English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
19
Librairie
Musicale
5
Matériel
de Musique
219
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3924
PIANO & CLAVIERS
Accompagnement Piano
469
Piano seul
420
Piano (partie séparée)
152
Piano, Voix et Guitare
24
Piano, Voix
20
2 Pianos, 4 mains
18
Piano Trio: piano, violon, violoncelle
15
Orgue
12
Accordéon
8
Piano Facile
8
Piano Quatuor: piano, violon, alto, violoncelle
7
1 Piano, 4 mains
6
Instruments en Do
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Piano grosses notes
2
Clavier
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon et Orchestre
1
Accordéon, Corde(s)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare (partie séparée)
21
Guitare
19
Guitare notes et tablatures
11
Guitare, Orchestre
4
Mandoline
3
Piano, Guitare (duo)
3
Mandoline, Guitare (duo)
3
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare, Quatuor à cordes
2
Ukulele
2
2 Guitares (duo)
2
Basse electrique
2
3 Guitares (trio)
1
Ensemble de Ukulélés
1
Luth
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
249
Chorale 3 parties
59
Chorale Unison
23
Chorale TTBB
17
Chorale 2 parties
15
Chorale SSAA
6
Soli, choeur mixte et accompagnement
4
Voix duo, Piano
3
Voix duo
3
Voix seule
3
Chorale SSATB
2
Chorale
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
Clarinette (partie séparée)
142
Hautbois (partie séparée)
60
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Flute (partie séparée)
28
Flûte traversière et Piano
24
5 Flûtes à bec
23
Quatuor de Flûtes à bec
21
Saxophone (partie séparée)
20
Hautbois, Piano (duo)
18
Flûte, Hautbois, Clarinette, Basson
18
Saxophone Alto et Piano
16
Flûte traversière, Orchestre
16
Quatuor de Saxophones: 4 saxophones
16
Quatuor de Clarinettes: 4 clarinettes
16
Quintette de Saxophone: 5 saxophones
15
Quintette de Clarinette: Clarinette, Quatuor à Cordes
14
Flûte traversière
14
Quintette de Clarinettes: 5 clarinettes
12
Clarinette, Orchestre
12
Clarinette
10
Ensemble de Clarinettes
9
Quatuor de Flûtes : 4 flûtes
9
2 Hautbois (duo)
8
Ensemble De Flûte à bec
8
Clarinette et Piano
8
Saxophone Soprano et Piano
8
2 Saxophones (duo)
7
3 Saxophones (trio)
7
Ensemble de saxophones
7
2 Flûtes traversières (duo)
7
Cor Anglais
6
Saxophone Tenor et Piano
6
2 Cors Anglais Et Pianoforte
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Quintette de Flûte : 5 flûtes
4
2 Clarinettes (duo)
4
Saxophone Alto
4
Clarinette Basse, Piano
4
3 Clarinettes (trio)
4
2 Flûte à bec (duo)
4
Trio de Flûtes: 3 flûtes
3
Hautbois et Orchestre
3
3 Hautbois
2
Flûte et Trio à cordes
2
Flûte et Guitare
2
Ensemble de Flûtes
2
Flûte à bec Soprano
2
Clarinette, Basson (duo)
2
Flûte, Violon
1
Flûte à Bec
1
2 Saxophones, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble à vent
1
Flûte, Clarinette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle
1
4 Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Orgue
1
Flûte traversière, Orgue (duo)
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Saxophone et Orchestre
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette (partie séparée)
101
Trombone (partie séparée)
91
Cor (partie séparée)
72
Tuba (partie séparée)
50
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trombone et Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Cor et Piano
8
Trompette
7
Trompette, Piano
7
Cor Anglais
6
Euphonium, Piano (duo)
6
3 Euphoniums
5
2 Cors Anglais Et Pianoforte
5
Cor anglais, Piano
5
Tuba et Piano
4
Trombone
4
Trombone et orchestre
4
Trompette, violon (duo)
3
Ensemble de Trombones
2
2 Trombones (duo)
2
2 Trompettes (duo)
2
Trompette, Orchestre
2
Cor
2
Ensemble de Trompettes
2
Ensemble de Cors
1
3 Trombones (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Tubas (trio)
1
Trombone, Orgue
1
Tuba
1
Ensemble de Tubas
1
Cor, Orchestre
1
Quatuor de cuivres: 4 trompettes
1
2 Cors (duo)
1
3 Cors (trio)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Euphonium
1
2 Tubas (duo)
1
Trombone basse et Piano
1
Trompette, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Instrumentations suivantes
Retracter
CORDES
Violon (partie séparée)
3935
Contrebasse (partie séparée)
1634
Violoncelle (partie séparée)
1467
Quatuor à cordes: 2 violons, alto, violoncelle
1237
Alto seul
830
Alto (partie séparée)
516
Quintette à cordes: 2 violons, alto, violoncelle, basse
269
Violon
166
Violon, Violoncelle (duo)
116
Violon et Piano
112
Contre Basse
110
Trio à Cordes: violon, alto, violoncelle
81
Trio à Cordes: 2 violons, violoncelle
75
Violoncelle
43
Violoncelle, Orchestre
31
Violon, Alto (duo)
29
Violoncelle, Piano
28
Alto, Piano
28
Contrebasse, Piano (duo)
21
2 Violons (duo)
21
Harpe
17
2 Violoncelles (duo)
16
Violon, Guitare (duo)
15
Ensemble d'Altos
13
Ensemble de Violons
12
Trio à cordes: 3 violins
12
4 Violoncelles
11
Alto, Violoncelle (duo)
9
Harpe, Violon (duo)
8
Alto et orchestre
8
Violoncelle, Contrebasse (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Trio à Cordes: 3 violoncelles
5
Trio à cordes
5
2 Altos (duo)
5
Harpe, Orchestre
5
Harpe, Quatuor à cordes
4
Trio à Cordes: 2 violons, alto
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes : 4 altos
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Orgue
2
Trio à cordes: 3 altos
1
4 Contrebasses
1
4 Harpes
1
Harpe (partie séparée)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
18140
Orchestre
1709
Orchestre de chambre
1388
Percussion (partie séparée)
351
Orchestre d'harmonie
201
Batterie (partie séparée)
125
Ensemble Jazz
64
Timbales (partie séparée)
22
Orchestre, Violon
16
Ensemble de Percussions
14
Ensemble de cuivres
14
Piano et Orchestre
11
Percussion
10
Jazz combo
7
Instrumentation Flexible
5
Cloches
4
Fanfare
4
Vibraphone
2
Big band
2
Ensemble d'École
2
Voix et Orchestre
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Xylophone, Piano
1
Batterie
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
String orchestra
Trombone et Piano
Partitions à imprimer
19 partitions trouvées
<
1
Air on the G String by Bach for Trombone
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.1125922 Composed by Johann Seba…
(+)
Piano,Trombone - Level 1 - Digital Download SKU: A0.1125922 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #726671. Published by Woods Only, Arrangements (A0.1125922). This easy arrangement for trombone and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$3.99
3.65 €
#
Trombone et Piano
#
Johann Sebastian Bach
#
Ander
#
Air on the G String by Bach for Trombone
#
Woods Only, Arrangements
#
SheetMusicPlus
I Know Whom I Have Believed (for Solo Trombone & Piano)
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.893202 Composed by James McGran…
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.893202 Composed by James McGranahan. Arranged by Arr. Dan Marvin / Edit. Tim Zimmerman. Christian,Sacred. Score and part. 10 pages. Tim Zimmerman & The King's Brass #6091067. Published by Tim Zimmerman & The King's Brass (A0.893202). Performance tested by Tim Zimmerman & The King's Brass / Zimmerman & Marvin on their A Backwards Glance CD. This composition was written as a duet between the solo trombone & solo piano. It is an exciting arrangement by King's Brass pianist, Dan Marvin, combining the hymn tune I Know Whom I Have Believed with Aaron Copland's Hoe-Down from Rodeo. Perfect for an offertory or contest piece where a traditional hymn tune is desired. Not difficult but double tonguing is a must. Also available for Solo Bb Trumpet & Piano; Solo Trumpet, Strings & Piano; & Solo Trombone, Strings & Piano. String Orchestra track is available. www.kingsbrass.org.
$4.99
4.57 €
#
Trombone et Piano
#
James McGranahan
#
Arr
#
I Know Whom I Have Believed
#
Tim Zimmerman & The King's Brass
#
SheetMusicPlus
Eine Kleine Nachtmusik (1st Mov.) for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.528330 Composed by Wolfgang Ama…
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.528330 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 11 pages. Diego Marani #5755543. Published by Diego Marani (A0.528330). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Trombone faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$8.99
8.23 €
#
Trombone et Piano
#
Wolfgang Amadeus Mozart
#
Diego Marani
#
Eine Kleine Nachtmusik
#
Diego Marani
#
SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.02 €
#
Trombone et Piano
#
Cherry Classics Music
#
John, W
#
Concerto for Trombone and Piano accompaniment
#
Gordon Cherry
#
SheetMusicPlus
Downton Abbey (theme)
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.749214 By John Lunn. By John Lu…
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.749214 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Horvat #3560439. Published by Helen Marple-Horvat (A0.749214). Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for other solo players and piano, as well as for string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, Downton Abbey, you can see and hear the live version. The harmony and structure is exactly the same. Though I am a pianist and string player, a trombonist assure me that this is a great key for a trombonist! Make sure that you grow through the phrases with your pianist. It is a piece that requires a great deal of ebb and flow with lots of crescendo and diminuendo throughout for you to feel together! Please do send me a recording of your playing it, even if it is done on a phone. Send me a message on Facebook. I hope you enjoy playing this piece!
$12.99
11.88 €
#
Trombone et Piano
#
John Lunn
#
HELEN MARPLE-HORVAT
#
Downton Abbey
#
Helen Marple-Horvat
#
SheetMusicPlus
Jesus Loves Me (for Solo Trombone & Piano)
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.893197 Composed by William B. B…
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.893197 Composed by William B. Bradbury. Arranged by Arr. Lisa Nelson/ Edit. Tim Zimmerman. Christian,Sacred. Score and part. 9 pages. Tim Zimmerman & The King's Brass #6087317. Published by Tim Zimmerman & The King's Brass (A0.893197). Performance tested by Tim Zimmerman & The King's Brass on their Praise & Celebration CD on the Summit Record Label. Perfect for a prelude, offertory, children's dedication, funeral or communion service, where a traditional hymn tune is desired. This composition was originally written as a duet between the solo trumpet (flugelhorn) & the solo piano, but is here made available for Solo Trombone. This beautiful arrangement by King's Brass pianist, Lisa Nelson, combines Jesus Loves Me with the Brahms Lullaby. Also available for Solo Trumpet / Flugelhorn & Piano, Trumpet / Flugelhorn Duet & Piano. Piano & String Orchestra tracks are available. www.kingsbrass.org
$4.99
4.57 €
#
Trombone et Piano
#
William B
#
Arr
#
Jesus Loves Me
#
Tim Zimmerman & The King's Brass
#
SheetMusicPlus
Adagio Cantabile
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1240833 Composed by Giuse…
(+)
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1240833 Composed by Giuseppe Tartini. Arranged by Jaime Morales-Matos. Baroque. Score and part. 4 pages. Gordon Cherry #836226. Published by Gordon Cherry (A0.1240833). The Tartini Adagio Cantabile is a beautiful and haunting piece of music composed by the Italian Baroque composer Giuseppe Tartini. The composition is a slow and contemplative piece that is characterized by its lyrical melody and expressive harmonies.The piece is originally scored for solo violin and string orchestra, and it begins with a simple, yet evocative melody that is accompanied by a gentle, pulsing accompaniment. As the piece progresses, the soloist becomes more expressive, weaving intricate melodies around the underlying harmonic structure.One of the most notable features of the Tartini Adagio Cantabile is its use of dissonance, particularly in the harmonies that underpin the solo part. These dissonances create a sense of tension and release throughout the piece, adding to its emotional impact.Overall, the Tartini Adagio Cantabile is a masterful work of Baroque music and this 4-minute arrangement by Jaime Morales Matos showcases the expressive power of the Trombone and the creative genius of the composer. Its haunting melody and expressive harmonies have made it a beloved piece among both performers and audiences alike.Appropriate for advanced intermediate performers and is in bass clef.
$15.00
13.72 €
#
Trombone et Piano
#
Giuseppe Tartini
#
Jaime Morales-Matos
#
Adagio Cantabile
#
Gordon Cherry
#
SheetMusicPlus
Mundi Mundi
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.718479 Composed by Cezary Skubi…
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.718479 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and part. 13 pages. Daryl McKenzie #6252425. Published by Daryl McKenzie (A0.718479). The classic theme (Closing Credits music) from the Australian film Lillian's Story arranged for Solo Trombone and Piano accompaniment by the film's Orchestrator Daryl McKenzieFull audio demo here: https://tinyurl.com/yx9s72acAlso available for Solo Piano or numerous other solo instruments with Piano Accompaniment. Also Solo Piano with String Orchestra. Search here: http://bit.ly/39MilvtMore arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfenwww.mckenziemusicproductions.comYoutube Playlist: https://www.youtube.com/playlist?list=PLgP3xAGju1BJ-n99W8ow5xCGRfwTzfwT0
$19.99
18.29 €
#
Trombone et Piano
#
Cezary Skubiszewski
#
Daryl McKenzie
#
Mundi Mundi
#
Daryl McKenzie
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van B…
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.83 €
#
Trombone et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Concerto for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins.…
(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
25.16 €
#
Trombone et Piano
#
Mark Narins
#
Concerto for Trombone and Piano
#
Gordon Cherry
#
SheetMusicPlus
Happy Birthday to You!
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.1152369 By Keith Christopher Mu…
(+)
Piano,Trombone - Level 2 - Digital Download SKU: A0.1152369 By Keith Christopher Music. By Traditional. Arranged by Keith Christopher. Standards,Traditional. Score and part. 2 pages. Keith Christopher Music #752592. Published by Keith Christopher Music (A0.1152369). A simple arrangement of the ever-popular birthday song. It includes piano accompaniment with a solo part for any C Bass clef instrument (Trombone, Euphonium, Tuba, Bassoon, Cello, String Bass). Surprise somebody special with this added treat to their birthday! Also available separately for concert band/orchestra, brass ensemble, woodwind ensemble, string ensemble, and saxophone ensemble.
$4.99
4.57 €
#
Trombone et Piano
#
Keith Christopher Music
#
Keith Christopher
#
Happy Birthday to You!
#
Keith Christopher Music
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549502 Composed by Felix Mendel…
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.15 €
#
Trombone et Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn D…
(+)
Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.15 €
#
Trombone et Piano
#
AntonÃn Dvořák
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Humana
Trombone et Piano
Piano,Trombone - Digital Download SKU: A0.962341 Composed by Sergio Roberto de Oliv…
(+)
Piano,Trombone - Digital Download SKU: A0.962341 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and part. 21 pages. Sergio Roberto de Oliveira #4717969. Published by Sergio Roberto de Oliveira (A0.962341). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$13.80
12.63 €
#
Trombone et Piano
#
Sergio Roberto de Oliveira
#
Humana
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Two Pieces for Tuba or Bass Trombone & Piano
Trombone et Piano
Small Ensemble Bass Trombone,Piano,Tuba - Level 5 - Digital Download SKU: A0.792415…
(+)
Small Ensemble Bass Trombone,Piano,Tuba - Level 5 - Digital Download SKU: A0.792415 Composed by Edouard Lalo. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and parts. 12 pages. Gordon Cherry #4821591. Published by Gordon Cherry (A0.792415). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$17.50
16.01 €
#
Trombone et Piano
#
Edouard Lalo
#
Ralph Sauer
#
Two Pieces for Tuba or Bass Trombone & Piano
#
Gordon Cherry
#
SheetMusicPlus
Balm in Gilead (Arrangements Lvl 1-3 for TROMBONE + Written Accomp) HYMN
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.875042 Composed by Black Americ…
(+)
Piano,Trombone - Level 1 - Digital Download SKU: A0.875042 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score and part. 5 pages. Jerry Nelson #3691395. Published by Jerry Nelson (A0.875042). This lush arrangement recorded with the London Concert Orchestra,moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this spirited Orchestral Accompaniment Track (#SO.432357). Time 3:51 Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$4.99
4.57 €
#
Trombone et Piano
#
Black American Spiritual
#
Dr Jerry Nelson
#
Balm in Gilead
#
Jerry Nelson
#
SheetMusicPlus
A Legend of Paul Bunyan (Quasi-Concerto for Trombone, Narrator and String Orchestra - Piano version)
Trombone et Piano
Composed by Michael D. Blostein. Modern, Fairy Tales, Spoken Word, Patriotic, Americana. P…
(+)
Composed by Michael D. Blostein. Modern, Fairy Tales, Spoken Word, Patriotic, Americana. Piano Reduction, Score, Set of Parts. 19 pages. Published by Michael D. Blostein (S0.98087). - Piano Reduction,Score,Set of Parts - Modern,Fairy Tales,Spoken Word,Patriotic,Americana - Michael D. Blostein
$10.00
9.15 €
#
Trombone et Piano
#
Michael D
#
A Legend of Paul Bunyan
#
Michael D. Blostein
#
SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
(+)
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.16 €
#
Trombone et Piano
#
Antonio J
#
London Town Fantasy for Trombone and Piano
#
Cherry Classics Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
