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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Through The Years
Non classifié
106
Piano & claviers
Piano, Voix
59
Piano seul
46
Instruments en Do
5
Piano, Voix et Guitare
4
Accordéon
3
Piano Trio: piano, violon, violoncelle
1
Orgue
1
+ 2 instrumentations
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Guitares
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
1
Mandoline
1
Paroles et Accords
1
Ukulele
1
+ 1 instrumentations
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Voix
Chorale SATB
18
Voix Alto, Piano
9
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3
Chorale 3 parties
3
Chorale TTBB
2
Voix haute
1
Voix basse
1
Chorale 2 parties
1
+ 3 instrumentations
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Vents
Flûte, Hautbois, Clarinette, Basson
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Saxophones: 4 saxophones
4
Saxophone (partie séparée)
4
Clarinette (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Clarinette et Piano
3
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3
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3
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2
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2
Saxophone Alto
2
Flûte, Alto et Piano
2
Clarinette
2
Flute (partie séparée)
1
Flûte à bec Soprano
1
Saxophone Alto et Piano
1
Saxophone Tenor
1
Hautbois, Piano (duo)
1
Saxophone Tenor et Piano
1
Saxophone Baryton, Piano
1
+ 16 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Ensemble de Trompettes
33
Trompette (partie séparée)
10
Trombone (partie séparée)
10
Cor (partie séparée)
4
Trompette
3
3 Trompettes (trio)
2
Tuba
2
Cor
1
Trombone
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trombone et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Piano
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon
4
Alto, Piano
4
4 Violoncelles
3
Harpe
3
Violoncelle, Piano
3
Piano Trio: Violon, Alto, Piano
2
Violon, Violoncelle (duo)
2
Alto seul
2
Contre Basse
2
Violoncelle
2
Violon et Piano
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Violon, Alto (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
Quatuor à cordes: 4 violons
1
+ 16 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
31
Orchestre d'harmonie
19
Ensemble Jazz
17
Orchestre
10
Ensemble de cuivres
9
Percussion (partie séparée)
3
Orchestre de chambre
3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Mendelssohn: Wedding March for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix…
(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
23 €
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Clarinette et Piano
#
Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2 for Clarinet & Piano
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.1401552 Composed by Alexander S…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.1401552 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984736. Published by jmsgu3 (A0.1401552). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.38 €
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Clarinette et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude, Op. 51, No. 2 for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2 for Clarinet & Harp
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1401553 Composed by Alex…
(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1401553 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984737. Published by jmsgu3 (A0.1401553). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.38 €
#
Clarinette et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude, Op. 51, No. 2 for Clarinet & Harp
#
jmsgu3
#
SheetMusicPlus
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Through The Years
