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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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2 Saxophones (duo)
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Quatuor de Saxophones: 4 saxophones
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Hautbois, Clarinette (duo)
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Quintette de Saxophone: 5 saxophones
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Hautbois
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Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
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Clarinette Basse
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone et Piano
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Trompette
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Cor anglais, Piano
5
Trombone
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Euphonium, Piano (duo)
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Cor et Piano
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2 Trompettes (duo)
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Cor
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Tuba
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Trompette, Basson (duo)
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Trompette, Piano
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Trompette, Trombone (duo)
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Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
2
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
Tuba et Piano
1
2 Trombones (duo)
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Quatuor de Cuivres
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Trompette (partie séparée)
1
Trombone basse et Piano
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Cor et Basson (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Harpe
12
Alto, Piano
10
Violon
8
Violoncelle, Piano
8
Violon, Violoncelle (duo)
8
Violon et Piano
8
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle (partie séparée)
5
Violon, Alto (duo)
3
Flûte, Contrebasse (duo)
3
2 Violons (duo)
3
2 Altos (duo)
2
2 Violoncelles (duo)
2
Contre Basse
2
Alto seul
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Contrebasse (partie séparée)
1
Alto et Basson
1
Autoharp
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
27
Orchestre à Cordes
10
Orchestre de chambre
9
Orchestre
7
Jazz combo
7
Ensemble de cuivres
4
Ensemble de Percussions
4
Ensemble Jazz
4
Cloches
3
Marimba
2
Xylophone, Piano
2
Percussion
2
Xylophone
1
Batterie
1
Orchestre, Violon
1
Vibraphone et Marimba
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AUTRES
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Clarinette et Piano
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Just As I Am, Gospel Hymn for Clarinet and Piano
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.592913 Composed by Charlotte El…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.592913 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413411. Published by David McKeown (A0.592913). Just as I Am is a beautiful hymn arranged here for Solo Clarinet and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Clarinette et Piano
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for Clarinet and Piano
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David McKeown
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SheetMusicPlus
Just As I Am, Gospel Hymn for Alto Clarinet and Piano
Clarinette et Piano
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.592912 Composed by Charl…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.592912 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413409. Published by David McKeown (A0.592912). Just as I Am is a beautiful hymn arranged here for Solo Alto Clarinet and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Clarinette et Piano
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for Alto Clarinet and Piano
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David McKeown
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SheetMusicPlus
Monologues
Clarinette et Piano
Clarinet,Piano - Level 5 - Digital Download SKU: A0.796660 Composed by Gary D. Bels…
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Clarinet,Piano - Level 5 - Digital Download SKU: A0.796660 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and part. 21 pages. DR GARY D BELSHAW #3361819. Published by DR GARY D BELSHAW (A0.796660). The title of a Paul Simon song from the 60's inspired this three-movement work for solo clarinet and piano. The music of Monologues represents three kinds of social conversations.I. Desultory - A desultory monologue is marked by a disconnected jumping or passing from one thing to another, especially things not connected with the main subject. A twelve-tone row seems to lend itself naturally to this kind of disconnected expression.II. Epigrammatic - The term might be applied to monologues in which the speaker uses few words to make important observations or statements. The clarinet’s motives seem to be interrupted by figures in the piano which are the result of the completion of the twelve-tone rows begun by the clarinet.III. Philippic - It is nearly impossible to be a part of social conversation that does not lead at some point to verbal harangues against individuals, entities, or ideologies in politics. Demosthenes titled each of his orations against King Philip of Macedon a Philippic, as did Cicero his speeches against Mark Antony, and thus began a time-honored tradition. The music of this movement includes frequent changes of both regular and irregular meters and repetitions of musical motives and figures. Rondo form enhances the representation of a speaker driving home one principal subject.
$5.99
5.5 €
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Clarinette et Piano
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Gary D
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Monologues
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DR GARY D BELSHAW
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SheetMusicPlus
Saint-Saëns: The Swan for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.28 €
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Clarinette et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
David Bowie: Life On Mars for Clarinet & Piano
Clarinette et Piano
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged…
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Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.<br> <br> "When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:<br> <br> Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]<br> <br> In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]<br> <br> The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".<br> <br> Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.<br> <br> The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).<br> <br> Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95
45.9 €
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Clarinette et Piano
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David Bowie
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James M
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David Bowie: Life On Mars for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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