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Piano, Voix et Guitare
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Orgue
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Instruments en Do
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1 Piano, 4 mains
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Piano Trio: piano, violon, violoncelle
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Ligne De Mélodie, (Paroles) et Accords
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100
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90
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46
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24
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13
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10
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9
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2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Harpe
2
2 Flûte à bec (duo)
2
Flûte, Violon et Violoncelle
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1
2 Hautbois (duo)
1
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1
Piccolo
1
Clarinette, Harpe (duo)
1
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1
2 Flûtes à bec, Guitare
1
Flûte, Violon, Piano
1
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1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Piano
1
Hautbois, Harpe
1
Flûte, Hautbois, Basson
1
Flûte à Bec
1
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Trombone (partie séparée)
131
Trompette (partie séparée)
131
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Cor (partie séparée)
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trompette
30
Tuba (partie séparée)
24
Trombone
16
Trombone et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Cor
10
Euphonium, Piano (duo)
9
Trompette, Piano
7
Cor et Piano
7
Trio de Cuivres
6
Cor anglais, Piano
5
Tuba
4
Cor Anglais
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Euphonium
3
Trompette, violon (duo)
3
2 Cors (duo)
2
3 Trompettes (trio)
2
Trompette, Cor (duo)
2
3 Trombones (trio)
1
Cor et Harpe
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
209
Violoncelle (partie séparée)
145
Violon (partie séparée)
99
Contrebasse (partie séparée)
76
Alto (partie séparée)
63
Violon
54
Violon et Piano
38
Trio à Cordes: violon, alto, violoncelle
27
Violoncelle, Piano
22
Harpe
20
Alto seul
19
Violon, Violoncelle (duo)
18
Alto, Piano
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contre Basse
11
2 Harpes (duo)
10
Violoncelle
10
2 Violons (duo)
9
Harpe (partie séparée)
8
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
3
4 Violoncelles
3
Harpe, Orchestre
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Alto, Orgue
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
Harpe, Trombone (duo)
1
Harpe, Violon (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
219
Orchestre à Cordes
91
Percussion (partie séparée)
77
Orchestre
39
Ensemble Jazz
27
Ensemble de cuivres
26
Batterie (partie séparée)
21
Orchestre de chambre
16
Fanfare
15
Cloches
11
Timbales (partie séparée)
10
Batterie
9
Jazz combo
7
Marimba
3
Ensemble de Percussions
2
Orchestre, Violon
1
Vibraphone
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Clarinette et Piano
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O Carolan's Concerto
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.732272 Composed by Turlough O C…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.732272 Composed by Turlough O Carolan. Arranged by Thomas Quigley. Baroque,Concert,Holiday. Score and part. 9 pages. Thomas Quigley #6134177. Published by Thomas Quigley (A0.732272). A fine, entertaining Celtic composition for an ambitious clarinetist! With a catchy, rhythmical piano accompaniment using attractive harmonies, the soloist is allowed to shine in this novel piece. Ideal for a concert of Irish or classical music this is an enjoyable, compelling arrangement.
$4.99
4.58 €
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Clarinette et Piano
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Turlough O Carolan
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Thomas Quigley
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O Carolan's Concerto
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Thomas Quigley
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SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.75 €
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Clarinette et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
It was a Lover and His Lass
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1192413 Composed by Thom…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1192413 Composed by Thomas Morley. Arranged by Jane Frasier. Renaissance. Score and part. 7 pages. Jane Frasier #791853. Published by Jane Frasier (A0.1192413). The original musical setting was written by Thomas Morley and published in 1600. He was one of the few composers to have worked with Shakespeare during his lifetime. It was a song in Shakespeare’s play As you Like It. Morley was member of the English Madrigal school of composers.
$8.99
8.26 €
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Clarinette et Piano
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Thomas Morley
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Jane Frasier
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It was a Lover and His Lass
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Jane Frasier
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
Clarinette et Piano
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S.…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Clarinette et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach -…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 7 pages. Jmsgu3 #4888331. Published by jmsgu3 (A0.550925). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.26 €
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Clarinette et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Harp
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1316712 Composed by Bach…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Traditional. Score and part. 11 pages. Jmsgu3 #905408. Published by jmsgu3 (A0.1316712). This arrangement features the controversial Schwencke measure (ms. 27) initially introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. They are based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1, and well suited for church meditations, school programs, or recital encores. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach's Prelude No. 1 from Well-Tempered Clavier I. This and Schubert's versions have become essential at weddings, masses, and funerals.Bach OverviewFirst, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most striking, though, are the St. John Passion and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.26 €
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Clarinette et Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johan…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Clarinette et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johan…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.92 €
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Clarinette et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Old MacDonald Had A Farm for piano and clarinet
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1159550 Composed by Thom…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1159550 Composed by Thomas D'Urfey. Arranged by JPS Edições Musicais. Comedy,Historic,Instructional,Multicultural,Traditional,World. Score and part. 2 pages. Jps Arrangements #759811. Published by Jps Arrangements (A0.1159550). Old MacDonald Had a Farm was written for solo clarinet and piano in an easy way, it's a children's lullaby. This version is in F major.
$3.99
3.66 €
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Clarinette et Piano
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Thomas D'Urfey
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JPS Edições Musicais
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Old MacDonald Had A Farm for piano and clarinet
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Jps Arrangements
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SheetMusicPlus
A Little Bit Off
Clarinette et Piano
B-Flat Clarinet,Piano - Digital Download SKU: A0.1143733 By Five Finger Death Punch…
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B-Flat Clarinet,Piano - Digital Download SKU: A0.1143733 By Five Finger Death Punch. By Ivan Greening, Ivan Moody, Jason Hook, Kevin Churko, Thomas Jason Grinstead, and Zoltan Bathory. Arranged by Serena Redferne. Contemporary,Rock. Score and part. 16 pages. Serena Redferne #744056. Published by Serena Redferne (A0.1143733). Bb instrument and piano version of Five Finger Death Punch's A Little Bit Off.
$4.99
4.58 €
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Clarinette et Piano
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Five Finger Death Punch
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Serena Redferne
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A Little Bit Off
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Serena Redferne
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SheetMusicPlus
O The Deep, Deep Love Of Jesus (Bb-Clarinet and Piano)
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.628919 Composed by Thomas J. Wi…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.628919 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 14 pages. Exultet Music #6245261. Published by Exultet Music (A0.628919). The well-known Christian hymn that compares Jesus' love to the ocean in scope, emphasizing the limitless, unchanging, and sacrificial nature of God's affections for those that are singing and all of humanity, has been freshly arranged for a Bb-Clarinet solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.58 €
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Clarinette et Piano
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Thomas J
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Stephen DeCesare
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O The Deep, Deep Love Of Jesus
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Exultet Music
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SheetMusicPlus
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