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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
J.S. Bach: Prelude
Non classifié
219
Piano & claviers
Piano seul
133
Orgue
24
Piano Facile
15
Piano Trio: piano, violon, violoncelle
6
Piano, Voix
5
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
11
2 Guitares (duo)
6
Banjo
2
2 Mandolines (duo)
1
Voix
Chorale SATB
9
Chorale 3 parties
4
Voix Soprano, Piano
1
Chorale 2 parties
1
Vents
Quatuor de Saxophones: 4 saxophones
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Quintette de Clarinettes: 5 clarinettes
19
Quintette de Flûte : 5 flûtes
18
Quatuor de Clarinettes: 4 clarinettes
17
Flûte traversière et Piano
11
Quatuor de Flûtes : 4 flûtes
9
Ensemble de Flûtes
9
Saxophone Alto et Piano
8
Flûte traversière
7
Clarinette et Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Piano (duo)
6
2 Clarinettes (duo)
5
2 Saxophones (duo)
5
Clarinette
5
2 Flûtes traversières (duo)
5
Quintette de Saxophone: 5 saxophones
5
Flûte, Clarinette (duo)
3
Saxophone Alto
3
Cor anglais, Piano
3
Saxophone (partie séparée)
3
Saxophone Tenor et Piano
3
Ensemble de saxophones
2
3 Clarinettes (trio)
2
Flûte, Clarinette et Basson
2
3 Saxophones (trio)
2
Saxophone Tenor
2
Quatuor de Flûtes à bec
2
Saxophone Baryton, Piano
1
Ensemble De Flûte à bec
1
2 Flûtes traversières, Piano
1
4 Hautbois
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Guitare
1
Hautbois (partie séparée)
1
Flûte et Guitare
1
Saxophone Soprano et Piano
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
Ensemble de Clarinettes
1
Flûte à bec Alto
1
Clarinette Basse
1
Flûte à bec Soprano
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Basson
1
Piccolo, Piano
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Ensemble de Trombones
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de cuivres: 4 trombones
6
Ensemble de Trompettes
6
Trombone
5
Trompette, Piano
4
Euphonium, Piano (duo)
3
Tuba
3
Cor et Piano
3
Trombone et Piano
3
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
Trompette
3
2 Trombones (duo)
2
Euphonium
2
2 Trompettes (duo)
2
Trombone basse
2
Quatuor de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 cors
1
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Cor
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violoncelle
13
Violon et Piano
10
Violon
10
Harpe
8
Violoncelle, Piano
8
Violon, Violoncelle (duo)
5
Alto, Piano
5
Alto seul
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
2 Altos (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Violons (duo)
2
4 Violoncelles
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Alto (partie séparée)
1
2 Contrebasses (duo)
1
Violon, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contre Basse
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
23
Ensemble de cuivres
14
Orchestre d'harmonie
5
Cloches
2
Orchestre de chambre
1
Ensemble Jazz
1
Orchestre
1
Marimba
1
+ 3 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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Vous avez sélectionné:
J.S. Bach: Prelude
Clarinette et Piano
Partitions à imprimer
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1
Bach-Gounod: Ave Maria for Clarinet and Piano
Clarinette et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Clarinette et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Clarinet and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
Clarinette et Piano
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S.…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Clarinette et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach -…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 7 pages. Jmsgu3 #4888331. Published by jmsgu3 (A0.550925). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Clarinette et Piano
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J
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James M
#
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Prelude #1 in C Major/Ave Maria
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.1323286 Composed by J.S. Bach/C…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.1323286 Composed by J.S. Bach/Charles Gounod. Arranged by Ian Fitze. Christian,Classical,Praise & Worship,Sacred,Traditional. Score and part. 3 pages. Ian Fitze #911510. Published by Ian Fitze (A0.1323286). A moving arrangement of this classic makes great use of the full range of both the Bb Clarinet and the Keyboard accompaniment. Transposed for ease of reading and performance on Bb Clarinet.Very appropriate for weddings, funerals and other similar functions.
$1.99
1.83 €
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Clarinette et Piano
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J
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Ian Fitze
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Prelude #1 in C Major/Ave Maria
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Ian Fitze
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SheetMusicPlus
Gounod - Ave Maria Meditation in F Major - Intermediate
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1143124 Composed by Char…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1143124 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards,Wedding. Score and part. 12 pages. Piacere Music Sheets #743486. Published by Piacere Music Sheets (A0.1143124). Opus/Catalog Number: CG 89 Key/Tone: F major Movements/Sections: Andante semplice Year/Date of Composition: 1853 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for B-flat Clarinet and piano, set in the key of F Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach). In Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time. Included: Full score and separated parts for each instrument.
$9.95
9.17 €
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Clarinette et Piano
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Charles-François Gounod
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Piacere Music Sheets
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Gounod - Ave Maria Meditation in F Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
O Sacred Head, Now Wounded (Clarinet Solo with Piano Accompaniment)
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1201426 Composed by Hans…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1201426 Composed by Hans Leo Hassler and Johann Sebastian Bach. Arranged by B. C. Dockery. Baroque,Christian,Easter,Religious,Sacred. Score and part. 4 pages. Ben Dockery #800050. Published by Ben Dockery (A0.1201426). Harmonized by J. S. Bach in the St. Mathew Passion. Arranged for Bb clarinet solo with piano accompaniment. Great for preludes, offertories, postludes, lessons, and recitals. Especially well-suited for Lent and Easter services. Includes score and parts.
$3.99
3.68 €
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Clarinette et Piano
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Hans Leo Hassler and Johann Sebastian Bach
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B
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O Sacred Head, Now Wounded
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Ben Dockery
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SheetMusicPlus
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J.S. Bach: Prelude
