Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.

"When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:

Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie?s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]

In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song ? filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]

The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".

Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.

The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).

Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia

Scott Joplin is celebrated as the United States? first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin?s music until a revival in the 1970s brought The Entertainer and others to the world?s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers.

The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite.

They have been arranged as solos for one Clarinet with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes.

Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation.