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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John Thoma
Non classifié
325
Piano & claviers
Piano seul
212
Piano, Voix
153
Piano Facile
99
Piano, Voix et Guitare
41
Instruments en Do
37
1 Piano, 4 mains
7
Orgue
5
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
21
Ukulele
21
Basse electrique
13
Ligne De Mélodie, (Paroles) et Accords
12
Paroles et Accords
6
Mandoline
2
Banjo
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
2 Guitares (duo)
1
Guitare (partie séparée)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
126
Chorale 3 parties
56
Voix Baryton, Piano
29
Voix Soprano, Piano
28
Voix Tenor, Piano
28
Voix Alto, Piano
26
Chorale TTBB
16
Chorale SSAA
13
Chorale Unison
9
Chorale 2 parties
8
Soli, choeur mixte et accompagnement
4
Voix duo, Piano
3
Chorale
2
Male Voice
1
Pack Instrumental pour Chorale
1
+ 10 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
23
Clarinette
23
Flûte traversière
22
Saxophone Alto
21
Saxophone (partie séparée)
20
Flûte, Hautbois, Clarinette, Basson
19
2 Saxophones (duo)
16
Saxophone Alto et Piano
15
Hautbois, Piano (duo)
15
Saxophone Tenor
14
Quintette de Clarinettes: 5 clarinettes
14
Clarinette et Piano
13
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Tenor et Piano
11
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
10
2 Flûte à bec (duo)
8
Cor anglais, Piano
7
Saxophone Soprano et Piano
6
2 Clarinettes (duo)
6
3 Clarinettes (trio)
6
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
Trio de Flûtes: 3 flûtes
5
2 Flûtes traversières (duo)
5
Hautbois
4
Ensemble De Flûte à bec
4
Clarinette Basse, Piano
4
Flûte et Guitare
4
Clarinette (partie séparée)
4
2 Hautbois (duo)
3
Flûte, Clarinette et Basson
3
Ensemble de Clarinettes
3
Hautbois, Clarinette (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Clarinette (duo)
3
Flûte, Hautbois, Basson
2
Ensemble de saxophones
2
Quatuor de Flûtes à bec
2
Flute (partie séparée)
2
Ensemble de Flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Piccolo, Piano
2
Quintette de Flûte : 5 flûtes
2
Ocarina
2
Flûte à bec Soprano
2
Hautbois, Flûte
2
3 Flûtes à bec (trio)
1
Flûte à bec Alto
1
2 Flûtes à bec, Guitare
1
Saxophone et Guitare
1
Clarinette, Basson, Piano (trio)
1
5 Flûtes à bec
1
Clarinette, Basson (duo)
1
Cor Anglais
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
Saxophone Soprano
1
Hautbois, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Saxophone Baryton
1
Flûte, Basson et Piano
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone et Piano
15
Trombone
14
Cor et Piano
12
Trompette, Piano
9
Euphonium, Piano (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor
9
Tuba et Piano
8
Cor anglais, Piano
7
Tuba
7
Trompette (partie séparée)
6
Trombone (partie séparée)
6
2 Trombones (duo)
5
Quatuor de Cuivres
4
2 Trompettes (duo)
4
2 Cors (duo)
4
Trompette, Trombone (duo)
3
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
3 Trombones (trio)
1
Trio de Cuivres
1
Cor Anglais
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
129
Violon
39
Trio à Cordes: violon, alto, violoncelle
28
Violon et Piano
23
Violoncelle
21
Alto seul
20
Violoncelle, Piano
16
Alto, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon, Violoncelle (duo)
14
2 Violons (duo)
12
Harpe
11
2 Violoncelles (duo)
11
Violon, Alto (duo)
9
Contrebasse, Piano (duo)
6
Contre Basse
5
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Violon (partie séparée)
4
2 Altos (duo)
4
2 Harpes (duo)
3
Trio à Cordes: 2 violons, alto
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
44
Batterie
30
Orchestre d'harmonie
30
Fanfare
18
Ensemble Jazz
9
Orchestre de chambre
6
Orchestre
5
Cloches
3
Ensemble de cuivres
2
Jazz combo
2
Ensemble de Percussions
2
Percussion
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Xylophone
1
Marimba
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
John Thoma
Clarinette et Piano
Partitions à imprimer
13 partitions trouvées
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1
Deck The Halls - Clarinet and Piano
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Clarinette et Piano
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FACILE
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Noël
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John Thomas
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Kacie J
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Deck The Halls - Clarinet and
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Kacie Rickells
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.821700 Composed by John Thomas. Arranged by Kacie J. Rickells. Christmas. Score and part. 3 pages. Kacie Rickells #33...
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Clarinet,Piano - Level 2 - SKU: A0.821700 Composed by John Thomas. Arranged by Kacie J. Rickells. Christmas. Score and part. 3 pages. Kacie Rickells #3380403. Published by Kacie Rickells (A0.821700). A simple arrangement for Clarinet and Piano accompaniment.
$2.25
Adeste Fideles (O Come, All Ye Faithful) - Bb clarinet and piano
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Clarinette et Piano
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DÉBUTANT
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.1096856 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.1096856 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #700809. Published by Melo Music (A0.1096856). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play clarinet in Bb version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
The Last Rose of Summer - Clarinet with piano and chords
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Clarinette et Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Clar
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Alex Rodrigues
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SheetMusicPlus
Clarinet,Piano - Level 1 - SKU: A0.1494241 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #10...
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Clarinet,Piano - Level 1 - SKU: A0.1494241 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070842. Published by Alex Rodrigues (A0.1494241). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
The Last Rose of Summer - Clarinet with piano
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Clarinette et Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Clar
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Alex Rodrigues
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SheetMusicPlus
Clarinet,Piano - Level 1 - SKU: A0.1494242 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #10...
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Clarinet,Piano - Level 1 - SKU: A0.1494242 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070844. Published by Alex Rodrigues (A0.1494242). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
Sullivan: The Lost Chord for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Ebenezer Variations (Tune in a Bottle) for B Clarinet and Piano
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Clarinette et Piano
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Musique Sacrée
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Thomas Williams
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John Gibson
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Ebenezer Variations
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JB Linear
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SheetMusicPlus
Composed by Thomas Williams. Arranged by John Gibson. Christian. Score, Solo Part. 10 pages. JB Linear #SOLO081c. Published by JB Linear (S0.28629). - Score,Sol...
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Composed by Thomas Williams. Arranged by John Gibson. Christian. Score, Solo Part. 10 pages. JB Linear #SOLO081c. Published by JB Linear (S0.28629). - Score,Solo Part - Christian - JB Linear
$7.50
Bach: Wachet auf for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
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Clarinette et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
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Clarinette et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Clarinet,Piano - Level 2 - SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 7 pages. Jmsgu3 #4888331. Published by jmsgu3 (A0.550925). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Harp
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Clarinette et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Tr...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Traditional. Score and part. 11 pages. Jmsgu3 #905408. Published by jmsgu3 (A0.1316712). This arrangement features the controversial Schwencke measure (ms. 27) initially introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. They are based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1, and well suited for church meditations, school programs, or recital encores. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach's Prelude No. 1 from Well-Tempered Clavier I. This and Schubert's versions have become essential at weddings, masses, and funerals.Bach OverviewFirst, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most striking, though, are the St. John Passion and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$32.95
As It Was
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Clarinette et Piano
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FACILE
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Rock
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Harry Styles
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Gildson Cerqueira
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As It Was
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Gildson Cerqueira
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1388478 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,R...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1388478 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972015. Published by Gildson Cerqueira (A0.1388478). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
As It Was
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Clarinette et Piano
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FACILE
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Rock
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Harry Styles
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Gildson Cerqueira
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As It Was
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Gildson Cerqueira
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1388480 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,R...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1388480 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972018. Published by Gildson Cerqueira (A0.1388480). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
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John Thoma
