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Vous avez sélectionné:
The Accompanist
Trombone et Piano
Partitions à imprimer
11 partitions trouvées
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1
Singin' In The Rain
Trombone et Piano
Large Ensemble Alto Saxophone,B-Flat Trumpet,Drum Set,Electric Bass Guitar,Harp,Percussion…
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Large Ensemble Alto Saxophone,B-Flat Trumpet,Drum Set,Electric Bass Guitar,Harp,Percussion,Piano,Trombone - Level 3 - Digital Download SKU: A0.599723 Composed by Arthur Freed and Nacio Herb Brown. Arranged by David Maddux. Broadway,Contemporary,Film/TV,Musical/Show. Score and parts. 56 pages. David Maddux #208961. Published by David Maddux (A0.599723). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$60.00
54.07 €
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Trombone et Piano
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Arthur Freed and Nacio Herb Brown
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David Maddux
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Singin' In The Rain
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David Maddux
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SheetMusicPlus
Bach-Gounod: Ave Maria for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.549368 Composed by Bach-Gounod.…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3491299. Published by jmsgu3 (A0.549368). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.69 €
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Trombone et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
31.54 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Andante expressivo from "Songs Without Words" Op.30 No.1
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.1400206 By Felix Bartholdy Mend…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1400206 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 9 pages. Ian Fitze #983419. Published by Ian Fitze (A0.1400206). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple melody that continuously contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Technically not too demanding for both the soloist and the accompanist.
$1.99
1.79 €
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Trombone et Piano
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Felix Bartholdy Mendelssohn
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Ian Fitze
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Andante expressivo from "Songs Without Words" Op.30 No.1
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Ian Fitze
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SheetMusicPlus
Four Sketches for Trombone & Piano - 2. Trombeguine
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.991548 Composed by Michael West…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.991548 Composed by Michael West. Instructional. Score and part. 6 pages. Michael West #3004307. Published by Michael West (A0.991548). Notes:- These little pieces in semi-popular or swing mode are intended for the young player. They pre-suppose a limited range [a partly chromatic 9th], and they contain only a few 6th position low C’s, and few if any awkward shifts. Dynamic changes are few and once the basic rhythms have been mastered, are effective concert pieces. Audio mp3’s both with and without solo line are included for practice and performance if an accompanist is not available (MW) © Copyright 2016 West Music All Rights Reserved.
$4.00
3.6 €
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Trombone et Piano
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Michael West
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Four Sketches for Trombone & Piano - 2. Trombeguine
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Michael West
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SheetMusicPlus
Four Sketches for Trombone & Piano - 4. Mexicanabone
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.991550 Composed by Michael West…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.991550 Composed by Michael West. Instructional. Score and part. 7 pages. Michael West #3004311. Published by Michael West (A0.991550). Notes:- These little pieces in semi-popular or swing mode are intended for the young player. They pre-suppose a limited range [a partly chromatic 9th], and they contain only a few 6th position low C’s, and few if any awkward shifts. Dynamic changes are few and once the basic rhythms have been mastered, are effective concert pieces. Audio mp3’s both with and without solo line are included for practice and performance if an accompanist is not available (MW) © Copyright 2016 West Music All Rights Reserved.
$4.00
3.6 €
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Trombone et Piano
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Michael West
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Four Sketches for Trombone & Piano - 4. Mexicanabone
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Michael West
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SheetMusicPlus
Four Sketches for Trombone & Piano - 3. Tromblues
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.991549 Composed by Michael West…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.991549 Composed by Michael West. Instructional. Score and part. 6 pages. Michael West #3004309. Published by Michael West (A0.991549). Notes:- These little pieces in semi-popular or swing mode are intended for the young player. They pre-suppose a limited range [a partly chromatic 9th], and they contain only a few 6th position low C’s, and few if any awkward shifts. Dynamic changes are few and once the basic rhythms have been mastered, are effective concert pieces. Audio mp3’s both with and without solo line are included for practice and performance if an accompanist is not available (MW) © Copyright 2016 West Music All Rights Reserved.
$4.00
3.6 €
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Trombone et Piano
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Michael West
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Four Sketches for Trombone & Piano - 3. Tromblues
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Michael West
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SheetMusicPlus
Four Sketches for Trombone & Piano - 1. Trombounce
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.991547 Composed by Michael West…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.991547 Composed by Michael West. Instructional. Score and part. 10 pages. Michael West #3004305. Published by Michael West (A0.991547). Notes:- These little pieces in semi-popular or swing mode are intended for the young player. They pre-suppose a limited range [a partly chromatic 9th], and they contain only a few 6th position low C’s, and few if any awkward shifts. Dynamic changes are few and once the basic rhythms have been mastered, are effective concert pieces. Audio mp3’s both with and without solo line are included for practice and performance if an accompanist is not available (MW) © Copyright 2016 West Music All Rights Reserved.
$4.00
3.6 €
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Trombone et Piano
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Michael West
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Four Sketches for Trombone & Piano - 1. Trombounce
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Michael West
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SheetMusicPlus
Bold Trombone
Trombone et Piano
Instrumental Duet Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0…
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Instrumental Duet Instrumental Duet,Piano,Trombone - Level 2 - Digital Download SKU: A0.937895 Composed by Anthea John-Phillip. Contemporary. Score and parts. 8 pages. Anthea John-Phillip #2010535. Published by Anthea John-Phillip (A0.937895). Written in 6/8 time, this Trombone solo, with piano accompaniment, is a mixture of dotted quarter notes, dotted half notes, and eighth notes. The major key of F is used with repeated melody lines and many rests to facilitate easy breathing. Bold Trombone is a conversation with the piano accompanist, who has similar rhythmic and melodic passages.
$8.00
7.21 €
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Trombone et Piano
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Anthea John-Phillip
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Bold Trombone
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Anthea John-Phillip
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SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel)
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.512922 Composed by Traditional.…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.512922 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. Score and part. 11 pages. Roger Wallace #5888625. Published by Roger Wallace (A0.512922). Trombone Solo with Piano Accompaniment. Can also be played by Baritone/Euphonium/Bassoon/Cello. Package includes parts for Treble Clef Trombone/Tenor Sax, Horn in F and Viola. The beautiful melody of this hymn is shared by the soloist and accompanist in the opening verse. The development section includes antiphonal lines accompanying the melody. The audio sample (“Listenâ€) represents a Trombone solo. The YouTube sample (“Watchâ€) represents a Bassoon solo.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$3.99
3.6 €
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Trombone et Piano
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Traditional
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Roger Wallace
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O Come, O Come, Immanuel
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Roger Wallace
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SheetMusicPlus
Impromptu Op. 90 #3
Trombone et Piano
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1354715 Composed by Franz…
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1354715 Composed by Franz Schubert. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period,Wedding. Score and part. 10 pages. Ian Fitze #939412. Published by Ian Fitze (A0.1354715). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This renowned piano piece was simplified to feature the Trombone soloist. The accompaniment part is still somewhat technically challenging - but a competent accompanist should be able to handle it. The Trombone part is fairly straightforward.
$1.99
1.79 €
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Trombone et Piano
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Franz Schubert
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Ian Fitze
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Impromptu Op. 90 #3
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Ian Fitze
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SheetMusicPlus
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