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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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AFRICAIN
AMERICANA
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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PIANO & CLAVIERS
Piano seul
101
Piano, Voix
69
Piano Facile
63
Piano, Voix et Guitare
27
Instruments en Do
14
Orgue
8
2 Pianos, 4 mains
6
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
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Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare notes et tablatures
21
Guitare
18
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
3 Guitares (trio)
3
2 Guitares (duo)
3
Mandoline
2
Paroles et Accords
2
4 Guitares (Quatuor)
1
Banjo
1
Dulcimer
1
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1
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VOIX
Chorale SATB
61
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12
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10
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8
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6
Chorale Unison
6
Chorale 2 parties
6
Voix duo, Piano
2
Voix duo
1
Voix haute
1
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VENTS
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette et Piano
33
Quatuor de Saxophones: 4 saxophones
32
Clarinette
30
2 Flûtes traversières (duo)
28
Hautbois, Piano (duo)
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone, Clarinette (duo)
23
Saxophone Alto et Piano
23
Quintette de Saxophone: 5 saxophones
21
2 Clarinettes (duo)
20
Saxophone Alto
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Violon (duo)
16
Flûte, Hautbois, Clarinette, Basson
15
Hautbois (partie séparée)
15
Clarinette, Trompette (duo)
14
Ensemble de Clarinettes
12
Saxophone Soprano et Piano
11
2 Hautbois (duo)
11
Flûte traversière
10
Saxophone Tenor et Piano
10
Flûte, Clarinette (duo)
10
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10
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9
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9
Ensemble de saxophones
8
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8
Clarinette et Alto
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8
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7
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7
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7
Cor anglais, Piano
7
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6
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6
3 Saxophones (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Trompette (duo)
5
Clarinette Basse, Piano
5
Flûte à bec Soprano
4
Piccolo, Piano
2
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2
Clarinette, Basson (duo)
2
Ensemble à vent
2
3 Flûtes à bec (trio)
2
2 Flûte à bec (duo)
2
Flûte, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Hautbois, Violoncelle
2
Cor Anglais
2
Hautbois, violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Basse continue
1
Clarinette (partie séparée)
1
Flûte à Bec, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte irlandaise
1
Ensemble De Flûte à bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette, Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
25
Trompette, Saxophone (duo)
16
Trombone et Piano
14
Euphonium, Piano (duo)
11
Trompette, Trombone (duo)
10
Trompette
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trompettes (duo)
9
2 Trombones (duo)
9
Ensemble de Trombones
7
Ensemble de Trompettes
7
Cor
7
Cor anglais, Piano
7
Tuba
6
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Trombone
3
Cor Anglais
2
Tuba et Piano
2
Quatuor de cuivres: 4 trompettes
2
Trompette (partie séparée)
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
Ensemble de Cors
1
Tuba et Orgue
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Alto, Piano
42
Violon et Piano
39
Violoncelle, Piano
29
Harpe
19
Violon
17
Violon, Violoncelle (duo)
13
2 Violoncelles (duo)
11
Violon, Alto (duo)
10
2 Altos (duo)
10
2 Violons (duo)
10
Trio à Cordes: 2 violons, violoncelle
7
Ensemble de Violons
5
4 Violoncelles
5
Violoncelle (partie séparée)
5
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
4
Violoncelle
4
Ensemble d'Altos
3
Alto, Violoncelle (duo)
2
Violon (partie séparée)
2
Quatuor à cordes : 4 altos
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Alto (partie séparée)
2
Harpe, Trombone (duo)
2
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
70
Orchestre à Cordes
32
Orchestre
27
Ensemble Jazz
14
Ensemble de cuivres
14
Orchestre de chambre
11
Jazz combo
10
Ensemble de Percussions
3
2 Xylophones
2
Fanfare
2
Piano et Orchestre
1
Orchestre, Violon
1
Batterie
1
Marimba
1
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AUTRES
Vous avez sélectionné:
Their First Time
Trombone et Piano
Partitions à imprimer
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The First Noel
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.1325448 Composed by Traditional…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.1325448 Composed by Traditional. Arranged by André Nusa. Christmas,Traditional. Score and part. 2 pages. Andre_Nusa #913675. Published by Andre_Nusa (A0.1325448). Embark on a musical journey with The First Noel, an enchanting arrangement for trombone and piano tailored for beginners. This sheet music unlocks the magic of the holiday season, offering a delightful rendition of a timeless classic. Perfectly suited for those starting their musical exploration, this arrangement ensures a joyful and accessible experience. Embrace the spirit of the holidays as you bring this iconic carol to life with the seamless interplay between trombone and piano.
$5.99
5.53 €
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Trombone et Piano
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Traditional
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André Nusa
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The First Noel
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Andre_Nusa
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SheetMusicPlus
Luther: Out of the Depths for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luthe…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.04 €
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Trombone et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Jingle Bells for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.548658 Composed by James Pierpo…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408227. Published by jmsgu3 (A0.548658). Jingle Bells arranged for trombone & piano featuring an unusual final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.04 €
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Trombone et Piano
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James Pierpont
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James M
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Jingle Bells for Trombone & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn D…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.43 €
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Trombone et Piano
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Illusion for Trumpet, Trombone and Piano
Trombone et Piano
Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Dow…
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Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435). Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass TromboneThe work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers.
$37.50
34.63 €
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Trombone et Piano
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Elizabeth Raum
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Illusion for Trumpet, Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Hallelujah
Trombone et Piano
Piano,Tenor Trombone - Level 1 - Digital Download SKU: A0.1459106 By Leonard Cohen.…
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Piano,Tenor Trombone - Level 1 - Digital Download SKU: A0.1459106 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1038043. Published by Walt Oliver (A0.1459106). Discover the Magic of Leonard Cohen's Hallelujah - Arrangement for Piano and Trombone (Easy - Beginner Level)Relive the stirring and iconic melody of Leonard Cohen's Hallelujah with this captivating arrangement for piano and trombone. Perfect for beginner musicians, this arrangement offers a rewarding musical experience without complications. Ideal for those looking to add an impressive piece to their repertoire, whether for small recitals, special events, or intimate moments at home.Arrangement Features:* Difficulty Level: Easy - Beginner* Instruments: Piano and Trombone* Musical Genre: Pop, Contemporary Classical, Folk, Film/tv, Holiday, Christmas, Religious* Duration: Approximately 3 minutesBenefits and Uses:* Ease of Play: This arrangement has been carefully adapted for beginners, ensuring even new musicians can play with confidence and enjoyment.* Versatility: Ideal for a variety of occasions, from school recitals to family celebrations.* Musical Development: Perfect for enhancing basic sheet music reading skills and coordination between instruments.* Emotional Engagement: The timeless melody of Hallelujah provides a rich emotional experience, touching hearts and enchanting audiences of all ages.Why You’ll Love This Arrangement:The story of Hallelujah, widely known for its presence in the movie Shrek, resonates with emotion and beauty, and this arrangement captures that essence in an accessible way. With simplified piano chords and a charming melodic line on the trombone, you’ll be able to recreate the magic of this iconic song, bringing joy and emotion to any setting.If you're looking for a musical piece that combines simplicity and beauty, this arrangement of Hallelujah is the perfect choice. Awaken the magic of music effortlessly and captivate your audience from the very first chord!Purchase now and start playing this emotionally stirring melody, adding a touch of elegance and sentiment to your musical performances.
$4.99
4.61 €
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Trombone et Piano
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Leonard Cohen
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Walt Oliver
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Hallelujah
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Walt Oliver
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.550490 Composed by Antonio Viva…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.550490 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4642165. Published by jmsgu3 (A0.550490). Sonata da Chiesa No. 4 in Bb Major for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.43 €
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Trombone et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 5 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.550514 Composed by Antonio Viva…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.550514 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717741. Published by jmsgu3 (A0.550514). Sonata da Chiesa No. 5 in E Minor for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.43 €
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Trombone et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.550412 Composed by Antonio Viva…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.550412 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4629993. Published by jmsgu3 (A0.550412). Sonata da Chiesa in Bb for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.43 €
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Trombone et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.550462 Composed by Antonio Viva…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.550462 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638493. Published by jmsgu3 (A0.550462). Sonata da Chiesa No. 3 in A Minor for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.43 €
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Trombone et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 2 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.550438 Composed by Antonio Viva…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.550438 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4634181. Published by jmsgu3 (A0.550438). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.43 €
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Trombone et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 6 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.550538 Composed by Antonio Viva…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.550538 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727291. Published by jmsgu3 (A0.550538). Sonata da Chiesa No. 6 in Bb Major for Trombone & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.43 €
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Trombone et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Trombone & Piano
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jmsgu3
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SheetMusicPlus
To Rise Again
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Al…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
36.94 €
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Trombone et Piano
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.4 €
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Trombone et Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
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