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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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CORNET
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68
Piano & claviers
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31
Piano seul
27
2 Pianos, 4 mains
22
Piano, Voix et Guitare
7
Piano Facile
5
1 Piano, 4 mains
2
Orgue
2
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1
Piano Trio: piano, violon, violoncelle
1
Piano grosses notes
1
+ 5 instrumentations
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10
Paroles et Accords
4
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3
Ukulele
3
Basse electrique
2
2 Guitares (duo)
1
+ 1 instrumentations
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Voix
Chorale SATB
20
Chorale 2 parties
6
Chorale 3 parties
4
Voix seule
3
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3
Voix duo
3
Chorale TTBB
2
Chorale Unison
2
+ 3 instrumentations
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2 Saxophones (duo)
5
Ensemble de Clarinettes
4
Saxophone, Clarinette (duo)
3
2 Clarinettes (duo)
3
Saxophone Alto et Piano
3
Clarinette et Piano
2
Clarinette
2
Flûte traversière et Piano
2
Quatuor de Flûtes à bec
2
Clarinette, Violon (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Tenor et Piano
2
Saxophone Baryton, Piano
2
Clarinette, Trompette (duo)
2
2 Flûtes traversières (duo)
2
Hautbois, Piano (duo)
2
Quintette de Saxophone: 5 saxophones
1
Ensemble à vent
1
Clarinette Basse, Piano
1
Clarinette et Alto
1
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Cor anglais, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Hautbois (partie séparée)
1
Flûte, Trompette (duo)
1
2 Hautbois (duo)
1
Saxophone Soprano et Piano
1
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1
Hautbois, Basson (duo)
1
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6
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2
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2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
Trompette
1
Quatuor de cuivres: 4 cors
1
Trombone et Piano
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
+ 6 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
5
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
3
Violoncelle, Piano
3
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
1
2 Violoncelles (duo)
1
Violon
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Alto seul
1
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46
Orchestre
4
Orchestre à Cordes
4
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2
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2
Marimba
2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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Concertino for Clarinet and Orchestra
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Clarinette et Piano
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A
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Concertino for Clarinet and Or
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Bläserwinds Music
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SheetMusicPlus
Clarinet,Piano - SKU: A0.955466 Composed by A. J. Fortuna. Broadway,Classical,Contemporary,Romantic Period. Score and part. 18 pages. Bläserwinds Mus...
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Clarinet,Piano - SKU: A0.955466 Composed by A. J. Fortuna. Broadway,Classical,Contemporary,Romantic Period. Score and part. 18 pages. Bläserwinds Music #4791169. Published by Bläserwinds Music (A0.955466). A reduction for clarinet and piano of A. J. Fortuna's Concertino for Clarinet and Orchestra. This piece features three different musical sections with an exciting end. The first section is reminiscent of romantic clarinet literature and vaguely recalls Weber's Concertino for clarinet and orchestra. The second section is broadway ballad inspired containing counterpoint over a canonic bass. The final section takes a modernistic approach on classical music using elements of pop music before an exciting classical era style ending. This work is perfect for concert and contest as it is designed for high school clarinetists to show off their technical and lyrical skills. Written in 2014 and then edited in 2019 also available for the original setting of clarinet and orchestra and for clarinet and clarinet choir.
$12.99
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
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