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15
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9
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6
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1
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1
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1
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11
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9
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4
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4
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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20
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20
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16
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10
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8
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4
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4
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3
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2
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2
2 Harpes (duo)
2
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2
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1
4 Violoncelles
1
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1
Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
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9
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6
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2
Cloches
1
Ensemble d'École
1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Clarinette et Piano
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Pie Jesus, from Fauré's Requiem, for Clarinet and Piano
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.587706 Composed by Gabriel Faur…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.587706 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810595. Published by David McKeown (A0.587706). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Clarinet with Piano accompaniment. Both the piano score and the solo part are included in the pdf file.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.24 €
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Clarinette et Piano
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's Requiem, for Clarinet and Piano
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David McKeown
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SheetMusicPlus
Three Welsh Folk Songs for clarinet and piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1430219 Composed by Trad…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1430219 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Multicultural,Traditional,World. Score and part. 16 pages. Colin Kirkpatrick Publications #1010857. Published by Colin Kirkpatrick Publications (A0.1430219). Wales is often referred to as “The Land of Song” and singing has always been an important part of Welsh culture. There are many hundreds of Welsh folk songs, some of which are now recognized internationally. The three songs in this publication were originally from a set of six arranged for mezzo-soprano and piano in 1963 when the arranger, Colin Kirkpatrick was a music student in London. These new arrangements for clarinet and piano have retained many features of the original but have been slightly adapted for instrumental use. They would make an excellent addition to any clarinet recital or encore piece. The three songs are: 1. Cysga di, fy Mhlentyn Tlws (Sleep, my Pretty Child)2. Migildi Magildi (Song at the Smithy)3. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby)
$4.99
4.6 €
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Clarinette et Piano
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Traditional
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Colin Kirkpatrick
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Three Welsh Folk Songs for clarinet and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân,, - Bb clarinet and piano by Jean-Thierry Boisseau
Clarinette et Piano
Clarinet,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.533215 Compos…
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Clarinet,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.533215 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and individual part. 13 pages. Musik Fabrik Music Publishing #2059805. Published by Musik Fabrik Music Publishing (A0.533215). This is an arrangement of the famous Welsh lullaby. This work for clarinet and piano is not at all a set of variations on a theme, because the clarinet always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the clarinetist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.25 €
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Clarinette et Piano
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân,, - Bb clarinet and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach-Gounod: Ave Maria for Clarinet and Piano
Clarinette et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Clarinette et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Clarinet and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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