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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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VIBRAPHONE
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Last Time Around
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54
Piano & claviers
Piano seul
39
Piano, Voix
7
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6
Instruments en Do
6
Piano Facile
4
Orgue
1
+ 1 instrumentations
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Guitare notes et tablatures
3
Guitare
2
2 Guitares (duo)
1
Voix
Chorale SATB
11
Voix Soprano, Piano
4
Voix Baryton, Piano
3
Chorale SSAA
3
Chorale TTBB
2
Voix seule
1
Voix Soprano
1
Voix Tenor
1
Voix basse, Piano
1
Chorale 2 parties
1
Chorale 3 parties
1
+ 6 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
18
2 Saxophones (duo)
10
Saxophone, Clarinette (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
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5
3 Saxophones (trio)
5
Flûte traversière
4
Flûte, Clarinette (duo)
4
Saxophone Alto
4
Saxophone Alto et Piano
4
2 Clarinettes (duo)
4
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4
Hautbois, Piano (duo)
3
Saxophone Tenor
3
Saxophone Soprano et Piano
3
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2
Clarinette, Trompette (duo)
2
2 Hautbois (duo)
2
Ensemble de Clarinettes
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Flûte
2
Flûte, Alto (duo)
2
Saxophone Soprano
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Trompette (duo)
2
2 Flûtes traversières (duo)
2
Ensemble de Flûtes
2
Saxophone et Orgue
1
3 Clarinettes (trio)
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette et Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Violon (duo)
1
Ensemble de Hautbois
1
Flûte, Saxophone (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone (partie séparée)
1
Clarinette
1
Clarinette, Violoncelle (duo)
1
Flûte traversière et Piano
1
Hautbois (partie séparée)
1
Clarinette Basse
1
Ensemble de saxophones
1
Hautbois, Clarinette (duo)
1
+ 41 instrumentations
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Cuivres
Trompette, Saxophone (duo)
4
Trompette
3
2 Trompettes (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
2
Trombone et Piano
1
Trombone
1
Tuba et Piano
1
Trompette, Piano
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
Trompette, Trombone (duo)
1
+ 7 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon
4
Violon, Alto (duo)
4
Violon et Piano
3
2 Altos (duo)
3
Violon, Violoncelle (duo)
3
Violoncelle
3
2 Violons (duo)
2
Violoncelle, Piano
2
4 Contrebasses
1
2 Violoncelles (duo)
1
Alto, Piano
1
Alto seul
1
+ 8 instrumentations
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9
Orchestre d'harmonie
8
Jazz combo
4
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3
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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