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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Three Score And Ten
Non classifié
1 973
Piano & claviers
Piano seul
452
Piano, Voix
109
Piano Facile
108
Piano, Voix et Guitare
71
Orgue
63
Piano Trio: piano, violon, violoncelle
32
1 Piano, 4 mains
26
Accompagnement Piano
15
Orgue, Piano (duo)
6
Accordéon
6
Piano Quatuor: piano, violon, alto, violoncelle
3
Instruments en Do
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 4 mains
2
Clavecin
2
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
15
Ukulele
13
2 Guitares (duo)
9
Guitare notes et tablatures
6
Basse electrique
5
3 Guitares (trio)
4
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
3
Guitare (partie séparée)
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
111
Chorale 3 parties
75
Voix seule
20
Chorale 2 parties
15
Chorale Unison
13
Chorale TTBB
9
Voix duo, Piano
5
Voix Soprano, Piano
3
Chorale
3
Chorale SSAATTBB
3
Chorale SSAA
3
Voix moyenne, Piano
2
Voix duo
2
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix haute
1
Voix Alto, Piano
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
468
Saxophone, Clarinette (duo)
226
2 Clarinettes (duo)
199
2 Flûtes traversières (duo)
176
Clarinette, Violon (duo)
148
Clarinette, Trompette (duo)
129
Flûte, Clarinette (duo)
90
Saxophone Tenor et Piano
88
Hautbois, Basson (duo)
85
2 Hautbois (duo)
82
Flûte, Saxophone (duo)
75
Clarinette et Alto
75
Hautbois, Clarinette (duo)
74
Flûte traversière et Piano
73
Hautbois, Flûte
70
Quatuor de Saxophones: 4 saxophones
70
Flûte, Violon
67
Clarinette et Piano
62
Flûte, Alto (duo)
61
Flûte, Trompette (duo)
56
Hautbois, Piano (duo)
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Saxophone Alto et Piano
44
3 Clarinettes (trio)
43
Quintette de Saxophone: 5 saxophones
35
Quatuor de Clarinettes: 4 clarinettes
34
3 Saxophones (trio)
33
Trio de Flûtes: 3 flûtes
33
Saxophone Soprano et Piano
28
Flûte, Hautbois, Clarinette, Basson
28
Ensemble de saxophones
27
Ensemble de Clarinettes
14
Cor anglais, Piano
12
Clarinette
12
Flûte et Guitare
12
Flûte traversière
11
Quatuor de Flûtes à bec
11
3 Flûtes à bec (trio)
10
Flûte, Violoncelle
9
Clarinette, Violoncelle (duo)
9
Saxophone Baryton, Piano
9
Quatuor de Flûtes : 4 flûtes
8
2 Flûte à bec (duo)
8
Flûte à Bec
7
Saxophone Tenor
7
Clarinette, Basson (duo)
7
Saxophone (partie séparée)
6
Quintette de Flûte : 5 flûtes
6
Ensemble de Flûtes
6
Cor anglais, Guitare (duo)
5
Clarinette, Guitare (duo)
5
Ensemble De Flûte à bec
5
Flûte, Violon, Piano
5
Clarinette Basse, Piano
5
Flûte, Clarinette et Basson
4
Flûte à bec Tenor
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette (partie séparée)
3
Clarinette, Trombone (duo)
3
Flûte, Hautbois, Basson
3
Flute, harpe et violon
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Harpe
2
Flûte, Hautbois (duo)
2
Flute (partie séparée)
2
Hautbois
2
2 Saxophones, Piano
2
Saxophone Alto
2
2 Flûtes traversières, Piano
2
Ensemble à vent
2
Clarinette, Harpe (duo)
2
2 Clarinettes, Piano
2
Saxophone et Guitare
2
Hautbois (partie séparée)
2
Saxophone et Harpe
2
2 Cors Anglais Et Pianoforte
2
Flûte, Basson et Piano
2
Flûte à bec Soprano
2
Saxophone et violoncelle
1
Hautbois et alto (duo)
1
Flûte à bec Soprano, Piano
1
Piccolo, Piano
1
Saxophone et Orgue
1
Saxophone
1
Hautbois, Violoncelle
1
Saxophone, Basson (duo)
1
Harmonica
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Hautbois, Basson et Piano
1
Ocarina
1
Flûte, Clarinette, Piano (trio)
1
2 Clarinettes, Basson
1
+ 90 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
164
2 Trombones (duo)
93
Trompette, Trombone (duo)
82
2 Trompettes (duo)
79
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Trombone et Piano
68
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Trompette, Piano
34
Cor et Piano
25
Quatuor de cuivres: 4 trombones
25
Tuba et Piano
24
Ensemble de Trombones
20
Euphonium, Piano (duo)
16
3 Trompettes (trio)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Cor anglais, Piano
12
Ensemble de Trompettes
10
2 Cors (duo)
10
3 Trombones (trio)
9
Trompette
9
Quatuor de cuivres: 4 cors
7
Quatuor de Cuivres
5
Cor anglais, Guitare (duo)
5
Trombone (partie séparée)
5
Trio de Cuivres
4
Trompette (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Harpe
3
Trombone
3
Cor (partie séparée)
3
Trombone, Orgue
3
Cor, Violoncelle (duo)
3
Tuba
3
Euphonium, Tuba (duo)
3
Trombone basse et Piano
2
Tuba (partie séparée)
2
2 Tubas (duo)
2
Cor
2
Trombone, violoncelle (duo)
2
4 Tubas
2
3 Euphoniums
2
2 Euphoniums (duo)
2
Trompette, Cor (duo)
2
Ensemble de Cors
2
2 Cors Anglais Et Pianoforte
2
Trompette, Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Tuba (duo)
1
Trompette, Trombone, Piano
1
Euphonium
1
2 Trombones, Piano
1
Ensemble de Tubas
1
Trombone et orchestre
1
Cor anglais et Harpe (duo)
1
2 Euphoniums et 2 Tubas
1
Cor, Trompette, Trombone (trio)
1
2 Cors, Piano
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
300
Violon, Violoncelle (duo)
236
Trio à Cordes: violon, alto, violoncelle
162
Violon
122
Violon, Alto (duo)
92
2 Altos (duo)
85
2 Violoncelles (duo)
84
Violon et Piano
71
Harpe
66
Violoncelle, Piano
66
Alto, Piano
44
2 Violons (duo)
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Trio à cordes: 3 violins
20
2 Harpes (duo)
19
Alto, Violoncelle (duo)
10
Trio à Cordes: 2 violons, violoncelle
10
4 Violoncelles
9
Contrebasse, Piano (duo)
8
Alto seul
8
Trio à cordes: 3 altos
8
Ensemble d'Altos
7
Violon, Guitare (duo)
7
Trio à Cordes: 3 violoncelles
6
Ensemble de Violons
6
Violoncelle
6
Violoncelle , Guitare (duo)
6
Contre Basse
5
Harpe, Violoncelle (duo)
4
Harpe, Flûte (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Trombone (duo)
4
Violon (partie séparée)
3
2 Violons, Piano
3
Alto, Guitare (duo)
3
Harpe, Violon (duo)
3
3 Harpes
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Alto et Harpe
2
Quatuor à cordes : 4 altos
1
4 Harpes
1
Harpe et Piano
1
Violon, Basse continue
1
Trio à cordes
1
Ensemble de Violoncelles
1
2 Contrebasses (duo)
1
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
315
Orchestre à Cordes
200
Orchestre
139
Ensemble de cuivres
105
Ensemble Jazz
60
Orchestre de chambre
49
Cloches
46
Ensemble de Percussions
33
Batterie
30
Jazz combo
20
Fanfare
7
Vibraphone
3
Piano et Orchestre
1
Batterie (partie séparée)
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Instrumentation Flexible
1
Percussion (partie séparée)
1
Orchestre, Violon
1
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
Three Score And Ten
Trombone et Piano
Partitions à imprimer
68 partitions trouvées
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51
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
#
Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Handel: Largo from Xerxes for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sco...
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Piano,Trombone - Level 3 - SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492557. Published by jmsgu3 (A0.549391). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Gada Meirin Theme and Variation Fantasy for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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You Dao Ma
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Li Kuang
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Gada Meirin Theme and Variatio
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1111191 Composed by You Dao Ma. Arranged by Li Kuang. 20th Century,Romantic Period. Score and part. 21 pages. Gordon ...
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Piano,Trombone - Level 5 - SKU: A0.1111191 Composed by You Dao Ma. Arranged by Li Kuang. 20th Century,Romantic Period. Score and part. 21 pages. Gordon Cherry #713469. Published by Gordon Cherry (A0.1111191). Gada Meiren Theme and Variation Fantasy is the most well-known trombone composition in China. It was originally written for solo trombone and orchestra (unpublished) by Chinese composer You Dao Ma (1915-2010). The composer adapted the Inner Mongolian folk song Gada Meiren, also the name of the Inner Mongolian hero. The trombone and piano version of this piece was first published in China in 1959. Gada Meiren Theme and Variation Fantasy is a single movement work that depicts a story with four distinct parts. Part one: The repressed emotions of the Inner Mongolian people under the ruler. Gada Meiren led his people to fight against the ruler to protect their home and land. Part two: Gada Meiren's nostalgia for his homeland and people when fighting away from home. Part three: Gada Meiren's death in the battle. People mourned their hero with great sadness. Epilogue: People's remembrance and praise for their hero Gada Meiren, carrying his spirit moving forward. Taken from the 1959 version, this new edition of Gada Meiren Theme and Variation Fantasy for solo Trombone and Piano has fixed notation errors, added dynamics, articulations, tempo (bpm) markings, rearranged the piano score and solo part. All original Chinese terms in scores are translated into western standard musical terms. The solo is about 9.5 minutes in length and appropriate for advanced performers.
$22.50
I Saw Three Ships for Solo Trombone
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Trombone et Piano
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INTERMÉDIAIRE
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Noël
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Traditional
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Lawrence H
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I Saw Three Ships for Solo Tro
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Lawrence H Underwood
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.967603 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and...
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Piano,Trombone - Level 3 - SKU: A0.967603 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6167765. Published by Lawrence H Underwood (A0.967603). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Situation Update - Suite for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Fetter, David
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Situation Update - Suite for T
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Published by Gordon...
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Piano,Trombone - Level 5 - SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Published by Gordon Cherry (A0.810761). David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length: 1. Swift 2. Longing 3. Exit Music Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax. Both the solo and accompaniment parts are written for advanced performers. The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by composer Eric Ewazen. Here is what Mr. Ewazen has said about Situation Update: I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and rightly deserves to take its place as a significant addition to the Trombone repertoire.
$25.00
Three Ancient Capitals for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Keiko Takashima
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Three Ancient Capitals for Tro
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digit...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.
$29.95
Drei Stücke for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Alexander Zemlinsky
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Eric High
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Drei Stücke for Trombone
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.792607 Composed by Alexander Zemlinsky. Arranged by Eric High. 20th Century,Multicultural,Romantic Period,World...
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Piano,Tenor Trombone - Level 5 - SKU: A0.792607 Composed by Alexander Zemlinsky. Arranged by Eric High. 20th Century,Multicultural,Romantic Period,World. Score and part. 17 pages. Gordon Cherry #5010409. Published by Gordon Cherry (A0.792607). Drei Stücke (Three Pieces) for Trombone and Piano by Alexander Zemlinsky is an early work composed in 1891, and originally scored for Cello and Piano. It has been beautifully arranged for Trombone and Piano by Eric High. The three movements are titled: I. Humoreske II. Lied III. Tarantell About 8 minutes in length, it is appropriate for advanced performers.
$27.50
E lucevan le stelle from "Tosca" (Puccini) - Solo Trombone or Euphonium and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Giacomo Puccini
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Rob Bushnell
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E lucevan le stelle from "Tosc
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Rob Bushnell
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SheetMusicPlus
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1490460 Co...
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B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1490460 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and individual part. 10 pages. Rob Bushnell #1067302. Published by Rob Bushnell (A0.1490460). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement (for solo euphonium and piano accompaniment) includes an alternative part for euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHYOther searchable terms: Luciano Pavarotti.
$19.99
Wedding March by Mendelssohn, for Solo Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.587610 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standard...
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Piano,Trombone - Level 3 - SKU: A0.587610 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403662. Published by David McKeown (A0.587610). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Trombone and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sonata No. 5 for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 5 for Trombone and
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Pete Strohm Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928164 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 68 pages. ...
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Piano,Trombone - Level 4 - SKU: A0.928164 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 68 pages. Pete Strohm Music #6411765. Published by Pete Strohm Music (A0.928164). Sonata No. 5 for Trombone and Piano was written for American trombonist Mark Babbitt, Professor of Trombone at Illinois State University. The work is tonal, in three movements. The first movement, Moderato, is in sonata form largely in 6/8, with a lyrical trombone and sparkling piano moving between B and E-flat. The middle movement in A major labeled Andante sospirando has Eastern overtones, both rhythmic and tonal. In a sub-divided 3/4, the sound in the first half is a mystical Lydian, shifting the same melody to Ionian at the midpoint. A dramatic piano section punctuates both halves. The third movement, Allegro is a modified rondo form in a duple meter with an Americana sound. It brims with confidence and playfulness, alternating between C and G-flat, with sweeping themes and a driving, wilder midsection. Sonata No. 5 for Trombone and Piano is an outstanding work for contest, concert or recital. Difficulty level is medium-advanced. Performance time is 17:30. Member, ASCAP.
$15.00
Six Hungarian Dances for Two Trombones and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Six Hungarian Dances for Two T
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928182 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Con...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928182 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period. Score and parts. 80 pages. Pete Strohm Music #6758789. Published by Pete Strohm Music (A0.928182). The first six of Johannes Brahms' Hungarian Dances, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. The individual dances are three to five minutes long. Performance time for the complete set of Six Hungarian Dances for Two Trombones and Piano would be about 21:00. You can watch and hear the score video for each of the Six Hungarian Dances on this site or on my YouTube channel, as well as by visiting https://petestrohm.com. Difficulty is Medium-Advanced. Member, ASCAP
$27.95
Sonata for Low Brass and Piano
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Trombone et Piano
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Contemporain
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Andrew Lewinter
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Sonata for Low Brass and Piano
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Andrew Lewinter
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SheetMusicPlus
Piano,Trombone - SKU: A0.928319 Composed by Andrew Lewinter. Classical,Contemporary. Score and part. 34 pages. Andrew Lewinter #532428. Published by And...
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Piano,Trombone - SKU: A0.928319 Composed by Andrew Lewinter. Classical,Contemporary. Score and part. 34 pages. Andrew Lewinter #532428. Published by Andrew Lewinter (A0.928319). Sonata for Low Brass and Piano is either a trombone sonata, a bass trombone sonata, or a euphonium sonata: The piece is equally playable on any of those three instruments, plus piano. It is in three movements and is written in a romantic idiom.
$9.99
Sonata No. 3 for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 3 for Trombone and
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Pete Strohm Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928161 Composed by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival. Score and part. 44 pages. P...
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Piano,Trombone - Level 4 - SKU: A0.928161 Composed by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival. Score and part. 44 pages. Pete Strohm Music #6168663. Published by Pete Strohm Music (A0.928161). Sonata No. 3 for Trombone and Piano was written for American trombonist Mark Lawrence. It is tonal throughout, in three movements. The work is demanding in both technique and ensemble, but should be truly enjoyable to play and hear. The first movement, marked Moderato giocoso, is in sonata form in the key of G. The exposition is played muted, moving abruptly into a driving and open development, centered in D minor. The recap starts open, then re-employs the mute for a quiet close. The second movement is a beautiful, flowing song Lento con espressione, in D-flat major. It shifts to C# minor for a muted mid-section, then returns to the open horn in D-flat major to close. Â The third movement is marked Allegro gioioso. Â It is a driving 2/4, based around C Major, and briefly muted in the middle. Difficulty level for both instruments is medium-advanced. Total performance time is 15:30. Â Member, ASCAP.Â
$13.00
Concerto in D for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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William Pagan-Perez
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Concerto in D for Trombone and
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William Pagan-Perez
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1374004 Composed by William Pagan-Perez. 21st Century. Score and part. 33 pages. William Pagan-Perez #958576. P...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1374004 Composed by William Pagan-Perez. 21st Century. Score and part. 33 pages. William Pagan-Perez #958576. Published by William Pagan-Perez (A0.1374004). Concerto in D is a fresh three-movement piece for trombone solo and the reduction for piano made by composer WIlliam Pagán-Pérez. This concerto was originally for trombone and orchestra.I. ModeratoII. AndantinoIII. ModeratoIt has modern harmonies. With cantabile and motivic phrases. And a danceable twist with a touch of the reggaeton/pop rhythm.
$24.95
Fantasy Pieces, Opus 73 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Robert Schumann
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Sauer, Ralph
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Fantasy Pieces, Opus 73 for Tr
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.792226 Composed by Robert Schumann. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 28 pag...
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Piano,Tenor Trombone - Level 5 - SKU: A0.792226 Composed by Robert Schumann. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 28 pages. Gordon Cherry #4728863. Published by Gordon Cherry (A0.792226). There are three movements in Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849, he linked each piece harmonically. He directs the performers to follow on to the next section, indicating that these movements were intended as a whole. From a mood of delicate expression, through eloquent and lively to fiery and urgent, this is a compelling and intriguing work. The Fantasy Pieces are full of Romanticism and thoughtfulness to make it an important and entertaining work. This version has been skillfully arranged for Tenor Trombone and Piano by Ralph Sauer, formerly Principal Trombonist of the Los Angeles Philharmonic.
$25.00
Canon Pachelbel + Free Mp3 Playback + Solo and Piano Parts
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Trombone et Piano
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DÉBUTANT
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Classique
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Canon Pachelbel + Free Mp3 Pla
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Trombone - Level 1 - SKU: A0.1266120 By Fabio Eduardo de Oliveira. By Johann Pachelbel. Arranged by Fabio Eduardo de Oliveira. 20th Century,...
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Piano,Tenor Trombone - Level 1 - SKU: A0.1266120 By Fabio Eduardo de Oliveira. By Johann Pachelbel. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #858865. Published by Fabio Eduardo (A0.1266120). Free Download Mp3 Backing TrackPachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842.
$1.99
Gregory Sullivan Isaacs: Song Without Words for trombone and piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.533379 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Mu...
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Piano,Trombone - Level 4 - SKU: A0.533379 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618671. Published by Musik Fabrik Music Publishing (A0.533379). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
Sonata for Tenor Trombone and Piano or Organ
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Henry Purcell
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Kempton, Jeremy
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Sonata for Tenor Trombone and
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Organ,Piano,Trombone - Level 4 - SKU: A0.811046 Composed by Henry Purcell. Arranged by Kempton, Jeremy. Baroqu...
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Instrumental Duet,Piano Instrumental Duet,Organ,Piano,Trombone - Level 4 - SKU: A0.811046 Composed by Henry Purcell. Arranged by Kempton, Jeremy. Baroque,Classical,Renaissance. Score and parts. 8 pages. Gordon Cherry #4804079. Published by Gordon Cherry (A0.811046). Purcell's Sonata was originally written for Trumpet in D about 1694 and has been deftly arranged in the key of B-flat for tenor trombone and piano or organ by Jeremy Niles Kempton. The 5-minute work for moderately advanced performers is in three movements: Fast - Slow - Fast.
$17.50
Three Pieces for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Edward Elgar
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Ralph Sauer
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Three Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792414 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period,World. Score and par...
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Piano,Trombone - Level 5 - SKU: A0.792414 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4821573. Published by Gordon Cherry (A0.792414). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$17.50
Three Pieces for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792275 Composed by Edward Elgar. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period,World. Score and pa...
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Piano,Trombone - Level 5 - SKU: A0.792275 Composed by Edward Elgar. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4803779. Published by Gordon Cherry (A0.792275). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$17.50
Three Pieces for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792166 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.792166 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820415. Published by Gordon Cherry (A0.792166). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$15.00
Three Folksongs for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Bela Bartok
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Ralph Sauer
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Three Folksongs for Trombone a
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1253175 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century. Score and part. 6 pages. Gordon Cherry ...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1253175 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century. Score and part. 6 pages. Gordon Cherry #846929. Published by Gordon Cherry (A0.1253175). Three Folksongs from the County of CsÃk by Béla Bartók is a set of twenty-two arrangements by Béla Bartók of traditional folk melodies from the region of CsÃk in Transylvania, which was then part of Hungary. Composed in 1915, the work features intricate harmonies and rhythmic motifs that reflect Bartók's deep interest in the music of Eastern Europe.Ralph Sauer has beautifully set 3 of the 22 melodies for Tenor Trombone and Piano and they are appropriate for advanced performers.
$17.50
We Three Kings of Orient Are--trombone solo
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Trombone et Piano
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INTERMÉDIAIRE
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Noël
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John Henry Hopkins Jr
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Beka Wilson
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We Three Kings of Orient Are--
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Beka Wilson
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.786770 Composed by John Henry Hopkins Jr. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 9 page...
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Piano,Trombone - Level 3 - SKU: A0.786770 Composed by John Henry Hopkins Jr. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 9 pages. Beka Wilson #6434673. Published by Beka Wilson (A0.786770). This is a new arrangement of the popular minor-key Christmas song We Three Kings. The mysterious flair and style will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 3 minutesLevel: intermediate for most instruments9 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
Three Pieces from Suite Espanola for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Isaac Albeniz
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Sauer, Ralph
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Three Pieces from Suite Espano
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792123 Composed by Isaac Albeniz. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 28 pa...
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Piano,Trombone - Level 5 - SKU: A0.792123 Composed by Isaac Albeniz. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 28 pages. Gordon Cherry #3664857. Published by Gordon Cherry (A0.792123). Suite española, Op. 47 is a suite of four movements for solo Piano written in 1886 in honour of the Queen of Spain. After the composer's death, his editor added an additional four movements for a total of eight. Mr. Sauer has taken three of these movements for his marvelous arrangement for Trombone and Piano:1. Granada 2. Asturias 3. SevillaEach piece is based on a region of Spain and each region's character is honoured with a dance special to it. Some of Albéniz's music has become more popular for classical Guitar.This arrangement of 14 minutes in length is suitable for advanced performers.
$27.50
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