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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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8
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2
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2
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Clavecin
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23
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45
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45
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12
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6
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1
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1
Flûte, Violon, Piano
1
Clarinette
1
Flûte, Clarinette, Piano (trio)
1
Hautbois (partie séparée)
1
2 Flûtes traversières (duo)
1
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23
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12
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7
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4
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3
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3
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2
Trompette, Piano
2
2 Trombones (duo)
1
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1
Tuba et Piano
1
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18
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9
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7
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6
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6
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6
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5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Violons (duo)
3
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3
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3
Contrebasse (partie séparée)
3
Alto seul
1
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1
Violon, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
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Orchestre d'harmonie
30
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16
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8
Orchestre de chambre
1
Orchestre
1
Jazz combo
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Batterie
1
Cloches
1
Ensemble de cuivres
1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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ORGUE
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Crtitères actifs :
Mark Rice
Clarinette et Piano
Partitions à imprimer
3 partitions trouvées
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Somewhere, My Love
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Clarinette et Piano
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INTERMÉDIAIRE
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Contemporain
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Maurice Jarre
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Fishel Pustilnik
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Pop Piano Paradise 
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Somewhere, My Love
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F & N Enterprise
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.636308 Composed by Maurice Jarre. Arranged by Fishel Pustilnik. Contemporary. Score and part. 11 pages. F & N Enterpr...
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Clarinet,Piano - Level 3 - SKU: A0.636308 Composed by Maurice Jarre. Arranged by Fishel Pustilnik. Contemporary. Score and part. 11 pages. F & N Enterprise #6363419. Published by F & N Enterprise (A0.636308). An excellent arrangement of the famous Song Somewhere, My Lovefor Clarinet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/eRF5iKLvRN4The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
How Deep Is Your Love
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Clarinette et Piano
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INTERMÉDIAIRE
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Bee Gees
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Fishel Pustilnik
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How Deep Is Your Love
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F & N Enterprise
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.635997 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Fishel Pustilnik. Dance,Disco. Score and...
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Clarinet,Piano - Level 3 - SKU: A0.635997 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Fishel Pustilnik. Dance,Disco. Score and part. 8 pages. F & N Enterprise #6117089. Published by F & N Enterprise (A0.635997). An excellent arrangement of the famous Song How Deep Is Your Love for Clarinet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ommadQAgAgo The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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