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--INSTRUMENTS--
ACCORDEON
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BANJO
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OCARINA
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What You Need Is ...
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194
Piano & claviers
Piano seul
74
Piano, Voix
27
Piano, Voix et Guitare
26
Piano Facile
23
Instruments en Do
13
2 Pianos, 4 mains
7
Orgue
7
1 Piano, 4 mains
6
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
Piano grosses notes
1
Clavier
1
2 Pianos, 8 mains
1
+ 10 instrumentations
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Guitares
Guitare
8
Guitare (partie séparée)
6
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4
Guitare notes et tablatures
4
Ukulele
3
Piano, Guitare (duo)
1
Paroles et Accords
1
Banjo
1
+ 3 instrumentations
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Voix
Chorale SATB
44
Chorale 3 parties
22
Chorale 2 parties
10
Chorale Unison
6
Chorale TTBB
5
Chorale SSAA
4
Voix haute
2
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1
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1
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1
Voix duo, Piano
1
Voix basse, Piano
1
Voix Soprano, Piano
1
+ 8 instrumentations
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16
2 Saxophones (duo)
13
Flûte traversière
11
3 Clarinettes (trio)
9
2 Flûtes traversières (duo)
7
Clarinette et Piano
7
Saxophone, Clarinette (duo)
6
Hautbois (partie séparée)
6
Clarinette, Trompette (duo)
6
Clarinette, Violon (duo)
5
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette
5
Flute (partie séparée)
5
2 Clarinettes (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte traversière et Piano
4
Flûte irlandaise
4
Trio de Flûtes: 3 flûtes
3
Cor anglais, Piano
3
Flûte, Alto (duo)
3
2 Hautbois (duo)
3
Ensemble de Flûtes
3
Clarinette et Alto
3
Flûte, Clarinette (duo)
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
3
Flûte, Saxophone (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Flûte
2
Hautbois, Piano (duo)
2
Saxophone Tenor et Piano
2
Saxophone Alto
2
Hautbois, Basson (duo)
1
Flûte à bec Soprano, Piano
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano
1
Saxophone Tenor
1
Flûte, Violon
1
3 Saxophones (trio)
1
Saxophone Baryton, Piano
1
Flûte et Trio à cordes
1
Hautbois, Clarinette (duo)
1
Flûte, Violon, Piano
1
Harmonica
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Clarinettes
1
Flûte, Trompette (duo)
1
+ 47 instrumentations
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Cuivres
Trombone (partie séparée)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette (partie séparée)
10
Trompette, Saxophone (duo)
6
Cor
6
Trompette
5
Cor anglais, Piano
3
Trompette, Trombone (duo)
3
Trombone
3
2 Trompettes (duo)
3
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Euphonium, Piano (duo)
2
2 Trombones (duo)
2
Cor (partie séparée)
2
Trombone et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
1
Cor et Piano
1
Tuba et Piano
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Harpe
16
Violon et Piano
7
Violon, Violoncelle (duo)
5
Violon
5
Violon, Alto (duo)
4
Contre Basse
4
2 Violoncelles (duo)
3
Violoncelle, Piano
3
Violoncelle
3
Contrebasse (partie séparée)
3
Alto, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
2
2 Altos (duo)
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Voix
1
+ 16 instrumentations
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Orchestre & Percussions
Ensemble Jazz
35
Orchestre d'harmonie
28
Orchestre à Cordes
16
Cloches
12
Orchestre
9
Fanfare
4
Batterie (partie séparée)
3
Ensemble de cuivres
2
Jazz combo
2
Percussion (partie séparée)
1
Xylophone, Piano
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Trombone et Piano
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18 Gospel Hymns Vol.2 for Solo Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Early Intermediate - Digital Download Composed by Var…
(+)
Piano Accompaniment, Trombone - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Trombone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.<br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep, <br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus, <br> <br> · Standing in the Need of Prayer, <br> <br> · Swing Low Sweet Chariot, <br> <br> · Steal Away, <br> <br> · There is a Fountain Filled with Blood, <br> <br> · There is Power in the Blood, <br> <br> · This Little Light of Mine, <br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Trombone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.18 Easy Gospel Hymns Vol.2 for Solo Trombone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.<br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep, <br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus, <br> <br> · Standing in the Need of Prayer, <br> <br> · Swing Low Sweet Chariot, <br> <br> · Steal Away, <br> <br> · There is a Fountain Filled with Blood, <br> <br> · There is Power in the Blood, <br> <br> · This Little Light of Mine, <br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Trombone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.
$8.49
7.83 €
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Trombone et Piano
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Various
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Worship
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18 Gospel Hymns Vol.2 for Solo Trombone and Piano
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David McKeown
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
(+)
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.35 €
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Trombone et Piano
#
Antonio J
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London Town Fantasy for Trombone and Piano
#
Cherry Classics Music
#
SheetMusicPlus
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