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ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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DEEJAY
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Even as He
Non classifié
436
Piano & claviers
Piano seul
197
Piano, Voix
104
Accordéon
34
Piano, Voix et Guitare
17
Orgue
17
Piano Facile
13
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
4
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2
1 Piano, 4 mains
1
Clavier
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
+ 10 instrumentations
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Guitares
Guitare
32
Guitare notes et tablatures
16
Mandoline
4
Ukulele
4
Basse electrique
2
Banjo
1
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
2 Guitares (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
115
Chorale 3 parties
11
Voix Alto, Piano
11
Chorale 2 parties
9
Chorale SSAA
8
Chorale TTBB
7
Voix Tenor, Piano
6
Voix duo, Piano
4
Voix Baryton, Piano
4
Chorale Unison
3
Voix haute
3
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix seule
1
Voix basse, Piano
1
Voix Tenor
1
+ 11 instrumentations
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Vents
Flûte traversière et Piano
71
Quatuor de Saxophones: 4 saxophones
48
Clarinette et Piano
45
Hautbois, Piano (duo)
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Saxophone Tenor et Piano
38
Saxophone Alto et Piano
36
Clarinette
31
Saxophone Baryton, Piano
29
Flûte, Hautbois, Clarinette, Basson
28
Saxophone Soprano et Piano
27
2 Saxophones (duo)
25
Cor anglais, Piano
25
2 Flûtes traversières (duo)
22
Quintette de Saxophone: 5 saxophones
20
Clarinette Basse, Piano
18
Quatuor de Clarinettes: 4 clarinettes
16
3 Saxophones (trio)
16
Hautbois (partie séparée)
11
2 Flûte à bec (duo)
11
3 Clarinettes (trio)
8
Quatuor de Flûtes à bec
8
Flûte traversière
8
2 Clarinettes (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Flûtes
7
5 Flûtes à bec
6
Flûte à bec Alto
5
Quintette de Flûte : 5 flûtes
5
Ensemble de Clarinettes
4
3 Flûtes à bec (trio)
4
Trio de Flûtes: 3 flûtes
4
Piccolo, Piano
3
Clarinette, Basson (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Harpe (duo)
2
Flûte irlandaise
2
Flute, harpe et violon
2
2 Clarinettes, Piano
2
Flûte, Clarinette (duo)
2
Flûte à bec Soprano
2
Ocarina
2
Saxophone
2
Flûte à Bec
2
Clarinette, Guitare (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto et Piano
1
Saxophone Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette et Basson
1
2 Hautbois (duo)
1
Ensemble de saxophones
1
Flûte, Violon et Violoncelle
1
Ensemble De Flûte à bec
1
Harmonica
1
Flûte et Guitare
1
Hautbois, Harpe
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Flûte traversière, Basse continue
1
Clarinette, trompette et piano
1
Flûte, Violon, Violoncelle et Piano
1
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Trombone et Piano
34
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34
Cor et Piano
29
Euphonium, Piano (duo)
28
Cor anglais, Piano
25
Trompette
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette, Piano
15
Quatuor de Cuivres
8
Ensemble de Trompettes
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Cors
4
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
3
Tuba et Piano
3
Tuba et Orgue
3
Quatuor de cuivres: 4 trompettes
3
Trio de Cuivres
3
2 Cors (duo)
2
Quatuor de cuivres: 4 cors
2
4 Tubas
2
2 Trombones (duo)
2
Tuba
2
Ensemble de Trombones
2
Cor
2
3 Trombones (trio)
1
2 Euphoniums (duo)
1
2 Trompettes (duo)
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
114
Violon et Piano
74
Alto, Piano
41
Violoncelle, Piano
39
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
16
Harpe
15
Violoncelle
13
Violon, Violoncelle (duo)
11
2 Harpes (duo)
9
Violon
9
Violon, Alto (duo)
6
2 Violoncelles (duo)
6
4 Violoncelles
5
2 Altos (duo)
5
Contre Basse
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 violins
4
Alto seul
4
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Trio à cordes: 3 altos
3
Harpe, Violon (duo)
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Voix
2
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble d'Altos
1
Ensemble de Violons
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Violon, Orgue
1
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Orchestre d'harmonie
84
Orchestre
29
Orchestre à Cordes
28
Ensemble de cuivres
26
Orchestre de chambre
12
Cloches
4
Ensemble Jazz
3
Marimba
2
2 Marimbas
1
Fanfare
1
Vibraphone
1
Orchestre, Violon
1
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Vous avez sélectionné:
Even as He
Saxophone
Partitions à imprimer
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The Four Horsemen (unaccompanied sax)
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Saxophone
#
AVANCÉ
#
Brandon Nelson
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The Four Horsemen
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Brandon Nelson
#
SheetMusicPlus
Instrumental Solo,Saxophone - Level 5 - SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual pa...
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Instrumental Solo,Saxophone - Level 5 - SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in four movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). He chose the theme of the “four horsemen of the apocalypse†because, as he puts it, “the saxophone was long considered ‘the devil’s instrument’due to the seedy and sultry qualities associated with it.â€ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said to represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As with many biblical passages, there are numerous interpretations of this account debated among theologians. Those that I’ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construed as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of the world’s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse, representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed as such. However, if you do not have access to all four saxes, you may perform the movements on the sax or saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.
$12.99
Nevermore
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Saxophone
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INTERMÉDIAIRE/AVANCÉ
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Craig Wadley
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Nevermore
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Wadley Publications
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. ...
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Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
$17.99
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Even as He
