and pianists of all levels: Our sheet music is designed to be accessible for trombone players and pianists at various skill levels. Whether you're a beginner or an experienced musician, you can master this beautiful melody and impress with your performance.âœ”ï¸ Explore Taylor Swift's talent: Taylor Swift is known for her heartfelt compositions and captivating melodies. With our trombone and piano sheet music for August, you can immerse yourself in Taylor Swift's musical world and bring her music to life through the expressive sounds of the trombone and piano.âœ”ï¸ Professional quality: Our sheet music is created with the highest standard of quality, ensuring an exceptional learning and performance experience. You will receive a complete and accurate score that provides all the necessary musical elements for an authentic interpretation on both trombone and piano.âœ”ï¸ Instant and convenient access: Through our online sale of sheet music, you can have immediate access to the digital format of the August sheet music for trombone and piano. This allows you and your music partner to start practicing and performing this emotionally captivating piece right away.Elevate your musical abilities and create memorable moments with the trombone and piano sheet music for August by the talented Taylor Swift. Take this opportunity to immerse yourself in the music of one of the greatest icons of our time. Start playing August today and let the beautiful melodies resonate through the enchanting combination of trombone and piano.
$6.99
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