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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Late at Night
Non classifié
91
Piano & claviers
Piano seul
77
Orgue
5
Instruments en Do
5
Piano, Voix et Guitare
5
Piano, Voix
4
Piano Facile
4
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
2
Basse electrique
2
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
Voix
Chorale SATB
9
Chorale 3 parties
4
Chorale TTBB
4
Chorale 2 parties
3
Chorale Unison
2
Voix moyenne, Piano
1
Voix duo
1
Chorale SSAA
1
Voix haute
1
+ 4 instrumentations
Retracter
Vents
Flûte traversière et Piano
15
Saxophone Alto et Piano
10
Hautbois, Piano (duo)
9
Clarinette et Piano
8
Saxophone Tenor et Piano
8
2 Saxophones (duo)
7
Clarinette
6
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Quatuor de Flûtes : 4 flûtes
4
2 Flûtes traversières (duo)
3
2 Clarinettes (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone, Clarinette (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Hautbois (partie séparée)
3
Flûte, Clarinette (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Cor anglais, Piano
2
Flute (partie séparée)
2
Clarinette, Violon (duo)
2
Clarinette Basse, Piano
2
Ensemble de Clarinettes
2
Saxophone Tenor
1
Ensemble de Flûtes
1
Hautbois, Flûte
1
Saxophone (partie séparée)
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violon
1
3 Saxophones (trio)
1
Saxophone Alto
1
Flûte, Alto (duo)
1
Hautbois, Basson (duo)
1
Flûte, Basson et Piano
1
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
+ 35 instrumentations
Retracter
Cuivres
Cor et Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
8
Trompette
5
2 Trompettes (duo)
2
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Trompette (partie séparée)
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Cor
2
Tuba et Piano
2
Trompette, Piano
2
Trompette, Euphonium (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
9
Alto, Piano
7
Violoncelle, Piano
6
Harpe
4
Violon
4
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
Alto seul
2
Violoncelle
2
2 Violons (duo)
2
4 Violoncelles
1
Contre Basse
1
Violon, Alto (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Clarinette, Piano (trio)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
40
Orchestre à Cordes
12
Orchestre
11
Ensemble Jazz
4
Ensemble de cuivres
3
Orchestre de chambre
3
Ensemble de Percussions
1
Cloches
1
Fanfare
1
Quintette de Cuivres: autres combinaisons
1
+ 5 instrumentations
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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LATIN - BOSSA - WORL…
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METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Late at Night
Clarinette et Piano
Partitions à imprimer
8 partitions trouvées
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O Holy Night for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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5 pg
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O Holy Night for Clarinet &
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410427. Published by jmsgu3 (A0.548671). Duration: 4:56. Score; 5 pg., 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Andre Van Haren: Moments instantly for clarinet & piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for clarinet & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for...
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This is an exclusive transcription for clarinet & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
DvoÅ™ák: Largo from the New World Symphony for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549420 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549420 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493999. Published by jmsgu3 (A0.549420). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
I See The Light
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Alan Menken and Glenn Slater
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Yoshiko Uchida
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I See The Light
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1420770 Composed by Alan Menken and Glenn Slater. Arranged by Yoshiko Uchida. Film/TV,Wedding. Score and part....
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1420770 Composed by Alan Menken and Glenn Slater. Arranged by Yoshiko Uchida. Film/TV,Wedding. Score and part. 9 pages. FOSTERMUSIC.JP Digital Publishing #1002197. Published by FOSTERMUSIC.JP Digital Publishing (A0.1420770). Introduction In the Disney movie Rapunzel in the Tower (released in 2011), Rapunzel is imprisoned in a tower, but through her journey with Eugene, she finds her lost dreams, hopes, and courage, and sings this duet on a boat on the lake where they arrive.The scene of countless lanterns soaring in the night sky is very beautiful, and the ascending phrase that appears many times in the chorus melody seems to express the hero's never-giving-up spirit as well as the scene.I recommend this piece as an encore piece to be played at the end of a concert, praying for the future. (Yoshiko Uchida). Performance advice Express the pure and gentle melody with a clear and beautiful tone.Do not let the sixteenth note from rehearsal number G stand out only in terms of technique; sing each note carefully and play it with smooth legato. (Kei Ito) Arranger: Yoshiko Uchida Yoshiko Uchida is a composer from Yokosuka, Kanagawa, Japan.Graduated from Tokyo University of the Arts, Faculty of Music, Department of Composition, and completed graduate studies at the same university. After working as an assistant music director, pianist for musicals, and score composer, she is currently composing and arranging for many concerts, CDs, publications, and video works. Clarinet: Kei Ito Kei Ito is a leading clarinetist in Japan.Graduated from the Department of Instrumental Music, Faculty of Music, Tokyo University of the Arts in 2001. In 2004, he won the first prize at the 6th Japan Clarinet Competition. In 2006, she was selected for the 74th Japan Music Competition. After working with the Philharmonia of the University of the Arts and the Tokyo Metropolitan Symphony Orchestra, he is currently the principal clarinetist of the NHK Symphony Orchestra and performs with orchestras in Japan and abroad, and was the soloist at the Gathering of Thanksgiving for the 30th Anniversary of His Majesty the Emperor's Enthronement in 2019. In addition to his activities as a soloist, chamber musician, and orchestral player, he also teaches younger students as an adjunct associate professor at the Tokyo College of Music and as a lecturer at the Tokyo National University of Fine Arts and Music and Kunitachi College of Music.Click here for the album containing this song
$19.99
Goodbye Yellow Brick Road
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.547881 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score an...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.547881 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073401. Published by jmsgu3 (A0.547881). CLARINET in Bb & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Sorry Seems To Be The Hardest Word
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest
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Keith Terrett
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.747032 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. ...
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Clarinet,Piano - Level 3 - SKU: A0.747032 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902603. Published by Keith Terrett (A0.747032). Arranged for Bb Clarinet & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.ARRANGERSKeith Terrett.
$9.99
He Ain't Heavy, He's My Brother
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Clarinette et Piano
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INTERMÉDIAIRE
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Pop musique
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brothe
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Kevin P Holdgate
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.791243 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. K...
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Clarinet,Piano - Level 3 - SKU: A0.791243 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771995. Published by Kevin P Holdgate (A0.791243). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
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