Partitions Numériques de Composers All Around pour Clarinette et Piano

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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 19 Piano Facile 6 Piano, Voix et Guitare 6 Orgue 2 Piano Trio: piano, violon, violoncelle 1

Clavecin 1

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GUITARES

Guitare 4 Guitare notes et tablatures 1 Mandoline, Guitare (duo) 1

VOIX

Chorale SATB 10 Chorale 3 parties 3 Chorale 2 parties 2 Voix Soprano, Piano 1 Chorale SSAA 1

Voix Alto, Piano 1 Chorale 1

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VENTS

Saxophone Alto et Piano 9 Saxophone Soprano et Piano 5 2 Saxophones (duo) 5 Hautbois, Piano (duo) 5 Clarinette et Piano 5

Flûte traversière et Piano 4 Saxophone Tenor et Piano 3 2 Clarinettes (duo) 3 Saxophone, Clarinette (duo) 3 Quatuor de Flûtes : 4 flûtes 2 Clarinette, Violon (duo) 2 2 Flûtes traversières (duo) 2 Flûte, Clarinette (duo) 2 Clarinette, Trompette (duo) 2 Flûte à bec Soprano 2 Saxophone Baryton, Piano 2 Hautbois, Flûte 1 Clarinette 1 Clarinette, Basson (duo) 1 Flûte, Alto (duo) 1 Flûte, Trompette (duo) 1 Hautbois (partie séparée) 1 Flûte, Hautbois, Clarinette, Basson 1 Flûte, Violon 1 Clarinette Basse 1 Hautbois, Basson (duo) 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1 Clarinette et Alto 1 Flûte, Saxophone (duo) 1 Hautbois, Clarinette (duo) 1 2 Hautbois (duo) 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 11 Trompette, Piano 4 Trompette, Saxophone (duo) 2 Euphonium, Piano (duo) 1 Cor et Piano 1

2 Trombones (duo) 1 Trombone et Piano 1 Quatuor de cuivres: 4 trombones 1 2 Trompettes (duo) 1 Trompette, Trombone (duo) 1 Quatuor de Cuivres : 2 trompettes, trombone, tuba 1 Tuba et Piano 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 22 Violon et Piano 4 Alto, Piano 3 Violoncelle, Piano 2 2 Violoncelles (duo) 2

2 Altos (duo) 2 2 Violons (duo) 1 Harpe 1 Violon, Alto (duo) 1 Quintette à cordes: 2 violons, alto, violoncelle, basse 1

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PERCUSSIONS & ORCHESTRES

Orchestre à Cordes 21 Ensemble de cuivres 17 Orchestre d'harmonie 6 Orchestre 3 Orchestre de chambre 2

Ensemble de Percussions 1 Marimba 1 Ensemble Jazz 1 Cloches 1 Jazz combo 1

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AUTRES

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Composers All Around

Clarinette et Piano

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Five Ragtime Solos by Scott Joplin for Alto Clarinet and Piano

Clarinette et Piano

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1118279 Composed by Scot…(+)

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1118279 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719797. Published by David McKeown (A0.1118279). Scott Joplin is celebrated as the United Statesâ€™ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplinâ€™s music until a revival in the 1970s brought The Entertainer and others to the worldâ€™s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Alto Clarinet with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation.Â Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$9.99 9.16 € #Clarinette et Piano #Scott Joplin #David McKeown #Five Ragtime Solos by Scott Joplin for Alto Clarinet and Piano #David McKeown #SheetMusicPlus

Christmas Jazz Volume 3 Bb clarinet & piano. Chris Lawry & Keri Degg

Clarinette et Piano

Clarinet,Piano - Level 3 - Digital Download SKU: A0.1278986 Composed by Chris Lawry…(+)

Clarinet,Piano - Level 3 - Digital Download SKU: A0.1278986 Composed by Chris Lawry and Keri Degg. Christian,Christmas,Holiday,Jazz. Score and part. 42 pages. Masquerade Music #870537. Published by Masquerade Music (A0.1278986). Christmas Jazz Volume 3 Bb clarinet edition is another collection of five fabulous arrangements for Bb clarinet (aimed at the standard soprano clarinet ideally rather than bass clarinet) and piano by Chris Lawry and Keri Degg. The pack includes inventive and original ideas from the two composers/arrangers and include an accessible written out 'clarinet solo' type section in each.Â Christmas Jazz Volume 3 includes O Little Town of Bethlehem (a cheeky swing), O Christmas Tree (a lush smooshy ballad), Here we Come a Wassailing (an energetic swing), It Came upon a Midnight Clear (ballad), and Ding Dong Merrily on High (Jazz/Jazz Waltz).Â With various styles covered (including smooth jazz, ballad, swing and more). The pieces are accessible with the ballad-style pieces being around grade 3-4 and even the most challenging are only around grade 6 standard, so they are easy enough to practice up with limited time available.You are invited to download for free the full demonstration and accompaniment only audio tracks by following the instructions on the final page of your purchased print out. Note that the audio tracks are of the exciting enhanced audio (as on the Youtube videos - not just clarinet and piano).Â In your purchased print out you receive Bb clarinet part, piano part for live accompaniment options, and MP3 full demonstration and accompaniment only audio tracks (to be downloaded via the instructions on the final page of your sheet music).Bring some joy this Christmastime...bring on the Christmas Jazz! Visit www.masquerade-music.com for more exciting sheet music for woodwinds and free practice resources.The Youtube video shows a medley of excerpts from all five pieces included in the book. This purchase includes Bb clarinet part PDF and piano accompaniment score to accompany Bb clarinet. The pack is also available in Bb Saxophone, Eb saxophone, and flute editions, and Christmas Jazz Volumes 1 and 2 are also available.

$14.99 13.75 € #Clarinette et Piano #Chris Lawry and Keri Degg #Christmas Jazz Volume 3 Bb clarinet & piano. Chris Lawry & Keri Degg #Masquerade Music #SheetMusicPlus

Saint-Saëns: The Swan for Clarinet & Piano

Clarinette et Piano

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…(+)

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.22 € #Clarinette et Piano #Camille Saint-Saens #James M #Saint-Saëns: The Swan for Clarinet & Piano #jmsgu3 #SheetMusicPlus

Mendelssohn: Wedding March for Clarinet & Piano

Clarinette et Piano

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix…(+)

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.

$24.95 22.88 € #Clarinette et Piano #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Wedding March for Clarinet & Piano #jmsgu3 #SheetMusicPlus

Five Ragtime Solos by Scott Joplin for Clarinet and Piano

Clarinette et Piano

Composed by Scott Joplin (1868-1917). Arranged by David McKeown. 20th Century, Jazz, …(+)

Composed by Scott Joplin (1868-1917). Arranged by David McKeown. 20th Century, Jazz, Ragtime. Score and part. 33 pages. David McKeown #719801. Published by David McKeown
Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Clarinet with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Clarinet with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation.

$9.99 9.16 € #Clarinette et Piano #Scott Joplin (1868-1917) #David McKeown #Five Ragtime Solos by Scott Joplin for Clarinet and Piano #David McKeown #SheetMusicPlus