Partitions Numériques de Common pour Flûte, Hautbois, Clarinette (trio)

Common

Shepherd's Dance from Henry VIII for Woodwind Trio #Flûte, Hautbois, Clarinette (trio) #INTERMÉDIAIRE #Contemporain #Sir Edward German #John Gibson #Shepherd's Dance from Henry VI #JB Linear #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.581976 Composed by Sir Edward German. Arranged by John Gibson. 20th Century. 9 p...(+)

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.581976 Composed by Sir Edward German. Arranged by John Gibson. 20th Century. 9 pages. JB Linear #3632637. Published by JB Linear (A0.581976). Edward German's Shepherd's Dance from Henry VIII set for woodwind trio by John Gibson. Before motion pictures it was common to have incidental music performed during plays. This dance by Edward German (composed 1892) is fun and very British. It is arranged for woodwind trio (flute, oboe or flute 2, and Bb clarinet).

HOTTETERRE: TRIO SONATA IN G MINOR OPUS 3 No. 1 for flute, oboe & clarinet #Flûte, Hautbois, Clarinette (trio) #INTERMÉDIAIRE #Jacqes Hotteterre #Pat pence #clarinet in Bb #HOTTETERRE: TRIO SONATA IN G M #Piper Publications #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.811821 Composed by Jacqes Hotteterre (1673 - 1763). Arranged by Pat pence. Baroq...(+)

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.811821 Composed by Jacqes Hotteterre (1673 - 1763). Arranged by Pat pence. Baroque,Concert,Graduation,Holiday,Standards. 24 pages. Piper Publications #6615111. Published by Piper Publications (A0.811821). This Trio Sonata is the first of a set of six published in Paris in 1712 for pairs of â€˜fluÌ‚tes traversieres, fluÌ‚tes a bec, violons, hautbois, &c.â€™ with continuo by Mr. Hotteterre, FluÌ‚te de la Chambre du Roy. They were dedicated to the Duke of Orleans and published â€˜avec privilege du Roy.â€™ The first Sonata has been edited and arranged for flute, oboe & clarinet in Bb. The four movements, Prelude, Fugue, Grave and Gigue, are in the Baroque style with the interest equally shared between the three parts. Dynamics in the 1712 edition are French - doux and fort. These have been standardised as p & f. The top parts were printed in the soprano clef - with g on the bottom line as was common in France at the time. Amusingly this led to some modern ill informed speculation about flutes of the period being expected to play low bs! In this edition all edits are shown using parentheses ( ) or dashed lines. The Trio is suitable for players of intermediate standard and above and provides repertoire in the French Baroque style for an ensemble of players just a few years beyond the reach of Hotteterre.

LOCATELLI TRIO SONATA IN E MINOR OPUS 5 No. 5 for flute, oboe & clarinet #Flûte, Hautbois, Clarinette (trio) #INTERMÉDIAIRE #Pietro Antonio Locatelli #Pat Spence #LOCATELLI TRIO SONATA IN E MIN #Piper Publications #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.811794 Composed by Pietro Antonio Locatelli (1695 - 1764). Arranged by Pat Spenc...(+)

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.811794 Composed by Pietro Antonio Locatelli (1695 - 1764). Arranged by Pat Spence. Baroque,Concert,Graduation,Instructional,Standards. 26 pages. Piper Publications #6345463. Published by Piper Publications (A0.811794). This is the fifth of six trio sonatas opus 5 first published in 1736. Although a clarinet would not have been available at the time of composition, the piece has been edited to preserve the Baroque style. Locatelli wrote the sonatas for violins or flutes with continuo and would have expected them to be played by what instruments were available. All edits are shown in parentheses ( ) or dashed lines. The clarinet part is in A. The three movements, Largo - Andante and Allegros in, respectively common and triple time provide equal independent parts for players of intermediate standard and above. The balance of the ensemble requires careful attention and players may wish to take turns to improvise short cadenzas at the pauses (fermatas).