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20179
PIANO & CLAVIERS
Piano seul
3665
Piano, Voix
1950
Piano Facile
1263
Piano, Voix et Guitare
1191
Instruments en Do
397
Orgue
383
Accompagnement Piano
333
Piano grosses notes
166
1 Piano, 4 mains
154
Piano Trio: piano, violon, violoncelle
94
Piano (partie séparée)
93
2 Pianos, 4 mains
71
Accordéon
68
Piano Quatuor: piano, violon, alto, violoncelle
27
Orgue, Trompette (duo)
24
Piano Quatuor: piano, 2 violons, violoncelle
13
1 Piano, 6 mains
13
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
9
Clavier
8
Clavecin
7
2 Pianos, 8 mains
6
2 Accordéons
2
Concertina
1
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Guitare notes et tablatures
630
Guitare
466
Basse electrique
394
Ligne De Mélodie, (Paroles) et Accords
241
Guitare (partie séparée)
186
Ukulele
163
Paroles et Accords
72
2 Guitares (duo)
54
4 Guitares (Quatuor)
33
Mandoline
29
Piano, Guitare (duo)
27
Dulcimer
24
3 Guitares (trio)
22
Banjo
21
Ukulele Baryton
14
Ensemble de guitares
12
Guitare, Violon, Violoncelle (trio)
7
Basse électrique (partie séparée)
5
Mandoline, Guitare (duo)
4
2 Dulcimers (duo)
3
2 Mandolines (duo)
2
Ensemble de Ukulélés
2
Mandoline, Piano (duo)
2
Guitare Pedal Steel
1
Orchestre à Plectres
1
2 Ukuleles
1
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VOIX
Chorale SATB
2569
Chorale 3 parties
776
Chorale TTBB
606
Chorale 2 parties
531
Chorale Unison
321
Chorale SSAA
302
Voix duo, Piano
114
Voix seule
113
Voix duo
98
Voix Soprano, Piano
67
Chorale
27
Voix Tenor, Piano
26
Voix haute
24
Voix Alto, Piano
21
Voix moyenne, Piano
15
Chorale SSAATTBB
9
Voix Tenor
9
Voix Soprano
8
Voix basse, Piano
8
Voix Baryton, Piano
8
Chorale SSATTB
6
Chorale SSATB
5
Voix d'Enfants
4
Soli, choeur mixte et accompagnement
4
Voix Mezzo-Soprano, Piano
3
Chorale SSAB, Piano
2
Voix basse
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Voix, Guitare
1
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VENTS
Saxophone (partie séparée)
2624
Quatuor de Saxophones: 4 saxophones
2164
2 Saxophones (duo)
1993
Saxophone Alto et Piano
1250
Saxophone Alto
1246
Saxophone Tenor et Piano
1033
Quintette de Saxophone: 5 saxophones
909
Saxophone Soprano et Piano
717
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
695
Saxophone
684
Flûte traversière et Piano
625
Flûte, Hautbois, Clarinette, Basson
615
3 Saxophones (trio)
498
2 Clarinettes (duo)
449
Clarinette et Piano
448
Hautbois, Piano (duo)
435
Saxophone Tenor
420
Saxophone Baryton, Piano
410
Clarinette
400
Quatuor de Clarinettes: 4 clarinettes
389
2 Flûtes traversières (duo)
383
Saxophone, Clarinette (duo)
342
Ensemble de saxophones
322
Flûte traversière
298
Clarinette, Violon (duo)
230
Flûte, Clarinette (duo)
211
Hautbois (partie séparée)
177
Clarinette, Trompette (duo)
176
2 Hautbois (duo)
161
Quatuor de Flûtes : 4 flûtes
156
Saxophone Soprano
156
Ensemble de Clarinettes
149
Hautbois, Basson (duo)
148
Hautbois, Clarinette (duo)
142
Flûte, Saxophone (duo)
126
3 Clarinettes (trio)
120
Clarinette et Alto
118
Flûte, Violon
115
Ensemble de Flûtes
114
Quintette de Clarinettes: 5 clarinettes
107
Hautbois, Flûte
99
2 Flûte à bec (duo)
97
Flûte, Alto (duo)
92
Clarinette (partie séparée)
88
Flûte, Trompette (duo)
87
Saxophone Baryton
85
Cor anglais, Piano
83
Hautbois
82
Trio de Flûtes: 3 flûtes
73
Flute (partie séparée)
73
Flûte et Guitare
71
Flûte à bec Soprano
68
Quatuor de Flûtes à bec
60
Clarinette Basse, Piano
58
Quintette de Flûte : 5 flûtes
47
2 Saxophones, Piano
40
Clarinette, Basson (duo)
36
Flûte à Bec
35
Flûte, Hautbois (duo)
34
Instruments en Mib
30
Clarinette, Guitare (duo)
29
Hautbois, Clarinette, Basson (trio d'anches)
28
2 Flûtes traversières, Piano
28
Flûte, Violoncelle
26
Flûte à bec Alto
25
Clarinette, Violoncelle (duo)
24
Flûte, Hautbois, Clarinette (trio)
22
3 Flûtes à bec (trio)
22
5 Flûtes à bec
22
Flûte, Trombone (duo)
20
Ensemble De Flûte à bec
20
Harmonica
20
Cor Anglais
19
Clarinette, Trombone (duo)
18
Flûte, Violon, Piano
18
Hautbois, violon (duo)
18
Hautbois, Violoncelle
17
Saxophone et Guitare
15
Flûte, Clarinette et Basson
15
Flûte, Violon et Violoncelle
14
4 Hautbois
13
Saxophone et Orgue
13
Saxophone, Violon (duo)
12
Piccolo, Piano
12
Flûte à bec Soprano, Piano
12
Flûte, Hautbois, Basson
12
Hautbois, Guitare (duo)
12
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte, Clarinette, Piano (trio)
10
3 Hautbois
10
Flute, harpe et violon
9
Piccolo
9
Saxophone et Harpe
8
Flûte, Violoncelle, Piano (trio)
8
Cor anglais, Guitare (duo)
7
Ensemble à vent
7
Flûte à bec Alto, Piano
7
Saxophone et Piano
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte et Trio à cordes
5
2 Clarinettes, Piano
5
Hautbois, trombone (duo)
5
Hautbois et alto (duo)
5
Flûte, Violon, Violoncelle et Piano
4
Clarinette Basse
4
Flûte irlandaise
4
Ocarina
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte à bec Tenor
3
Flûte, Harpe et Violoncelle
3
Flûte, Clarinette, Violon (trio)
3
Flûte, trombone et piano
3
Flûte, Alto et Piano
3
Flûte, Basson et Piano
3
Clarinette, Harpe (duo)
3
2 Cors Anglais Et Pianoforte
3
Flûte, alto et harpe
2
Flûte, Hautbois, Piano (trio)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte traversière, Basse continue
2
Hautbois, Violon, Piano
2
Saxophone, Tuba (duo)
2
Clarinette, trompette et piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte traversière, Orgue (duo)
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Guitare
1
Saxophone, Basson (duo)
1
Clarinette, Basson, Piano (trio)
1
Ensemble de Hautbois
1
Clarinette, Orgue
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois, Violon
1
Clarinette, Orchestre
1
Clarinette, Tuba
1
Flûte de Pan
1
Hautbois, Basson et Piano
1
Flûte, Tuba (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2183
Trombone (partie séparée)
1372
Trombone
1205
Trombone et Piano
1195
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1159
2 Trombones (duo)
645
Quatuor de Cuivres: 2 trompettes, Cor, trombone
499
Quatuor de Cuivres
389
Trompette
361
Trompette (partie séparée)
361
Trompette, Trombone (duo)
356
Trompette, Piano
325
Quatuor de cuivres: 4 trombones
308
Cor et Piano
282
Trompette, Saxophone (duo)
254
Ensemble de Trombones
199
2 Trompettes (duo)
199
Cor
180
Tuba
153
Tuba et Piano
132
Euphonium, Piano (duo)
126
Ensemble de Trompettes
104
Cor (partie séparée)
101
2 Cors (duo)
91
Cor anglais, Piano
83
Tuba (partie séparée)
75
Trio de Cuivres
66
3 Trombones (trio)
62
2 Tubas (duo)
44
Trompette, Cor (duo)
43
Quatuor de cuivres: 4 cors
37
Instruments en Sib
36
Bass Clef Instruments
36
Euphonium
32
Trombone, Tuba (duo)
31
2 Euphoniums et 2 Tubas
30
2 Euphoniums (duo)
28
Trombone basse
24
Ensemble de Cors
23
Quatuor de cuivres: 2 trompettes, 2 trombones
23
4 Tubas
20
Cor Anglais
19
Tuba ou Euphonium ou Saxhorn
18
Quatuor de cuivres: 4 trompettes
17
Trombone, Cor (duo)
16
Trombone, Orgue
16
Euphonium, Tuba (duo)
16
Trompette, Trombone, Piano
15
Trombone basse et Piano
14
Trompette, Basson (duo)
12
Trombone, Violon (duo)
10
Cor, Violoncelle (duo)
9
Trompette, Violoncelle (duo)
8
Cor anglais, Guitare (duo)
7
Cor et Basson (duo)
7
Tuba et Orgue
7
3 Tubas (trio)
5
2 Trombones, Piano
4
Trompette, Tuba (duo)
4
3 Cors (trio)
4
2 Trompettes, Clavier (piano ou orgue)
4
3 Trompettes (trio)
4
Trombone et orchestre
3
2 Cors Anglais Et Pianoforte
3
Cor, Trompette, Trombone (trio)
2
Cor, Tuba (duo)
2
Cor et Orgue
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
3 Euphoniums
2
Ensemble de Tubas
1
Cornet et orchestre
1
Trompette, Violoncelle et Piano
1
Trompette, violon (duo)
1
Trompette et Guitare
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1703
Violon et Piano
716
Violon
710
Violon, Violoncelle (duo)
596
Violoncelle, Piano
519
Harpe
438
Trio à Cordes: violon, alto, violoncelle
408
Alto, Piano
383
Violoncelle (partie séparée)
284
2 Violons (duo)
281
Quintette à cordes: 2 violons, alto, violoncelle, basse
269
Violon, Alto (duo)
239
2 Violoncelles (duo)
230
Alto seul
219
2 Altos (duo)
200
Violoncelle
162
Contre Basse
146
Contrebasse (partie séparée)
141
Trio à Cordes: 2 violons, violoncelle
118
Contrebasse, Piano (duo)
93
Violon (partie séparée)
86
Alto (partie séparée)
74
Alto, Violoncelle (duo)
67
4 Violoncelles
50
2 Harpes (duo)
40
2 Contrebasses (duo)
36
Violoncelle, Contrebasse (duo)
32
Violon, Guitare (duo)
32
Piano Trio: Violon, Alto, Piano
31
Trio à Cordes: 3 violoncelles
26
Ensemble de Violons
23
Quatuor à cordes: 4 violons
21
Trio à cordes: 3 violins
20
Ensemble d'Altos
20
Violoncelle , Guitare (duo)
20
Quatuor à cordes : 4 altos
19
Trio à cordes: 3 altos
14
Harpe, Voix
13
Harpe, Flûte (duo)
12
Trio à Cordes: 2 violons, alto
11
Violon, Basson (duo)
11
Alto et Basson
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Alto, Guitare (duo)
9
Flûte, Contrebasse (duo)
7
Trio à cordes
6
Harpe, Violon (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violoncelle, Orgue
4
4 Contrebasses
4
Harpe, Violon, Violoncelle
4
Harpe, Trombone (duo)
4
Violon, Clarinette, Piano (trio)
3
Alto et Harpe
3
2 Violons, Piano
3
3 Harpes
3
Ensemble de Violoncelles
3
Alto et orchestre
2
Harpe, Violoncelle (duo)
2
5 Harpes
2
Harpe et Piano
2
Violon, Tuba (duo)
1
Harpe (partie séparée)
1
Harpe, Quatuor à cordes
1
Violoncelle, Orchestre
1
Harpe et mandoline
1
Violon, Basse continue
1
2 Violoncelles, Piano
1
Autoharp
1
Violoncelle, Basse continue
1
4 Harpes
1
3 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4256
Ensemble Jazz
1102
Orchestre
927
Orchestre à Cordes
795
Ensemble de cuivres
742
Orchestre de chambre
313
Cloches
296
Jazz combo
234
Fanfare
192
Ensemble de Percussions
164
Batterie (partie séparée)
119
Batterie
108
Percussion (partie séparée)
69
Xylophone
58
Marimba
50
Xylophone, Piano
43
Percussion
25
2 Xylophones
21
Vibraphone
17
Ensemble d'École
8
Instrumentation Flexible
5
Xylophone ou Marimba ou Vibraphone
4
Vibraphone et Marimba
3
Orchestre, Violon
3
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
2
3 Marimbas
2
Timbales (partie séparée)
1
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
Quintette à Vent
1
Big band
1
Bongos
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
4
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Bach: Wachet auf for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johan…
(+)
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
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Clarinette et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Clarinet & Piano
Clarinette et Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.551500 Composed by Edvard Grieg…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.551500 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306309. Published by jmsgu3 (A0.551500). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.38 €
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Clarinette et Piano
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Alto Clarinet & Piano
Clarinette et Piano
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.551492 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.551492 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306273. Published by jmsgu3 (A0.551492). Morning Mood, Ase's Death, Anitra's Dance, In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.38 €
#
Clarinette et Piano
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complete for Alto Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
St Nectan's Waterfall (from Tales from the Cornish Coast) Bb Clarinet & Piano. By Chris Lawry
Clarinette et Piano
Clarinet,Piano - Level 1 - Digital Download SKU: A0.1247869 Composed by Chris Lawry…
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Clarinet,Piano - Level 1 - Digital Download SKU: A0.1247869 Composed by Chris Lawry. 21st Century,Celtic,Film/TV,Folk,Irish,New Age. Score and part. 4 pages. Masquerade Music #842426. Published by Masquerade Music (A0.1247869). St Nectan's Waterfall by Chris Lawry is a piece from a collection of six ambient original soundscapes for Bb clarinet and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023 and aimed at grade 2-5 players.St Nectan's Waterfall is suitable for Bb clarinet and piano and the difficulty level of the piece is around grade 2 (approximately).A full Youtube video available if you'd like to hear excerpts of each separate piece from the Tales from the Cornish Coast clarinet book (with sheet music samples shown) here: https://youtu.be/JlhxUwjTWhIYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above);Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download your tracks) and is also available in Flute edition and Alto saxophone edition.
$3.99
3.69 €
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Clarinette et Piano
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Chris Lawry
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St Nectan's Waterfall
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Masquerade Music
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SheetMusicPlus
Five Ragtime Solos by Scott Joplin for Alto Clarinet and Piano
Clarinette et Piano
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1118279 Composed by Scot…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1118279 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719797. Published by David McKeown (A0.1118279). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Alto Clarinet with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.23 €
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Clarinette et Piano
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Joplin for Alto Clarinet and Piano
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David McKeown
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johan…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.44 €
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Clarinette et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvar…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509361. Published by jmsgu3 (A0.549575). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
23.05 €
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Clarinette et Piano
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549532 Composed by Edvar…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549532 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505773. Published by jmsgu3 (A0.549532). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
23.05 €
#
Clarinette et Piano
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Clarinet & Piano
Clarinette et Piano
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549561 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549561 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508011. Published by jmsgu3 (A0.549561). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.05 €
#
Clarinette et Piano
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
Clarinette et Piano
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S.…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.44 €
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Clarinette et Piano
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J
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James M
#
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Für Elise, for Solo Clarinet and Piano
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.587563 Composed by Ludwig van B…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.587563 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361577. Published by David McKeown (A0.587563). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Clarinet with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.25 €
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Clarinette et Piano
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Solo Clarinet and Piano
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David McKeown
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SheetMusicPlus
The Elite Syncopations for Solo Clarinet and Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1090779 Composed by Scot…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1090779 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694909. Published by David McKeown (A0.1090779). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Clarinet with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
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Clarinette et Piano
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Scott Joplin
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David McKeown
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The Elite Syncopations for Solo Clarinet and Piano
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David McKeown
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SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Clarinet and Piano
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.587706 Composed by Gabriel Faur…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.587706 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810595. Published by David McKeown (A0.587706). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Clarinet with Piano accompaniment. Both the piano score and the solo part are included in the pdf file.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.25 €
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Clarinette et Piano
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's Requiem, for Clarinet and Piano
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David McKeown
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SheetMusicPlus
Turkish March by Beethoven for Clarinet
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1155640 Composed by Ludw…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1155640 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755944. Published by Woods Only, Arrangements (A0.1155640). This arrangement adapted for clarinet and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.84 €
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Clarinette et Piano
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Clarinet
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Woods Only, Arrangements
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach -…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 7 pages. Jmsgu3 #4888331. Published by jmsgu3 (A0.550925). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.44 €
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Clarinette et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Harp
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1316712 Composed by Bach…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Traditional. Score and part. 11 pages. Jmsgu3 #905408. Published by jmsgu3 (A0.1316712). This arrangement features the controversial Schwencke measure (ms. 27) initially introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. They are based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1, and well suited for church meditations, school programs, or recital encores. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach's Prelude No. 1 from Well-Tempered Clavier I. This and Schubert's versions have become essential at weddings, masses, and funerals.Bach OverviewFirst, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most striking, though, are the St. John Passion and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.44 €
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Clarinette et Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.9 €
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Clarinette et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sonata for Clarinet and Piano
Clarinette et Piano
Cl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM633 Composed by James…
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Cl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. Forton Music - Digital #FM633. Published by Forton Music - Digital (F2.FM633). ISBN 9790570485321.The Sonata for Clarinet in B flat and Piano comes from a relatively unsettled period. Much of the music is a reflection on the cyclic nature of negative thought, the recurring arpeggios at the opening give some indication of this. Breaking out of these patterns only seems to lead to further dissonance and uncertainty. It also explores the effect of lowering notes by a single semitone and how the smallest of intervals can have a significant impact on the harmony at any given moment. The work is in four movements: 1. Andante moderato. This movement features two main musical statements pivoting around a central dance like idea. 2. Largo. A movement exploring a sense of isolation and disconnect between the Clarinet and Piano. 3. Largo con moto. A moment of calm, featuring some of the melodic contours from the previous movement but treated as if heard with a different frame of mind. 4. Allegro con moto. A slightly mischievous finale, featuring moments where the instruments imitate each other in an almost mocking fashion.
$14.95
13.81 €
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Clarinette et Piano
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James Pickering
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Sonata for Clarinet and Piano
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Forton Music - Digital
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SheetMusicPlus
The Easy Winners, for Clarinet and Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1106220 Composed by Scot…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1106220 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709334. Published by David McKeown (A0.1106220). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
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Clarinette et Piano
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Scott Joplin
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David McKeown
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The Easy Winners, for Clarinet and Piano
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David McKeown
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SheetMusicPlus
The Favorite for solo Clarinet and Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1095127 Composed by Scot…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1095127 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696761. Published by David McKeown (A0.1095127). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
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Clarinette et Piano
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Scott Joplin
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David McKeown
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The Favorite for solo Clarinet and Piano
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David McKeown
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SheetMusicPlus
Agent Provocateur: Sonatina for Clarinet and Piano
Clarinette et Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.836709 Composed by Brian Joyce.…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyce (A0.836709). A piece shrouded in mystery and intrigue. For myself, I mean: I don’t even know what the title means, nor why this particular piece should wear it. The music and the title came as a package deal, falling on me out of the blue one day. It wasn’t on my to-do list, nor was I looking for extra work. But perhaps that’s the answer: the piece itself is the Agent, breaking into my nicely ordered studio and disrupting things for the next few months. I’ll have to think about this some more.But I digress. Whatever its meaning or provenance, it’s an odd little sonatina. For instance, at its heart the second movement is a traditional scherzo and trio, but it is as misshapen as anything H. P. Lovecraft himself might have envisioned. Even I am not sure where the beginnings and endings of the sections are without a score in hand. Mystery upon mystery. Another example: as I began to work on the third movement, I wasn’t sure if it would be a simple binary or ternary form, a rondo or a sonata-allegro. I never did find out, to be honest. All I know is that, to my ears, it sounds like what might have resulted if I had been asked to write the theme to The Simpsons. The audio sample will give you some idea of what I mean.More questions than answers.Performance time is a little under 14 minutes.
$10.95
10.12 €
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Clarinette et Piano
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Brian Joyce
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Agent Provocateur: Sonatina for Clarinet and Piano
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Brian Joyce
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SheetMusicPlus
Ode to Joy by Beethoven for Clarinet
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160384 Composed by Ludw…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160384 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760667. Published by Woods Only, Arrangements (A0.1160384). This arrangement adapted for clarinet and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.84 €
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Clarinette et Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Clarinet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Clarinet in A
Clarinette et Piano
A Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160386 Composed by Ludwig va…
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A Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160386 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760669. Published by Woods Only, Arrangements (A0.1160386). This arrangement adapted for clarinet in A and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.84 €
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Clarinette et Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Clarinet in A
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Woods Only, Arrangements
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SheetMusicPlus
PIANO TRACK: Chilly Bones Blues Bb Clarinet Duet)
Clarinette et Piano
Clarinet,Piano - Digital Download SKU: A0.1069509 Composed by Traditional. Arranged…
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Clarinet,Piano - Digital Download SKU: A0.1069509 Composed by Traditional. Arranged by Joanna Mills. Blues,Concert,Halloween,Standards. Accompaniment. Duration 148. Joanna Mills Music #6713927. Published by Joanna Mills Music (A0.1069509). Piano accompaniment track for Chilly Bones Blues Clarinet Duet or SoloThis fun, bluesy version of Have You Seen the Ghost of John is perfect for Halloween! Arranged for Bb Clarinet Duet or Solo with piano accompaniment, it starts slowly and mysteriously in the original style, then unexpectedly breaks into a slow blues groove! An original bridge section has been included, and the song ends in a round. The arrangement is perfect for easy-intermediate players, and supported by the piano accompaniment. Your students and audience will LOVE this addition to your concert or recital! Piano accompaniment track also available. Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario.
$4.99
4.61 €
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Clarinette et Piano
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Traditional
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Joanna Mills
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PIANO TRACK: Chilly Bones Blues Bb Clarinet Duet)
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Joanna Mills Music
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SheetMusicPlus
O Holy Night for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam.…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410427. Published by jmsgu3 (A0.548671). Duration: 4:56. Score; 5 pg., 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.05 €
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Clarinette et Piano
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Adam
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James M
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5 pg
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O Holy Night for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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