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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
LATER
Non classifié
1 157
Piano & claviers
Piano seul
592
Piano, Voix
240
Piano, Voix et Guitare
177
Piano Facile
125
Instruments en Do
76
Orgue
67
Accompagnement Piano
63
Accordéon
36
1 Piano, 4 mains
21
Piano grosses notes
14
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
71
Guitare notes et tablatures
67
Ligne De Mélodie, (Paroles) et Accords
58
Ukulele
20
2 Guitares (duo)
12
Paroles et Accords
10
Piano, Guitare (duo)
8
Basse electrique
5
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Mandoline
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
276
Chorale 3 parties
70
Chorale TTBB
49
Voix Tenor, Piano
48
Chorale 2 parties
40
Voix Soprano, Piano
36
Chorale SSAA
35
Voix Alto, Piano
32
Voix Baryton, Piano
30
Chorale Unison
17
Voix duo
6
Voix Tenor
6
Voix duo, Piano
6
Voix moyenne, Piano
5
Voix haute
4
Voix basse, Piano
3
Chorale
3
Voix Soprano
2
Voix basse
1
Voix seule
1
Chorale SSATB
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
136
2 Saxophones (duo)
127
Clarinette et Piano
122
Quatuor de Saxophones: 4 saxophones
113
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Hautbois, Piano (duo)
87
Saxophone Alto et Piano
85
Quatuor de Clarinettes: 4 clarinettes
77
Flûte, Hautbois, Clarinette, Basson
65
2 Clarinettes (duo)
61
Saxophone Tenor et Piano
59
Saxophone Soprano et Piano
56
Saxophone, Clarinette (duo)
50
Flûte traversière
49
Saxophone Alto
47
2 Flûtes traversières (duo)
46
Saxophone Tenor
44
Clarinette
43
Saxophone Baryton, Piano
42
Saxophone (partie séparée)
40
Cor anglais, Piano
38
Clarinette, Violon (duo)
34
Quintette de Saxophone: 5 saxophones
32
Clarinette, Trompette (duo)
28
Flûte, Clarinette (duo)
27
3 Saxophones (trio)
25
2 Hautbois (duo)
23
Hautbois, Basson (duo)
21
Clarinette Basse, Piano
20
Hautbois, Clarinette (duo)
19
Quatuor de Flûtes : 4 flûtes
19
Flûte, Saxophone (duo)
19
Flûte, Violon
18
Clarinette et Alto
18
Ensemble de Clarinettes
16
Flûte, Trompette (duo)
14
Hautbois, Flûte
14
Hautbois (partie séparée)
12
Ensemble de Flûtes
12
2 Flûte à bec (duo)
11
Ensemble de saxophones
11
Quintette de Flûte : 5 flûtes
11
Flûte, Alto (duo)
11
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Basson (duo)
9
3 Clarinettes (trio)
9
Trio de Flûtes: 3 flûtes
7
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Violoncelle (duo)
5
Flûte à bec Soprano
5
Flûte, Violon, Piano
5
Cor Anglais
4
3 Flûtes à bec (trio)
4
Flûte à bec Soprano, Piano
4
Clarinette, Guitare (duo)
4
Piccolo, Piano
3
Clarinette (partie séparée)
3
Quatuor de Flûtes à bec
3
Hautbois
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Alto, Piano
3
Clarinette, Orgue
3
Flûte à Bec
3
Flûte, Violon et Violoncelle
3
Flûte, Basson et Piano
2
Clarinette, Trombone (duo)
2
5 Flûtes à bec
2
Flûte à bec Alto
2
Saxophone Soprano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Violoncelle
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
Saxophone et Orgue
2
Flûte, Hautbois (duo)
2
Flûte à bec Tenor
2
2 Cors Anglais Et Pianoforte
2
Clarinette Basse
2
4 Hautbois
1
Ensemble de Hautbois
1
Hautbois, Violoncelle
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Piano
1
Flûte et Guitare
1
2 Saxophones, Piano
1
Flute (partie séparée)
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Harmonica
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Basson
1
2 Flûtes traversières, Piano
1
Hautbois, Harpe
1
Flûte et Trio à cordes
1
Ocarina
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
131
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trombone et Piano
77
Trompette
61
Trompette, Piano
56
Cor et Piano
53
Euphonium, Piano (duo)
42
Cor anglais, Piano
38
Trompette, Saxophone (duo)
34
Trombone
29
2 Trombones (duo)
28
Trompette, Trombone (duo)
26
2 Trompettes (duo)
24
Tuba et Piano
19
Cor
16
Quatuor de Cuivres
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette (partie séparée)
14
Trombone (partie séparée)
13
Quatuor de cuivres: 4 trombones
10
2 Cors (duo)
9
Ensemble de Trombones
8
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
5
Euphonium
5
Trombone, Cor (duo)
4
Tuba
4
Cor (partie séparée)
4
Cor Anglais
4
Ensemble de Cors
4
Ensemble de Trompettes
4
Trompette, Cor (duo)
3
2 Euphoniums (duo)
3
3 Tubas (trio)
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
3 Cors (trio)
2
3 Trombones (trio)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Tuba et Orgue
2
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Tuba (partie séparée)
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Trombone basse et Piano
1
4 Tubas
1
Trio de Cuivres
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violon et Piano
172
Alto, Piano
102
Violoncelle, Piano
94
Violon
65
Violon, Violoncelle (duo)
57
Violoncelle
53
2 Violons (duo)
43
Trio à Cordes: violon, alto, violoncelle
36
Violon, Alto (duo)
28
Alto seul
27
Harpe
26
Trio à Cordes: 2 violons, violoncelle
25
2 Altos (duo)
22
2 Violoncelles (duo)
21
2 Harpes (duo)
13
Alto, Violoncelle (duo)
8
2 Contrebasses (duo)
5
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
4 Violoncelles
5
Alto (partie séparée)
4
Alto, Guitare (duo)
4
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Contrebasse, Piano (duo)
4
Trio à cordes: 3 altos
4
Contre Basse
4
Trio à Cordes: 3 violoncelles
3
Ensemble de Violons
3
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon (partie séparée)
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
1
Harpe, Flûte (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
363
Orchestre
108
Orchestre à Cordes
92
Ensemble de cuivres
70
Ensemble Jazz
52
Orchestre de chambre
36
Cloches
24
Jazz combo
14
Fanfare
10
Batterie
5
Marimba
5
Ensemble de Percussions
4
Vibraphone
3
Batterie (partie séparée)
2
Percussion (partie séparée)
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Note4Piano
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Clarinette et Piano
Partitions à imprimer
122 partitions trouvées
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101
Fauré: Élégie Op. 24 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Per...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531397. Published by jmsgu3 (A0.549728). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
O When the Saints, Gospel Song for Clarinet and Piano
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Clarinette et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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O When the Saints, Gospel Song
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.593087 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score ...
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Clarinet,Piano - Level 2 - SKU: A0.593087 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6416281. Published by David McKeown (A0.593087). O When the Saints is a beautiful spiritual arranged here for Solo Clarinet and Piano.The origins of O When the Saints are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck Berry.
$2.49
O Come, O Come Emmanuel
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Clarinette et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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James Sclater
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limited range
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O Come, O Come Emmanuel
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James S Sclater
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.961288 Arranged by James Sclater. Christian,Christmas,Concert,Sacred. Score and part. 4 pages. James S Sclater #60091...
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Clarinet,Piano - Level 3 - SKU: A0.961288 Arranged by James Sclater. Christian,Christmas,Concert,Sacred. Score and part. 4 pages. James S Sclater #6009171. Published by James S Sclater (A0.961288). This is a short easy arrangement of a familiar Christmas tune. It was written to be played in a church service but could certainly be used in a recital by an advancing student. Emphasis is on smooth legato playing; limited range. Piano accompaniment is moderately easy.
$3.50
Grey December Rag
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Clarinette et Piano
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INTERMÉDIAIRE
#
James Sclater
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good recital material.
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Grey December Rag
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James S Sclater
#
SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 3 - SKU: A0.961233 Composed by James Sclater. Concert,Folk,Holiday,Ragtime,Traditional. Score...
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Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 3 - SKU: A0.961233 Composed by James Sclater. Concert,Folk,Holiday,Ragtime,Traditional. Score and parts. 6 pages. James S Sclater #5987365. Published by James S Sclater (A0.961233). A ragtime number for clarinet and piano. Audience pleaser; good recital material.
$8.00
Romance, Op. 36
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Clarinette et Piano
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FACILE
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Camille Saint-Saens
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Steven Nunes
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Romance, Op. 36
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Nagamon Publications
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1510797 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and par...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1510797 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pages. Nagamon Publications #1086002. Published by Nagamon Publications (A0.1510797). Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.This delightful short work works well as a lyrical exercise, as well as being able to fit into any recital situation.
$8.00
Passacaglia - Handel / Halvorsen
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Clarinette et Piano
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FACILE
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Classique
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G
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Wesley S
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Passacaglia - Handel / Halvors
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Wesley S. Silva
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1499672 Composed by G. F. Handel, J. Halvorsen. Arranged by Wesley S. SIlva. Classical. Score and part. 14 pag...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1499672 Composed by G. F. Handel, J. Halvorsen. Arranged by Wesley S. SIlva. Classical. Score and part. 14 pages. Wesley S. Silva #1075738. Published by Wesley S. Silva (A0.1499672). Passacaglia, originally composed by George Frideric Handel and later arranged for violin and viola by Johan Halvorsen, is a beautiful and timeless piece of classical music. Known for its rich harmony and expressive melody, this arrangement offers a wonderful introduction to classical music for beginners. Its elegant and flowing structure makes it an ideal choice for those looking to explore the classical genre while still being approachable for early learners. The piece captures the grandeur and emotion of classical music, providing a rewarding experience for musicians at the beginner level.
$5.99
The Last Rose of Summer - Clarinet with piano and chords
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Clarinette et Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Clar
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Alex Rodrigues
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SheetMusicPlus
Clarinet,Piano - Level 1 - SKU: A0.1494241 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #10...
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Clarinet,Piano - Level 1 - SKU: A0.1494241 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070842. Published by Alex Rodrigues (A0.1494241). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
The Last Rose of Summer - Clarinet with piano
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Clarinette et Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Clar
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Alex Rodrigues
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SheetMusicPlus
Clarinet,Piano - Level 1 - SKU: A0.1494242 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #10...
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Clarinet,Piano - Level 1 - SKU: A0.1494242 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070844. Published by Alex Rodrigues (A0.1494242). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
Après un rêve, Op.7 - Bb Clarinet and Piano (Full Score and Parts)
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Clarinette et Piano
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INTERMÉDIAIRE
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Gabriel Faure
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César Madeira
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Après un rêve, Op
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1474756 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wed...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1474756 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 10 pages. Sheet Music To Play Editions #1052336. Published by Sheet Music To Play Editions (A0.1474756). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Bb Clarinet and Piano. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Après un rêve, Op.7 - Bb Clarinet and Piano (Individual Parts)
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Clarinette et Piano
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INTERMÉDIAIRE
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Gabriel Faure
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César Madeira
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Après un rêve, Op
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1474759 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Lent,Multicultural,Romantic Period...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1474759 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Lent,Multicultural,Romantic Period,Wedding,World. Score and part. 4 pages. Sheet Music To Play Editions #1052340. Published by Sheet Music To Play Editions (A0.1474759). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Bb Clarinet and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$5.99
Après un rêve, Op.7 - Bb Clarinet and Piano (Full Score)
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Clarinette et Piano
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INTERMÉDIAIRE
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Gabriel Faure
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César Madeira
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Après un rêve, Op
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1474760 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wed...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1474760 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 4 pages. Sheet Music To Play Editions #1052344. Published by Sheet Music To Play Editions (A0.1474760). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Bb Clarinet and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$5.99
Toccata for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Marcos Fernandez-Barrero
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Toccata for Clarinet and Piano
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Marcos Fernandez-Barrero
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1474791 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1474791 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052407. Published by Marcos Fernandez-Barrero (A0.1474791). ‘Toccata for Clarinet and Piano’ was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends.________________________________________________‘Toccata for Clarinet and Piano’ fue escrita y dedicada en 2007 a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
$14.95
Debussy: Reverie for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Claude Debussy
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James M
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Debussy: Reverie for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1476293 Composed by Claude Debussy. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Perio...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1476293 Composed by Claude Debussy. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 19 pages. Jmsgu3 #1053807. Published by jmsgu3 (A0.1476293). Composed in 1890, Rêverie is one of Debussy's earlier works, showcasing his evolving style and paving the way for his later, more mature compositions. The title Rêverie refers to a dreamlike state, and the piece is known for its calm, peaceful, and atmospheric qualities, making it a perfect entry point into Debussy's style. Rêverie is often considered a symbol of the Impressionism musical movement, featuring subtle, dreamy emotions that capture the essence of this artistic style.The vibrant and dreamy nature of Rêverie has made it a popular choice for various multimedia, including films, commercials, and piano recitals, solidifying its iconic status as a piece of the piano repertoire. The music of Rêverie overwhelms and transports the listener to a dreamlike state, creating a personal and romantic experience open to individual interpretation. Debussy's ability to create a dreamlike atmosphere through the music, with a gently repetitive theme that evolves into richer textures, showcases his mastery in crafting captivating musical landscapes.
$32.95
Heaven Is A Place On Earth
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Clarinette et Piano
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INTERMÉDIAIRE
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Belinda Carlisle
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Kevin P Holdgate
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Heaven Is A Place On Earth
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Kevin P Holdgate
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.1386950 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Fi...
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Clarinet,Piano - Level 3 - SKU: A0.1386950 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 9 pages. Kevin P Holdgate #970835. Published by Kevin P Holdgate (A0.1386950). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
Grieg: Ase's Death from Peer Gynt Suite for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549532 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549532 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505773. Published by jmsgu3 (A0.549532). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549575 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549575 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509361. Published by jmsgu3 (A0.549575). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
O Come All Ye Faithful for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Cla
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Amazing Grace, Gospel Hymn for Alto Clarinet and Piano
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Clarinette et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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John Newton
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David McKeown
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Amazing Grace, Gospel Hymn for
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.592637 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.592637 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411225. Published by David McKeown (A0.592637). Amazing Grace is a beautiful hymn arranged here for Solo Alto Clarinet and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.
$2.49
Vivaldi: Sonata No. 5 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Clar
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.550502 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Clarinet,Piano - Level 3 - SKU: A0.550502 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4716177. Published by jmsgu3 (A0.550502). Sonata da Chiesa No. 5 in E Minor for Bb Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Sorry Seems To Be The Hardest Word
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest
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Keith Terrett
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.747032 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. ...
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Clarinet,Piano - Level 3 - SKU: A0.747032 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902603. Published by Keith Terrett (A0.747032). Arranged for Bb Clarinet & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.ARRANGERSKeith Terrett.
$9.99
Vivaldi: Sonata No. 6 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Clar
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.550527 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Clarinet,Piano - Level 3 - SKU: A0.550527 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4725491. Published by jmsgu3 (A0.550527). Sonata da Chiesa No. 6 in Bb Major for Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Clarinet in Bb. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
O Holy Night for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Clarinet &
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410427. Published by jmsgu3 (A0.548671). Duration: 4:56. Score; 5 pg., 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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