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Just A Ride
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22
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4
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4
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3
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2
Violoncelle
2
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1
Trio à Cordes: 2 violons, alto
1
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1
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--INSTRUMENTS--
ACCORDEON
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BANJO
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CHORALE - CHAN…
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Vous avez sélectionné:
Just A Ride
Clarinette et Piano
Partitions à imprimer
5 partitions trouvées
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The Skye Boat Song (B flat clarinet and piano)
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Clarinette et Piano
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FACILE
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Celtique/Irlandais
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Traditional
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Colin Kirkpatrick
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1366489 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Traditional. Score ...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1366489 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Traditional. Score and part. 9 pages. Colin Kirkpatrick Publications #950823. Published by Colin Kirkpatrick Publications (A0.1366489). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers. The Skye Boat Song has its roots in a traditional Gaelic melody. In this lovely arrangement for B flat clarinet and piano, the piece begins in B flat concert, entirely in the clarinet's low register. The second section modulates to concert F mostly in the high register with the highest note being the C just above the treble staff. Movement around the break has been avoided. The arrangement is about UK ABRSM Grade 3 standard and it would make a splendid and rewarding addition to the repertoire of the young clarinet player.
$3.95
Korean Simple Suite No.3 "Happy Wedding" (For Clarinet and Piano)
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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 For Clarinet and Piano Op
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Korean Simple Suite No.3 "
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1303612 Composed by Han-Ki Kim. Classical,Instructional,Multicultura...
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Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1303612 Composed by Han-Ki Kim. Classical,Instructional,Multicultural,Standards,Traditional,World. 35 pages. Han-Ki Kim #893186. Published by Han-Ki Kim (A0.1303612). “Korean Simple Suite†No.3  <Happy Wedding>  For Clarinet and Piano Op.273It consists of 5 movements in total, and all of them mainly used the traditional 5 notes of “Do,Re,Mi,Sol,Ra†in Korea as far as the melody is concerned. It shows the wedding ceremony of the bride and groom held in the traditional Korean front yard and the surrounding scenery. The original Music was composed for violin and was composed by the composer's own teacher, violinist  Dr. Walter Verdehr.1st mov. : The Front Yard: In F minor in 8/12 time, it is a short movement with a bright atmosphere. The Korean’s front yard is a friendly place for villagers' gatherings and events.2nd mov. : Yeonzi – Gonzi: In F major in 4/4 time. The meaning of “Yeonji Gonji†is the red dot on the cheeks and forehead of the bride in a Korean traditional wedding ceremony.3rd mov. : Joyful Dance: 3/4 time F minor, composed in ABA form, expressed the joy of dancing in Korea.4th mov. : Longing: In D minor in 6/4 time, tried to express the feeling of oriental waiting.5th mov. : The Bride and Groom: B minor, composed of 4/4 and 6/4 time signatures. Like the title The Groom and the Bride, it is composed in a rondo format that intersects the theme of liveliness and the theme of calm.Attached Music file is 1st mov. and recorded by Violin and Piano, it's just for a reference.
$14.90
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
Suite in Sea for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Kara Williams
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By Kara Williams
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Suite in Sea for Clarinet and
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Kara Williams
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1271341 Composed by By Kara Williams. Chamber,Classical,Comedy,Contest,Festival. Score and part. 21 pages. Kar...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1271341 Composed by By Kara Williams. Chamber,Classical,Comedy,Contest,Festival. Score and part. 21 pages. Kara Williams #863736. Published by Kara Williams (A0.1271341). Suite in Sea is a fun and quirky work for solo clarinet and piano composed by Kara Williams. Each movement draws on inspiration from Kara’s own time at sea serving in the military imagined as a suite of four short programmatic movements. We follow a young sailor as they stagger around the deck in the rough weather, finally succumbing to the corkscrew motion of the ocean in ‘Sea Sick Shanty’; a moment of peace and beauty for the young sailor as the ship sails through an ‘Archipelago’ teaming with marine life; In ‘Brew Time March, the young sailor excitedly hears the bugle call to have a break from work (brew time), grab a coffee and sit on the bow to watch the waves… lost in thoughts, they unexpectedly hear the sound of work recommencing, and scurry back, making it just in the nick of time… waiting eagerly for next the next call for Brew Time! The preparation, spectacle, pride, and excitement of ‘Sailing into Harbour’ completes this suite, suitable for an intermediate to more advanced player looking for something entertaining and a little bit different! Range E1-G4. Total performance time, just over 10 minutes.To hear audio files of all four movements, please go to the composer's website karawilliamsmusic.com.
$20.00
Episodes - for Alto Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Daniel Basford
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Episodes - for Alto Clarinet &
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Daniel Basford
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.1120538 Composed by Daniel Basford. Chamber,Classical,Contemporary. Score and part. 44 pages. Daniel Basford #...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.1120538 Composed by Daniel Basford. Chamber,Classical,Contemporary. Score and part. 44 pages. Daniel Basford #721780. Published by Daniel Basford (A0.1120538). 4-movement chamber work for solo alto clarinet and piano. Duration approx. 15'30 Please note that the alto clarinet part is included within this PDF file. A separate purchase is not necessary. Introductory note: The alto clarinet is one of the most unfairly maligned woodwind instruments. Frequently derided and ignored, it has suffered decades of unjust ridicule and several times even the notion that it should be made completely extinct has been suggested. Thankfully, many clarinettists and composers feel differently; the alto clarinet is a beautiful instrument full of expression with a great variety of tone. The four movements of Episodes showcase the alto clarinet’s potential as a solo voice and to demonstrate that it can and should have a place on the concert stage. Each movement of Episodes may be performed separately.
$15.99
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Just A Ride
