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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In Tribute
Non classifié
292
Piano & claviers
Piano seul
216
Piano, Voix
39
Orgue
25
Piano, Voix et Guitare
24
Piano Facile
10
Instruments en Do
9
Piano grosses notes
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
Piano (partie séparée)
2
Accompagnement Piano
2
2 Pianos, 4 mains
2
1 Piano, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
20
Guitare notes et tablatures
17
Guitare (partie séparée)
6
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
2
Ukulele
1
Piano, Guitare (duo)
1
Basse electrique
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
75
Chorale 3 parties
23
Chorale TTBB
13
Chorale 2 parties
11
Chorale Unison
10
Chorale SSAA
9
Voix haute
3
Voix seule
3
Voix Alto, Piano
1
Voix Tenor
1
Voix Soprano, Piano
1
Voix duo
1
Voix moyenne, Piano
1
+ 8 instrumentations
Retracter
Vents
Saxophone (partie séparée)
22
Quatuor de Saxophones: 4 saxophones
16
Saxophone Alto
15
Hautbois, Piano (duo)
13
Quatuor de Clarinettes: 4 clarinettes
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Alto et Piano
11
Clarinette et Piano
10
Flûte traversière et Piano
10
Quintette de Saxophone: 5 saxophones
8
Saxophone Tenor et Piano
6
2 Flûtes traversières (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Tenor
5
Flûte traversière
5
Clarinette
5
Saxophone Soprano et Piano
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Clarinettes
4
Saxophone Baryton, Piano
3
2 Saxophones (duo)
3
Hautbois, Basson (duo)
3
Clarinette, Basson (duo)
3
Clarinette (partie séparée)
3
2 Clarinettes (duo)
2
Quatuor de Flûtes à bec
2
Hautbois (partie séparée)
2
3 Saxophones (trio)
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Orgue
1
Saxophone Soprano
1
Flûte, Trompette (duo)
1
4 Hautbois
1
Instruments en Mib
1
Flûte et Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Basson
1
Cor anglais, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Flûte, Violon et Violoncelle
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
Ensemble De Flûte à bec
1
+ 42 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
20
Trompette (partie séparée)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor et Piano
6
Trombone et Piano
5
Trompette, Piano
4
2 Cors (duo)
3
Tuba et Piano
3
Euphonium, Piano (duo)
3
Trombone
3
Trompette, Trombone (duo)
2
2 Euphoniums et 2 Tubas
2
Tuba (partie séparée)
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
Instruments en Sib
1
Quatuor de cuivres: 4 cors
1
Tuba
1
Trio de Cuivres
1
Tuba et Orgue
1
Bass Clef Instruments
1
Ensemble de Trompettes
1
Ensemble de Trombones
1
Cor anglais, Piano
1
Trombone basse et Piano
1
Cor
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violon et Piano
19
Violoncelle
13
Violon
11
Violon (partie séparée)
10
Alto, Piano
7
Contrebasse (partie séparée)
7
Violon, Violoncelle (duo)
6
Violoncelle, Piano
6
Alto (partie séparée)
4
Violoncelle (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contre Basse
3
Harpe
3
2 Violoncelles (duo)
2
2 Violons (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: violon, alto, violoncelle
1
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
253
Orchestre à Cordes
55
Orchestre
46
Jazz combo
35
Ensemble Jazz
25
Orchestre de chambre
12
Ensemble de cuivres
11
Cloches
10
Batterie (partie séparée)
3
Percussion (partie séparée)
2
Fanfare
2
Batterie
2
Vibraphone
1
Orchestre, Violon
1
Marimba
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
In Tribute
Clarinette et Piano
Partitions à imprimer
10 partitions trouvées
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1
Away In A Manger: for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386527. Published by jmsgu3 (A0.548475). Traditional Christmas song arranged for Bb Clarinet & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Elegy for Clarinet
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Clarinette et Piano
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INTERMÉDIAIRE
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Joel Jacklich
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Elegy for Clarinet
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Joel Jacklich
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.723173 Composed by Joel Jacklich (ASCAP). Concert,Contemporary. Score and part. 9 pages. Joel Jacklich #6227859. Publ...
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Clarinet,Piano - Level 3 - SKU: A0.723173 Composed by Joel Jacklich (ASCAP). Concert,Contemporary. Score and part. 9 pages. Joel Jacklich #6227859. Published by Joel Jacklich (A0.723173). Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016). Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres. John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016. The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band. Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band. This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed. The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically. All the rest of the parts are easily handled by a typical junior high school band. This is the version with piano accompaniment. (The versions with full band accompaniment and with full orchestral accompaniment are also available on this web site.)
$10.00
O Holy Night for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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5 pg
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O Holy Night for Clarinet &
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410427. Published by jmsgu3 (A0.548671). Duration: 4:56. Score; 5 pg., 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Fauré: Élégie Op. 24 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Per...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531397. Published by jmsgu3 (A0.549728). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Nuovo Cinema Paradiso
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Clarinette et Piano
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FACILE
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Andrea Morricone and Ennio Mor
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Harry Walker
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Nuovo Cinema Paradiso
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SCORE EDITIONS
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1466828 Composed by Andrea Morricone and Ennio Morricone. Arranged by Harry Walker. Broadway,Film/TV,Musical/S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1466828 Composed by Andrea Morricone and Ennio Morricone. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Wedding. Score and part. 6 pages. SCORE EDITIONS #1045363. Published by SCORE EDITIONS (A0.1466828). Ennio Morricone is celebrated for his extensive work in film music, spanning over 500 scores. Nuovo Cinema Paradiso is one of his most beloved scores, composed for the 1988 Italian film directed by Giuseppe Tornatore. The film is a nostalgic and heartwarming tribute to the power of cinema and its impact on a small Sicilian village and its inhabitants. In this version, the composition was arranged for Clarinet in B-flat and Piano by Harry Walker.
$5.99
Nuovo Cinema Paradiso
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Clarinette et Piano
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FACILE
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Andrea Morricone and Ennio Mor
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Harry Walker
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Nuovo Cinema Paradiso
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SCORE EDITIONS
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SheetMusicPlus
A Clarinet,Piano - Level 2 - SKU: A0.1466824 Composed by Andrea Morricone and Ennio Morricone. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,W...
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A Clarinet,Piano - Level 2 - SKU: A0.1466824 Composed by Andrea Morricone and Ennio Morricone. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Wedding. Score and part. 6 pages. SCORE EDITIONS #1045359. Published by SCORE EDITIONS (A0.1466824). Ennio Morricone is celebrated for his extensive work in film music, spanning over 500 scores. Nuovo Cinema Paradiso is one of his most beloved scores, composed for the 1988 Italian film directed by Giuseppe Tornatore. The film is a nostalgic and heartwarming tribute to the power of cinema and its impact on a small Sicilian village and its inhabitants. In this version, the composition was arranged for Clarinet in A and Piano by Harry Walker.
$5.99
Life On Mars
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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David Bowie
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Austin Ralphson
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Life On Mars
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Austin Ralphson
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.563305 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. Score and part. 10 pages. Austin Ralphs...
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Clarinet,Piano - Level 3 - SKU: A0.563305 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. Score and part. 10 pages. Austin Ralphson #3538547. Published by Austin Ralphson (A0.563305). This arrangement of the David Bowie classic from 1971 will bring a suitably vibrant, emotion-filled element to any programme, serving as a fitting tribute to a hugely influential and popular musician. It works well in recitals and within pretty much any concert, due to its popularity and the variations in dynamics, timbre, texture and, or course, the incredibly unpredictable harmonies. I have kept much of the piano accompaniment the same as David Bowie composed, whilst the solo part is of an intermediate standard.
$7.99
To an Otter World
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Clarinette et Piano
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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To an Otter World
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Fiona Alice Hickie
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1082373 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Multicultural,...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1082373 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Multicultural,World. Score and part. 7 pages. Fiona Alice Hickie #686527. Published by Fiona Alice Hickie (A0.1082373). This work for clarinet and piano is a musical tribute to the otter. Otters are beautiful animals that spend much of their time playing and sleeping in rivers. It is a wide spread animal that lives on all continents except Australia and Antarctica. See also, 'Scales, Fur and Feathers' which is a suite of pieces containing a piece representing each continent of the world.
$5.99
Souvenirs de Bergamo
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Clarinette et Piano
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AVANCÉ
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Stéphane Fromageot
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Souvenirs de Bergamo
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Stéphane Fromageot
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.1007221 Composed by Stéphane Fromageot. 20th Century,Instructional,Standards. ...
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Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.1007221 Composed by Stéphane Fromageot. 20th Century,Instructional,Standards. Score and parts. 22 pages. Stéphane Fromageot #3630511. Published by Stéphane Fromageot (A0.1007221). Souvenirs de Bergamo is a tribute to the Italian composer Gaetano Donizetti, who was born in this wonderful city of Bergamo.
$10.00
O Come All Ye Faithful for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Cla
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
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