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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Marked
Non classifié
428
Piano & claviers
Piano seul
189
Piano Facile
76
Instruments en Do
31
Piano, Voix et Guitare
24
Piano, Voix
22
1 Piano, 4 mains
7
Orgue
6
Piano Trio: piano, violon, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
5
Banjo
2
Ukulele
2
2 Guitares (duo)
2
Basse electrique
1
3 Guitares (trio)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
55
Chorale 3 parties
18
Chorale 2 parties
5
Chorale TTBB
5
Chorale Unison
4
Chorale SSAA
3
Voix duo, Piano
2
Voix haute
2
Chorale SSAATTBB
2
Voix basse, Piano
1
+ 5 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
105
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Quintette de Saxophone: 5 saxophones
56
Flûte, Hautbois, Clarinette, Basson
30
Flûte traversière et Piano
29
Quatuor de Saxophones: 4 saxophones
27
Flûte traversière
22
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
19
Clarinette et Piano
19
Saxophone Soprano et Piano
17
Clarinette
16
Ensemble de Clarinettes
13
Flûte et Guitare
11
Saxophone Baryton, Piano
10
Saxophone Tenor
9
Saxophone Alto
9
Saxophone Tenor et Piano
9
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
7
Clarinette, Harpe (duo)
7
3 Clarinettes (trio)
7
Clarinette Basse, Piano
6
Ensemble de Flûtes
5
3 Saxophones (trio)
5
2 Clarinettes (duo)
5
Hautbois, Harpe
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone et Harpe
4
2 Flûtes traversières (duo)
4
2 Saxophones (duo)
4
Cor anglais, Piano
3
2 Flûte à bec (duo)
3
Flûte, Clarinette, Piano (trio)
2
Saxophone (partie séparée)
2
Quatuor de Flûtes à bec
2
Ensemble De Flûte à bec
2
Saxophone Baryton
2
Clarinette, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Ensemble de saxophones
2
2 Hautbois (duo)
2
Hautbois (partie séparée)
2
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Saxophone et Guitare
1
Cor Anglais
1
Piccolo
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Soprano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Basson et Piano
1
Hautbois, Basson et Piano
1
Harmonica
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Cor anglais et Harpe (duo)
1
+ 58 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
16
Trombone et Piano
14
Trompette, Piano
12
Cor
11
Cor et Piano
11
Trombone
10
Ensemble de Trombones
9
Trompette, Harpe
9
Cor et Harpe
8
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
Tuba et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
3
Tuba
3
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
Instruments en Sib
2
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Cor Anglais
1
2 Trompettes (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
Cor anglais et Harpe (duo)
1
+ 27 instrumentations
Retracter
Cordes
2 Harpes (duo)
196
Quatuor à cordes: 2 violons, alto, violoncelle
127
Harpe
104
Violon et Piano
31
Violoncelle, Piano
21
Violon
16
Alto, Piano
12
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
11
Harpe, Violon (duo)
10
2 Violons (duo)
10
Harpe, Flûte (duo)
8
Ensemble de Violons
7
Violon (partie séparée)
7
Ensemble d'Altos
6
Contrebasse, Piano (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
4
Violon, Alto (duo)
4
Harpe, Violoncelle (duo)
3
Alto et Harpe
3
Contre Basse
3
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
5 Harpes
2
Harpe, Trombone (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
3 Harpes
2
Contrebasse (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
1
Alto et orchestre
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Harpe, Voix
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Orchestre à Cordes
88
Cloches
21
Orchestre
21
Ensemble Jazz
18
Ensemble de cuivres
13
Orchestre de chambre
9
Jazz combo
6
Batterie
6
Vibraphone
2
Ensemble de Percussions
2
2 Marimbas
1
Fanfare
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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débutant
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avancé
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Vous avez sélectionné:
Marked
Clarinette et Piano
Partitions à imprimer
19 partitions trouvées
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1
Pleasant Landscape-Schumann-Clarinet-Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Robert Schumann
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Phil Beaman
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Pleasant Landscape-Schumann-Cl
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Phil Beaman
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.844537 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part...
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Clarinet,Piano - Level 3 - SKU: A0.844537 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509433. Published by Phil Beaman (A0.844537). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Via Dolorosa
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Clarinette et Piano
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INTERMÉDIAIRE
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Sandi Patty
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Glauco Fernandes
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Via Dolorosa
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Glauco Fernandes
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1398718 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Christian,Holi...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1398718 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Christian,Holiday,Sacred. Score and part. 10 pages. Glauco Fernandes #981994. Published by Glauco Fernandes (A0.1398718). Title: Exclusive Sheet Music Arrangement of Via Dolorosa - Elevate Your Music to a New Level!Description:Immerse yourself in the majestic beauty of sacred music with our exclusive sheet music arrangement of the iconic Via Dolorosa. This stirring composition, depicting a journey of sacrifice and passion, has touched hearts around the globe, standing out as a cornerstone of Christian music. Now, through this detailed sheet music, we offer you the opportunity to bring this powerful story to life, enriching your musical repertoire with a deeply emotional and personal interpretation.Via Dolorosa is renowned for its unique ability to evoke deep emotions through its engaging melody and meaningful lyrics, narrating the steps of Jesus Christ on his way to Calvary. With our carefully crafted arrangement, musicians of intermediate and professional levels can explore the nuances of this piece, challenging their skills while providing a memorable experience for listeners.Our sheet music is an essential tool for those wishing to delve into sacred music, perfectly suited for performances in churches, themed concerts, and religious events, where the music speaks directly to the heart.Features:- Professional Arrangement: This arrangement has been developed by renowned musicians, enriching the original composition with a new layer of emotional depth and harmonic complexity.- Clear and Precise Notation: Each page of our sheet music is marked by impeccable musical notation, including all the dynamics, articulations, and expressions needed for an expressive and technically flawless performance.- Ideal for Intermediate and Professional Musicians: Regardless of your level, this sheet music will challenge and develop your musical ability, offering a unique opportunity for artistic and personal growth.Don't miss the opportunity to add this exceptional arrangement of Via Dolorosa to your repertoire. This sheet music not only challenges your technical capabilities but also fosters a deep spiritual connection with your audience.Purchase your copy of the Via Dolorosa sheet music arrangement today and be ready to inspire and move with the transformative power of music.
$6.99
Via Dolorosa
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Clarinette et Piano
#
INTERMÉDIAIRE
#
Sandi Patty
#
Glauco Fernandes
#
Via Dolorosa
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Glauco Fernandes
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1398722 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Christian,Holi...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1398722 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Christian,Holiday,Sacred. Score and part. 10 pages. Glauco Fernandes #981998. Published by Glauco Fernandes (A0.1398722). Title: Exclusive Sheet Music Arrangement of Via Dolorosa - Elevate Your Music to a New Level!Description:Immerse yourself in the majestic beauty of sacred music with our exclusive sheet music arrangement of the iconic Via Dolorosa. This stirring composition, depicting a journey of sacrifice and passion, has touched hearts around the globe, standing out as a cornerstone of Christian music. Now, through this detailed sheet music, we offer you the opportunity to bring this powerful story to life, enriching your musical repertoire with a deeply emotional and personal interpretation.Via Dolorosa is renowned for its unique ability to evoke deep emotions through its engaging melody and meaningful lyrics, narrating the steps of Jesus Christ on his way to Calvary. With our carefully crafted arrangement, musicians of intermediate and professional levels can explore the nuances of this piece, challenging their skills while providing a memorable experience for listeners.Our sheet music is an essential tool for those wishing to delve into sacred music, perfectly suited for performances in churches, themed concerts, and religious events, where the music speaks directly to the heart.Features:- Professional Arrangement: This arrangement has been developed by renowned musicians, enriching the original composition with a new layer of emotional depth and harmonic complexity.- Clear and Precise Notation: Each page of our sheet music is marked by impeccable musical notation, including all the dynamics, articulations, and expressions needed for an expressive and technically flawless performance.- Ideal for Intermediate and Professional Musicians: Regardless of your level, this sheet music will challenge and develop your musical ability, offering a unique opportunity for artistic and personal growth.Don't miss the opportunity to add this exceptional arrangement of Via Dolorosa to your repertoire. This sheet music not only challenges your technical capabilities but also fosters a deep spiritual connection with your audience.Purchase your copy of the Via Dolorosa sheet music arrangement today and be ready to inspire and move with the transformative power of music.
$6.99
Prelude from "Suite Bergamasque" for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Diego Marani
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Prelude from "Suite Berga
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Diego Marani
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1094993 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Pe...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1094993 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #699070. Published by Diego Marani (A0.1094993). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for clarinet with piano of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
$7.99
Pompeii
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Bastille
#
Daniel Leeman
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Pompeii
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Daniel Leeman
#
SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.870720 By Bastille. By Dan Smith. Arranged by Daniel Leeman. Rock. Score and part. 13 pages. Daniel Leeman #2998667. ...
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Clarinet,Piano - Level 4 - SKU: A0.870720 By Bastille. By Dan Smith. Arranged by Daniel Leeman. Rock. Score and part. 13 pages. Daniel Leeman #2998667. Published by Daniel Leeman (A0.870720). This authentic transcription of Bastille's Pompeii reflects the haunting nature and rhythmic drive of the piece in the piano accompaniment. The solo part accurately tracks Dan Smith's vocal ornamentation.This song retains the original concert key of A major, and instrumentalists can enjoy performing their solo part with piano accompaniment or playing along with the original recording. Due to retaining the original key as well as some of the tied sixteenth note rhythms, this piece is marked as intermediate advanced. If you would prefer to perform the piece in another key (not the original key of the piece), please feel free to reach out to http://notestem.com/contact.
$6.99
Habanera Sunrise-clarinet, piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Phil Beaman
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Habanera Sunrise-clarinet, pia
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Phil Beaman
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.845248 Composed by Phil Beaman. Concert,Jazz,Latin. Score and part. 8 pages. Phil Beaman #6497499. Published by Phil ...
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Clarinet,Piano - Level 3 - SKU: A0.845248 Composed by Phil Beaman. Concert,Jazz,Latin. Score and part. 8 pages. Phil Beaman #6497499. Published by Phil Beaman (A0.845248). Habanera Sunrise is a contemporary Latin Jazz solo that evokes the latent energy of a sunrise. The piano accompaniment is a pure milonga rhythm which is derived from tango and habanera. As one music scholar says milonga is an excited habanera. The melody is influenced by the African rhythms of cinquillo and tresillo which are also at the core of habaneras. This fusion sets up cross-rhythms and a challenging polymetric feel within a brisk 5/8 time signature. The accompaniment is mostly 3+2, but the melody is constantly shifting between 2+3, or 3+2, or 5 equal. Habanera Sunrise is for fun vibes, technique practice, rhythm challenges, and crowd-pleasing performances.Solo part has a 2 octave rangemarked Intermediate; notes are Early Intermediate, keeping the shifting 5/8 rhythm is Advanced Intermediate for some6 page score, 2 page part 3:10 minutes
$4.99
Turkish March for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Turkish March for Clarinet and
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Diego Marani
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.528084 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Scor...
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Clarinet,Piano - Level 3 - SKU: A0.528084 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and part. 7 pages. Diego Marani #4728433. Published by Diego Marani (A0.528084). The Piano Sonata No. 11 in A major, K. 331, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The last one, marked Alla turca, popularly known as the Turkish Rondo or Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces. This arrangement for Bb Clarinet with Piano Accompaniment faithfully reproduces the original for piano.
$9.90
La Lisonjera - clarinet-piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Cecile Chaminade
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Phil Beaman
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La Lisonjera - clarinet-piano
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Phil Beaman
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1049325 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pa...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1049325 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653697. Published by Phil Beaman (A0.1049325). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Bb Clarinet and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99
Feast of Love - Clarinet/Piano
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Clarinette et Piano
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FACILE
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Robert Franz
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Phil Beaman
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Feast of Love - Clarinet/Piano
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Phil Beaman
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.844545 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and ...
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Clarinet,Piano - Level 2 - SKU: A0.844545 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3516953. Published by Phil Beaman (A0.844545). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
Monologues
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Clarinette et Piano
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AVANCÉ
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Gary D
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Monologues
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DR GARY D BELSHAW
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SheetMusicPlus
Clarinet,Piano - Level 5 - SKU: A0.796660 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and part. 21 pages. DR GARY D BELSHAW #3...
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Clarinet,Piano - Level 5 - SKU: A0.796660 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and part. 21 pages. DR GARY D BELSHAW #3361819. Published by DR GARY D BELSHAW (A0.796660). The title of a Paul Simon song from the 60's inspired this three-movement work for solo clarinet and piano. The music of Monologues represents three kinds of social conversations.I. Desultory - A desultory monologue is marked by a disconnected jumping or passing from one thing to another, especially things not connected with the main subject. A twelve-tone row seems to lend itself naturally to this kind of disconnected expression.II. Epigrammatic - The term might be applied to monologues in which the speaker uses few words to make important observations or statements. The clarinet’s motives seem to be interrupted by figures in the piano which are the result of the completion of the twelve-tone rows begun by the clarinet.III. Philippic - It is nearly impossible to be a part of social conversation that does not lead at some point to verbal harangues against individuals, entities, or ideologies in politics. Demosthenes titled each of his orations against King Philip of Macedon a Philippic, as did Cicero his speeches against Mark Antony, and thus began a time-honored tradition. The music of this movement includes frequent changes of both regular and irregular meters and repetitions of musical motives and figures. Rondo form enhances the representation of a speaker driving home one principal subject.
$5.99
Largo (from Xerxes) for B flat clarinet and piano
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Clarinette et Piano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #902523. Published by Colin Kirkpatrick Publications (A0.1313805). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for clarinet in B flat and piano is in E flat major. The lowest note in the clarinet part is written C just below the treble staff and the highest note is written F on the top line. The piano part has been kept as simple as possible.
$3.25
Calamity - For B Flat Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Raymond Fenech
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Calamity - For B Flat Clarinet
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Raymond Fenech
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.760579 Composed by Raymond Fenech. Contemporary,Easter,Holiday,Multicultural,Video Game,World. Score and part....
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.760579 Composed by Raymond Fenech. Contemporary,Easter,Holiday,Multicultural,Video Game,World. Score and part. 7 pages. Raymond Fenech #5320227. Published by Raymond Fenech (A0.760579). This is an original composition. The title ‘Calamity’ was derived from the disastrous event marked by great loss and lasting distress that the World is facing at the moment, hence this relaxing composition. The level is intermediate and the duration is 2.05 minutes.
$3.99
Mozart K467 "Andante" Mvt.II from Piano Concerto No. 21 ("Elvira Madigan") Bb Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Glenn Martin
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Glenn Martin
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Mozart K467 "Andante"
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Cornelius edition
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.809183 By Glenn Martin. By Wolfgang Amadeus Mozart. Arranged by Glenn Martin. Chamber,Classical,Contest,Festiv...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.809183 By Glenn Martin. By Wolfgang Amadeus Mozart. Arranged by Glenn Martin. Chamber,Classical,Contest,Festival,Film/TV,Instructional. Score and part. 11 pages. Cornelius edition #6083131. Published by Cornelius edition (A0.809183). Mozart's Piano Concerto No 21 is often used in films and the second movement marked Andante has become known as the Elvira Madigan as it was used in a romantic film featuring a circus performer. This arrangement for Bb clarinet and piano accompaniment has some suggested ornamentation suitable for the period and is useful additional repertoire for classroom study , concert, competition or a church interlude.Duration 5:10.
$4.45
Star Trek(r) First Contact
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Clarinette et Piano
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FACILE
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Jerry Goldsmith
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Challena Zellick
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Star Trek(r) First Contact
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Challena Zellick
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.1226277 Composed by Jerry Goldsmith. Arranged by Challena Zellick. 20th Century,21st Century,Contemporary,Film/TV. Sc...
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Clarinet,Piano - Level 2 - SKU: A0.1226277 Composed by Jerry Goldsmith. Arranged by Challena Zellick. 20th Century,21st Century,Contemporary,Film/TV. Score and part. 4 pages. Challena Zellick #822292. Published by Challena Zellick (A0.1226277). Theme music from the Paramount Pictures movie Star Trek: First Contact which marked the film directorial debut of Jonathan Frakes, aka Commander Riker. Arranged for clarinet with piano accompaniment in the key of F major. Created by a fan, if there is something you would like me to create or want to give feedback, I can be reached at zellickmusic@gmail.com.
$6.99
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
DvoÅ™ák: Largo from the New World Symphony for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549420 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549420 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493999. Published by jmsgu3 (A0.549420). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Pachelbel: Canon for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386285. Published by jmsgu3 (A0.548466). The famous Pachelbel Canon arranged for clarinet in Bb and piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. .
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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