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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Another Christmas Song
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52
Piano & claviers
Piano seul
26
Piano, Voix
12
Piano, Voix et Guitare
6
Instruments en Do
6
Piano Facile
5
Piano Quatuor: piano, violon, alto, violoncelle
2
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2
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1
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1
+ 4 instrumentations
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Ukulele
6
Guitare
3
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2
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Chorale SATB
14
Chorale 3 parties
10
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5
Chorale TTBB
3
Chorale Unison
2
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1
Voix duo
1
+ 2 instrumentations
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
2 Saxophones (duo)
6
Flûte traversière et Piano
5
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Tenor et Piano
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Alto
3
Clarinette et Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
2 Flûte à bec (duo)
2
Saxophone Tenor
2
Flûte traversière
2
Flûte à bec Soprano
1
2 Clarinettes (duo)
1
Ensemble De Flûte à bec
1
2 Flûtes traversières (duo)
1
Saxophone (partie séparée)
1
Cor anglais, Piano
1
Ensemble de saxophones
1
Clarinette
1
Ensemble à vent
1
3 Saxophones (trio)
1
2 Hautbois (duo)
1
Saxophone Baryton, Piano
1
+ 21 instrumentations
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Tuba et Piano
12
Trombone et Piano
4
Cor et Piano
3
2 Tubas (duo)
2
2 Cors (duo)
2
Trompette, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trompettes (duo)
2
Trompette
2
2 Trombones (duo)
2
Cor
2
Tuba et Orgue
1
Cor anglais, Piano
1
Trombone
1
Quatuor de cuivres: 4 cors
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Bass Clef Instruments
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
5
Violoncelle, Piano
4
Alto, Piano
3
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Violoncelle
2
Violon
2
Harpe, Voix
2
Alto seul
2
Contre Basse
1
2 Contrebasses (duo)
1
Harpe
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Contrebasse, Piano (duo)
1
+ 11 instrumentations
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Cloches
6
Orchestre
5
Orchestre à Cordes
4
Orchestre d'harmonie
3
Ensemble de cuivres
2
Ensemble Jazz
2
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
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Another Christmas Song
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Away In A Manger: for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386527. Published by jmsgu3 (A0.548475). Traditional Christmas song arranged for Bb Clarinet & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Adeste Fideles (O Come, All Ye Faithful) - Bb clarinet and piano
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Clarinette et Piano
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DÉBUTANT
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.1096856 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.1096856 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #700809. Published by Melo Music (A0.1096856). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play clarinet in Bb version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
O Come All Ye Faithful for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Cla
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
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