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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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CLAVECIN
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GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
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VIOLON
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Take It Slow
Non classifié
202
Piano & claviers
Piano seul
80
Piano, Voix et Guitare
14
Piano, Voix
2
Piano Facile
2
1 Piano, 6 mains
1
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
+ 4 instrumentations
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Guitares
Guitare
11
Guitare notes et tablatures
3
3 Guitares (trio)
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Ukulele
1
Banjo
1
Dulcimer
1
+ 3 instrumentations
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Voix
Chorale SATB
15
Chorale 3 parties
2
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2
Chorale TTBB
2
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1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
58
Quintette de Saxophone: 5 saxophones
57
Ensemble de saxophones
19
Quatuor de Saxophones: 4 saxophones
14
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9
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5
Quatuor de Clarinettes: 4 clarinettes
5
Quatuor de Flûtes : 4 flûtes
4
2 Saxophones (duo)
4
Flûte et Guitare
2
Hautbois (partie séparée)
2
Ensemble de Flûtes
2
2 Clarinettes (duo)
2
2 Flûtes traversières (duo)
2
Flûte traversière
2
2 Hautbois (duo)
2
Flûte, Violoncelle
1
Clarinette, Guitare (duo)
1
Hautbois, Piano (duo)
1
Clarinette
1
Flute (partie séparée)
1
Saxophone Alto et Piano
1
Flûte à bec Alto
1
Flûte à Bec
1
Clarinette Basse, Piano
1
3 Clarinettes (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
5 Flûtes à bec
1
Flûte traversière et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
+ 25 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
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10
Ensemble de Trombones
8
Cor
6
Trompette
6
Ensemble de Trompettes
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone et Piano
3
2 Cors (duo)
2
Trompette (partie séparée)
2
Tuba
2
2 Euphoniums (duo)
2
2 Trombones (duo)
2
Trompette, Piano
2
Euphonium
1
Ensemble de Cors
1
2 Trompettes (duo)
1
Trombone basse et Piano
1
Trombone
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon
8
Ensemble d'Altos
6
Ensemble de Violons
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Violon et Piano
3
2 Violoncelles (duo)
3
Alto, Piano
2
Violon, Alto (duo)
1
Harpe
1
Contre Basse
1
Ensemble de Violoncelles
1
Alto (partie séparée)
1
Harpe, Trombone (duo)
1
+ 11 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
17
Orchestre
16
Ensemble Jazz
14
Jazz combo
9
Ensemble de cuivres
5
Orchestre à Cordes
5
Orchestre de chambre
4
Cloches
3
Batterie
3
Ensemble de Percussions
3
Fanfare
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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TROMPETTE
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Take It Slow
Trombone et Piano
Partitions à imprimer
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Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Keiko Takashima
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Breeze in The Hearts, Bloom in
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
B-Flat trombone,Piano - Level 5 - SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1...
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B-Flat trombone,Piano - Level 5 - SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99
Busy Tone
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Hayden Woods
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Busy Tone
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Hayden Lee Woods
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. Published by Hayd...
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Piano,Trombone - Level 4 - SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. Published by Hayden Lee Woods (A0.901482). Original trombone solo by Hayden WoodsWhat do you do when you try calling for something dire that must be addressed and the phones are backed up for hours...and hours...with no end in sight? Other than losing patience (which you should never lose), going crazy might be the next step. Hearing the busy tone over-and-over again as it pounds your brain into a mushed pile of misfiring neurons with a side of bloodshot eyes from straining to keep conscious. This 12-tone project enamors the mind with blips of melody, sprinkled over the piano’s endless E-flats that simulate the pain of trying to get past the busy tone. It’s short and to the point on the premise and only takes the 80 seconds (ish, it’s up to you how fast/slow dial tones make you feel) to drive the sanity down.
$8.99
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Take It Slow
