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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Second Line: Score
Non classifié
242
Piano & claviers
Piano seul
153
Piano Facile
85
Piano, Voix
35
1 Piano, 4 mains
26
Piano, Voix et Guitare
23
Accompagnement Piano
23
Orgue
10
2 Pianos, 4 mains
4
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
14
Mandoline
9
Basse electrique
7
Guitare
5
Guitare (partie séparée)
4
Mandoline, Guitare (duo)
4
2 Guitares (duo)
3
Ukulele
2
Guitare notes et tablatures
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
27
Chorale 3 parties
4
Chorale SSAA
4
Chorale 2 parties
3
Chorale Unison
3
Chorale TTBB
3
Voix Soprano, Piano
3
Voix seule
1
Voix moyenne, Piano
1
Voix haute
1
Chorale SSAATTBB
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
23
Saxophone Alto et Piano
13
Clarinette et Piano
13
Hautbois, Piano (duo)
12
Saxophone Tenor et Piano
11
Saxophone (partie séparée)
10
2 Clarinettes (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
3 Saxophones (trio)
2
Hautbois, Basson (duo)
2
Clarinette
2
Cor anglais, Piano
2
Ensemble de Flûtes
2
Quintette de Saxophone: 5 saxophones
2
Flûte et Guitare
2
Clarinette, Harpe (duo)
2
Hautbois, Harpe
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Basson et Piano
1
Clarinette Basse, Piano
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
2 Flûte à bec (duo)
1
+ 37 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
11
Trombone (partie séparée)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette (partie séparée)
7
Cor et Piano
6
2 Trompettes (duo)
4
Euphonium, Piano (duo)
4
Trompette
3
Cor
2
Tuba et Piano
2
Cor anglais, Piano
2
3 Trombones (trio)
2
2 Trombones (duo)
2
2 Cors (duo)
2
2 Cors, Piano
1
Tuba
1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
Trombone
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
25
Alto, Piano
19
Violoncelle, Piano
18
Harpe
15
Trio à Cordes: violon, alto, violoncelle
10
Violon
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Violoncelle
3
Harpe, Violon (duo)
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
1
Contre Basse
1
Alto seul
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
2 Altos, Piano
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
49
Orchestre d'harmonie
41
Orchestre
23
Cloches
18
Ensemble de cuivres
18
Orchestre à Cordes
16
Batterie
15
Ensemble de Percussions
8
Orchestre de chambre
7
Fanfare
6
Jazz combo
4
Batterie (partie séparée)
2
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Vous avez sélectionné:
The Second Line: Score
Trombone et Piano
Partitions à imprimer
15 partitions trouvées
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1
Mission: Impossible Theme
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme
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Roger Wallace
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.512939 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. Score an...
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Piano,Trombone - Level 4 - SKU: A0.512939 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. Score and part. 13 pages. Roger Wallace #5996867. Published by Roger Wallace (A0.512939). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Trombone with Piano Accompaniment. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. Can also be played by Baritone/Euphonium/Bassoon/Cello. Package includes parts for Tenor Sax, Horn and Viola. NOTE: Audio sample clip begins 3 measures before Letter B. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$4.99
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,S...
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Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Because He Lives
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Trombone et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Bill Gaither and Gloria Gaithe
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John A
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Because He Lives
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John A. Dempsey
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - SKU: A0.1420466 Composed by Bill Gaither and Gloria Gaither. Arranged by John A. Dempsey. Christian,Contemporary,Easter...
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Piano,Tenor Trombone - Level 3 - SKU: A0.1420466 Composed by Bill Gaither and Gloria Gaither. Arranged by John A. Dempsey. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 13 pages. John A. Dempsey #1001897. Published by John A. Dempsey (A0.1420466). Arranged as a duet for trombone and piano, this Gaither gospel classic with its strong, steadfast message of belief in Christ and His death, burial and Resurrection is recommended for traditional church services and other worship events including Good Friday and Easter services, as a prelude, postlude, an offertory, and special music. Â The structure of the arrangement is: piano intro, first verse, chorus, second verse, chorus and a repeat of the last line of the chorus. Â The trombone note range is more expansive during the second verse and chorus. Â 9 pages of music (that includes a two-page trombone part). Â Key: F major.
$7.99
TROMBONE SONATA
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ron Levy
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TROMBONE SONATA
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Thinkling Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1024003 Composed by Ron Levy. Contemporary. Score and part. 54 pages. Thinkling Music #5733147. Published by Thinklin...
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Piano,Trombone - Level 4 - SKU: A0.1024003 Composed by Ron Levy. Contemporary. Score and part. 54 pages. Thinkling Music #5733147. Published by Thinkling Music (A0.1024003). I. Da Dee gets its title onomatopoeically from the nursery rhyme-like quality of its opening measures. It is a playground taunt, a nursery rhyme - the Millennial Whoop in augmentation? The movement is in sonata form. II. Waiting for Sunrise emerged from a snippet of melody originally conceived for a solo bassoon piece. (It may show up in my Bassoon Sonata, in another form. I like to reuse and recycle). The way the movement unfolds was inspired perhaps by the grotto scene from Ravel’s Daphnis and Chloe. III. Clown Car The movement opens with a Surprise! gesture - a sort of musical clowning around. The second theme is a mambo bass line accompanying a soaring and hopeful horn line. There is some blues too, before a contemplative coda brings all to a reassuring, if slightly melancholic, close.
$15.00
Bach: Wachet auf for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Sonata No. 1 for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 1 for Trombone and
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Pete Strohm Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928159 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 40 pages. ...
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Piano,Trombone - Level 4 - SKU: A0.928159 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 40 pages. Pete Strohm Music #5884941. Published by Pete Strohm Music (A0.928159). Sonata No. 1 for Trombone and Piano was written for American trombonist Larry Zalkind.The piece is in three movements and tonal throughout, using various modes to weave familiar yet unpredictable lines and harmonies. The first movement, in F, is a brisk and energetic sonata form, using various major and minor modes. The second movement is a Larghetto in simple ABA song form. The somber, reflective opening section is in f minor. The lush middle section builds through major keys, cascading back to the original f minor theme to close. The third movement opens with a solo statement that leads into a dance-like 6/8 rondo in F, alternating its energetic themes between minor and major. Â Difficulty level is medium-advanced, and perfect for recital, festival or contest. Total performance time is 13:35. Â Member, ASCAP.
$13.00
Sonata No. 1 for Bass Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 1 for Bass Trombone
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Pete Strohm Music
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SheetMusicPlus
Bass Trombone,Piano - Level 4 - SKU: A0.1259263 Composed by P. F. Strohm. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. ...
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Bass Trombone,Piano - Level 4 - SKU: A0.1259263 Composed by P. F. Strohm. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 40 pages. Pete Strohm Music #852535. Published by Pete Strohm Music (A0.1259263). Sonata No. 1 for Bass Trombone and Piano from American composer P. F. Strohm is in three movements and tonal throughout, using various modes to weave familiar yet unpredictable lines and harmonies.The first movement, in F, is a brisk and energetic sonata form, using various major and minor modes. The second movement is a Larghetto in simple ABA song form. The somber, reflective opening section is in f minor. The lush middle section builds through major keys, cascading back to the original f minor theme to close. The third movement opens with a solo statement that leads into a dance-like 6/8 rondo in F, alternating its energetic themes between minor and major. Dedicated to trombonist Eric Wallace, it's difficulty level is medium-advanced. Sonata No. 1 for Bass Trombone and Piano is perfect for bass trombone recital or contest. Total performance time is 13:35.  Member, ASCAP.
$13.00
Beach Spring — trombone, piano, opt. flute
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Trombone et Piano
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INTERMÉDIAIRE
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B
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Todd Marchand
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next by flute and piano
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Beach Spring — trombone,
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1089531 Composed by B.F. White. Arranged by Todd Marchand. Folk,Sacred,Traditional. Score and part. 7 pages. Con Spir...
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Piano,Trombone - Level 3 - SKU: A0.1089531 Composed by B.F. White. Arranged by Todd Marchand. Folk,Sacred,Traditional. Score and part. 7 pages. Con Spirito Music #693741. Published by Con Spirito Music (A0.1089531). BEACH SPRING is a hymn tune attributed to Benjamin Franklin White (1800-1879), co-editor of The Sacred Harp shape-note hymnal, where the tune was published in 1844. Paired there with a text beginning Come, ye sinners, poor and needy, it has served as accompaniment for various other hymn texts since.Although attributed to White, the pentatonic tune (comprising five notes — degrees 1, 2, 3, 5, and 6 of the major scale) is likely of folk origin. In this arrangement, the tune is presented three times: first by trombone with piano accompaniment; next by flute and piano; and after a modulation up one step, by trombone and piano in a new harmonization with descending chromatic bass line.An ideal choice for offertory or communion solo, BEACH SPRING may be performed by trombone and piano alone, as the flute melody in the second verse is present in the piano as well.©Copyright 2020 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$6.00
Fantasia for Bass Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Fantasia for Bass Trombone and
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Sy Brandon
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.755043 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 18 pages. Sy Brandon #3249481. Published by...
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Piano,Trombone - Level 4 - SKU: A0.755043 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 18 pages. Sy Brandon #3249481. Published by Sy Brandon (A0.755043). This work was composed for Tom Everett. It is in free form as the piece develops two main themes. The first is an expansive line in an allegro tempo. The second is a rhythmic idea in 5/8. A lento middle section provides contrast to the outer sections.This work is recorded by Justin Clark on the Emeritus label Trombonarama
$9.99
Christchurch Variations for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stephen Lines
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Christchurch Variations for Tr
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Stephen Lines
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.957735 Composed by Stephen Lines. Contemporary. Score and part. 26 pages. Stephen Lines #26253. Published by Stephen ...
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Piano,Trombone - Level 4 - SKU: A0.957735 Composed by Stephen Lines. Contemporary. Score and part. 26 pages. Stephen Lines #26253. Published by Stephen Lines (A0.957735). This piece was composed for Will Hutchinson, an up-and-coming young trombonist from Christchurch, New Zealand. It is in three movements, the first is chorale-like and calls for a rich tone together with excellent lyrical interpretation - a fine opportunity to bring the romantic element to the fore. The second movement is a waltz and great fun for the player(s) and the audience. The third movement gives the soloist the opportunity to show his or her musicianship and is much loved by audiences. For the soloist and pianist this is not a technically difficult piece to play - but it provides an excellent opportunity to interpret the music and draw the audience in.
$17.50
Lo! How a Rose E'er Blooming
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1500212 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 12 pages....
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Piano,Tenor Trombone - Level 4 - SKU: A0.1500212 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 12 pages. Roger Wallace #1076291. Published by Roger Wallace (A0.1500212). Trombone Solo with Piano Accompaniment. Can also be played by Tuba/Euphonium/Bassoon/Cello. Package includes parts for Treble Clef Trombone/Tenor Sax, Baritone Sax/Eb Bass and Horn in F.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Tuba solo.Full and Piano Accompaniment demonstrations (in MP3) of a Cello solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Cello solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$5.99
Lo! How a Rose E'er Blooming
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.512921 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 12 pages. Roger ...
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Piano,Trombone - Level 4 - SKU: A0.512921 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 12 pages. Roger Wallace #5888113. Published by Roger Wallace (A0.512921). Trombone Solo with Piano Accompaniment. Can also be played by Baritone/Euphonium/Bassoon/Cello. Package includes parts for Treble Clef Trombone/Tenor Sax, Horn in F and Viola. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano). The audio sample (“Listenâ€) represents a Trombone solo. The YouTube sample (“Watchâ€) represents a Cello solo.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$3.99
Jesu, Joy of Man's Desiring (trombone and piano)
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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Daniel C
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Jesu, Joy of Man's Desiring
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Daniel C. M.
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.810198 Composed by Johann Sebastian Bach. Arranged by Daniel C. M. Baroque,Concert,Standards,Wedding. Score and part....
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Piano,Trombone - Level 2 - SKU: A0.810198 Composed by Johann Sebastian Bach. Arranged by Daniel C. M. Baroque,Concert,Standards,Wedding. Score and part. 3 pages. Daniel C. M. #5710963. Published by Daniel C. M. (A0.810198). This is an arrangement for trombone (bass or tenor) with an easy piano accompaniment. The trombone part has only the main melody and the piano is a simplified version of the bass line with secondary voices. Although the structure of the whole piece has been shortened, it keeps the essentials to still enjoy this piece.
$3.99
Ballad and Dance Variations for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Ballad and Dance Variations fo
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Sy Brandon
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.755080 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 32 pages. Sy Brandon #3369731. Published by...
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Piano,Trombone - Level 4 - SKU: A0.755080 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 32 pages. Sy Brandon #3369731. Published by Sy Brandon (A0.755080). The Ballad is lyrical with long lines, rich harmonies, and the trombone part uses the high tessitura frequently. It is rhapsodic in form and has a trombone cadenza towards the end. Three variations follow that are based on motivic ideas from the Ballad. The first is in the style of a waltz, the second is a tango, and the last movement, a stomp.
$14.99
Adagio Sostenuto from "Piano Concerto No. 2" for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - SKU: A0.1228522 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional...
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Piano,Tenor Trombone - Level 3 - SKU: A0.1228522 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #824600. Published by Diego Marani (A0.1228522). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for trombone with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
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The Second Line: Score
