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Gavotte from French Suite No.6 #Flûte, Hautbois, Clarinette (trio) #FACILE #Classique #Johann Sebastian Bach #AndrÃ© Nusa #Gavotte from French Suite No.6 #Andre_Nusa #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 2 - SKU: A0.1227534 Composed by Johann Sebastian Bach. Arranged by AndrÃ© Nusa. Baroque. 5...(+)

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 2 - SKU: A0.1227534 Composed by Johann Sebastian Bach. Arranged by AndrÃ© Nusa. Baroque. 5 pages. Andre_Nusa #823498. Published by Andre_Nusa (A0.1227534). This wind trio arrangement of the Gavotte from French Suite No. 6 by J.S. Bach is a beautiful and charming rendition of this classic baroque composition. The Gavotte is a well-known movement from Bach's French Suite No. 6, and the trio arrangement provides an opportunity to hear the piece in a new and unique way.In this arrangement, the melody is primarily carried by the flute , while the clarinet and oboe provide a rich and supportive accompaniment. The cclarinet and oboe play together, creating a beautiful and full-bodied harmonic foundation for the piece. The Gavotte is a dance form, and this arrangement fully captures the lively and joyous spirit of the music. The tempo is brisk and energetic, with a steady and driving rhythm that propels the music forward.

Trio Nº4 - for flute, oboe & clarinet in Bb #Flûte, Hautbois, Clarinette (trio) #AVANCÉ #Contemporain #Keith Moss #Trio Nº4 - for flute, obo #Keith Moss #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 5 - SKU: A0.977003 Composed by Keith Moss (b.1982). 20th Century,Contemporary. 39 pages. Kei...(+)

Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 5 - SKU: A0.977003 Composed by Keith Moss (b.1982). 20th Century,Contemporary. 39 pages. Keith Moss #3480965. Published by Keith Moss (A0.977003). The trio was written in 2012 for the first Stefans GrovÃ© Composition Competition. The brief was to write for any trio combination. Based on the poem by Gerard Manley Hopkings, As Kingfishers catch fire, Dragonflies draw flame, the imagery derived from the poem was the driving force behind the piece. Set in three movements I shifted the slow movement to the end. This was the first piece that explored the possibilities I set out to find regarding augmented triads and their resolutions.The first movement explores these possibilities but the difficulty lay in producing all three triadic resolutions with only three instruments simultaneously. The piece became an exercise in restraint. The second movement followed as a scherzo where arpegiated figures helped to flesh out the harmonic structures I was seeking. The final movement is a free-form canon of sorts putting the active preceding movements to rest. The piece subsequently won the First Prize in the competition and was awarded in early 2013.