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Beloved, Test the Spirits (sacred piece for clarinet and piano)
Clarinette et Piano
Clarinet,Piano - Level 5 - Digital Download SKU: A0.907129 Composed by Emily Wood. …
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Clarinet,Piano - Level 5 - Digital Download SKU: A0.907129 Composed by Emily Wood. Christian,Concert,Contemporary,Sacred,Standards. Score and part. 16 pages. Emily Sue Wood #4323489. Published by Emily Sue Wood (A0.907129). This is a programmatic piece for clarinet and piano based on 1 John 4:1-6, in which the apostle John warns the early church to discern the true spirit of God from false spirits of the antichrist. In the beginning, the soloist introduces the God melody, a pure and simple line. The next section, depicting the false spirits, takes this melody and turns it into what starts as cutesy and endearing, but ends up into an awkward and chaotic mess. God asserts Himself in the next section, bringing the chaos to a halt. Then, the false spirits try to steal the spotlight again, but they fail, of course. The Lord always triumphs, and His sheep know their Shepherd when they hear His voice. About 6 minutes long, written in fall 2018. .
$4.99
4.64 €
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Clarinette et Piano
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Emily Wood
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Beloved, Test the Spirits
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Emily Sue Wood
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SheetMusicPlus
Goya for Clarinet & String Quartet (Piano reduction)
Clarinette et Piano
B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.962432 Composed by Salva…
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B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.962432 Composed by Salvador Rojo Gamón. 20th Century,Instructional,Standards. Score and part. 52 pages. Salvador Rojo-Gamon #6429753. Published by Salvador Rojo-Gamon (A0.962432). Goya for Clarinet and String QuartetThis work was Commissioned by Bernardino Assunçao Sales for the Final work Master. I just have finished the process and it is based on the next five Paintings of Goya.Corral de locosVuelo de brujasEl aquejareEl ColosoSaturno devorando a su hijoThe general structure of the workRelationship of movementsThe third is the axis, the form is based on a false mirror where the (original) elements are presented by opposite movement forming a false palindrome.The elements thematic of the movements are related, the elements of the first movement reappear in the fifth movement and the elements of the second movement are related in the fourth.I-VII-IVUse of rhythmicsThe predominant rhythm in the first movement is based on a four-beat measure and in the second movement is based on a three-beat measure. These features are even more present in the fourth and the fifth movement.In the third movement (who does the axis of the work) the primary theme is structured over the ternary measure plus a quaternary measure 3/4 + 4/4 and the secondary theme over a quaternary measure plus a ternary measure 4/4 + 3/4.Program notesFirst MovementCorral de LocosThe first movement starts describing the characters of the painting Corral de Locos. The string represents the sick and the clarinet the keeper.In the first section, the language used is formed on the octatonic scale. The second section represents the feelings of the participants, the feelings of the protagonists are described. Nostalgia, longing for freedom, longing, etc. Second MovementVuelo de Brujas
$20.00
18.61 €
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Clarinette et Piano
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Salvador Rojo Gamón
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Goya for Clarinet & String Quartet
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Salvador Rojo-Gamon
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SheetMusicPlus
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