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ME! Cello
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1 026
Piano & claviers
Piano Trio: piano, violon, violoncelle
76
Piano, Voix et Guitare
24
Piano seul
23
Piano Quatuor: piano, 2 violons, violoncelle
20
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano, Voix
13
Accompagnement Piano
12
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11
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5
Piano Facile
3
1 Piano, 4 mains
2
Orgue
1
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Guitares
Ligne De Mélodie, (Paroles) et Accords
2
Guitare
1
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1
Voix
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62
Chorale SATB
57
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10
Voix duo
9
Voix Soprano, Piano
9
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6
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4
Voix Alto, Piano
4
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3
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3
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2
Chorale
1
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1
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Hautbois, Piano (duo)
40
Saxophone Alto et Piano
35
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32
Clarinette et Piano
30
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29
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8
Flûte, Violoncelle, Piano (trio)
8
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5
Flûte, Violon, Violoncelle et Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Violoncelle (duo)
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Hautbois, Violoncelle
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Ensemble de Flûtes
3
Saxophone Soprano et Piano
2
Flûte et Trio à cordes
2
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2
Clarinette
2
Flûte, Violon, Piano
2
Hautbois, Violoncelle et Piano
2
Saxophone Tenor
2
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2
Flûte, Harpe et Violoncelle
2
Clarinette, Harpe (duo)
2
Clarinette, Violon (duo)
2
Quintette de Saxophone: 5 saxophones
2
Clarinette Basse, Piano
2
Quatuor de Flûtes : 4 flûtes
1
2 Saxophones, Piano
1
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1
Hautbois (partie séparée)
1
Saxophone Baryton, Piano
1
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1
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1
Saxophone
1
Flûte à bec Alto
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
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28
Bass Clef Instruments
25
Trombone et Piano
25
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18
Trompette
7
Trombone
4
Trompette, Violoncelle et Piano
3
Tuba et Piano
3
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2
Cor
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 cors
1
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1
Quatuor de cuivres: 4 trombones
1
Trombone basse
1
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Quatuor à cordes: 2 violons, alto, violoncelle
1 859
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702
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548
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464
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452
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206
2 Violoncelles (duo)
165
Trio à Cordes: 2 violons, violoncelle
87
Alto, Violoncelle (duo)
70
Violoncelle (partie séparée)
52
4 Violoncelles
46
Violon et Piano
46
Alto, Piano
40
Violon
25
Trio à Cordes: 3 violoncelles
17
Harpe, Violoncelle (duo)
15
Violoncelle , Guitare (duo)
15
Harpe, Violon (duo)
13
Alto et Harpe
13
Harpe, Flûte (duo)
11
Trio à cordes
10
Violon, Alto (duo)
8
Harpe, Violon, Violoncelle
6
Alto seul
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons (duo)
4
Violon (partie séparée)
4
2 Altos (duo)
4
Alto (partie séparée)
3
Violoncelle, Orgue
3
Harpe
3
Ensemble de Violoncelles
3
Contre Basse
2
Harpe, Voix
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à cordes: 3 violins
2
Violoncelle, Contrebasse (duo)
2
2 Violoncelles, Piano
2
Violoncelle, Orchestre
1
Violon, Trompette et Piano
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
+ 37 instrumentations
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Orchestre à Cordes
196
Orchestre
71
Orchestre de chambre
26
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6
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4
Orchestre d'harmonie
4
Cloches
2
Piano et Orchestre
1
Ensemble de cuivres
1
Xylophone, Piano
1
Ensemble Jazz
1
Batterie
1
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Vous avez sélectionné:
ME! Cello
Saxophone
Partitions à imprimer
1 partition trouvée
Nevermore
#
Saxophone
#
INTERMÉDIAIRE/AVANCÉ
#
Craig Wadley
#
Nevermore
#
Wadley Publications
#
SheetMusicPlus
Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. ...
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Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
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