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ALTO
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CLAIRON
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Times of Change
Non classifié
146
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78
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20
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20
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11
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6
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2
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2
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1
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12
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10
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7
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2
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34
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13
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5
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2
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1
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1
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25
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13
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10
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10
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10
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9
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9
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8
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7
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6
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6
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5
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5
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5
Saxophone Soprano et Piano
5
Hautbois, Basson (duo)
5
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5
Clarinette
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
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4
Clarinette, Guitare (duo)
4
Saxophone Alto et Piano
4
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3
Saxophone Baryton, Piano
3
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3
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3
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3
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2
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2
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2
Cor anglais, Piano
2
5 Flûtes à bec
1
Saxophone Tenor
1
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1
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1
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1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
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1
Saxophone et Orgue
1
2 Flûte à bec (duo)
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette, Saxophone (duo)
10
Trombone et Piano
8
2 Trompettes (duo)
6
2 Trombones (duo)
5
Trompette, Trombone (duo)
5
Trompette
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium, Piano (duo)
3
Trombone
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Cor et Piano
2
Tuba
1
Tuba (partie séparée)
1
Tuba et Piano
1
Quatuor de cuivres: 4 cors
1
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1
Trompette (partie séparée)
1
Trombone basse
1
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Harpe
23
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20
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8
Violon et Piano
8
Violon, Violoncelle (duo)
7
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Violoncelle, Piano
4
2 Violons (duo)
4
2 Altos (duo)
4
Violon
2
Trio à Cordes: violon, alto, violoncelle
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
2 Harpes (duo)
1
4 Violoncelles
1
Violoncelle
1
+ 12 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
17
Orchestre
16
Orchestre à Cordes
10
Ensemble Jazz
7
Ensemble de cuivres
7
Cloches
5
Jazz combo
3
Ensemble de Percussions
1
Batterie
1
Piano et Orchestre
1
Percussion
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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Vous avez sélectionné:
Times of Change
Clarinette et Piano
Partitions à imprimer
6 partitions trouvées
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Donauwellen Walzer (waves of the Danube) BACKING TRACK - clarinet in Bb and piano
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Clarinette et Piano
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Classique
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Joseph Ivanovici
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JCBmusic
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Donauwellen Walzer
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Rachel Brown
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SheetMusicPlus
Clarinet,Piano - SKU: A0.1069382 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Accompaniment. Duration 450. Rachel Brown #4320637...
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Clarinet,Piano - SKU: A0.1069382 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Accompaniment. Duration 450. Rachel Brown #4320637. Published by Rachel Brown (A0.1069382). BACKING TRACK for matching sheet music available on my SMP publisher page. Please ensure you buy the packing track for your instrument - other instruments may have their track in a different key!This lovely waltz by Ivanovici makes an uplifting concert piece or addition to your music for weddings collection. A relatively easy piece and so can be enjoyed by a range of players. The piece is 7mins 30s with all repeats included and not too rushed. It is a tempo di valse and so should be held back especially on the last beat of each bar. Other instrument arrangements are available - please see my main SMP page by clicking the link in the following paragraph.Matching sheet music is available here on SMP - please ensure you buy the backing track for your instrument as sometimes I have to change the key to fit the solo instrument. Find them on my SMP page here - https://www.sheetmusicplus.com/publishers/jcbmusic/5705Please inform me of public performances or any score issues at jayceebrownmusic@outlook.comEnjoy!
$2.60
Donauwellen Walzer (waves of the Danube) - clarinet Bb and piano
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Clarinette et Piano
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DÉBUTANT
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Classique
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Joseph Ivanovici
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JCBmusic
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Donauwellen Walzer
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Rachel Brown
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SheetMusicPlus
Clarinet,Piano - Level 1 - SKU: A0.954372 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Score and part. 15 pages. Rachel Brown #4...
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Clarinet,Piano - Level 1 - SKU: A0.954372 Composed by Joseph Ivanovici. Arranged by JCBmusic. Romantic Period. Score and part. 15 pages. Rachel Brown #4320623. Published by Rachel Brown (A0.954372). This lovely waltz by Ivanovici makes an uplifting concert piece or addition to your music for weddings collection. A relatively easy piece and so can be enjoyed by a range of players. The piece is 7mins 30s with all repeats included and not too rushed. It is a tempo di valse and so should be held back especially on the last beat of each bar. Other instrument arrangements are available - please see my main SMP page by clicking the link in the following paragraph.A matching backing track is available here on SMP - please ensure you buy the backing track for your instrument as sometimes I have to change the key to fit the solo instrument. Find them on my SMP page here - https://www.sheetmusicplus.com/publishers/jcbmusic/5705Please inform me of public performances or any score issues at jayceebrownmusic@outlook.comEnjoy!
$5.15
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Amazing Grace, Concert Solo for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.587638 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. ...
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Clarinet,Piano - Level 3 - SKU: A0.587638 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611373. Published by David McKeown (A0.587638). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Clarinet with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Ruggiero Leoncavallo: Brise de Mer for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Colin Kirkpatrick
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Ruggiero Leoncavallo: Brise de
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1499100 Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score a...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1499100 Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score and part. 10 pages. Colin Kirkpatrick Publications #1075149. Published by Colin Kirkpatrick Publications (A0.1499100). When Leoncavallo’s beautiful solo piece Brise de Mer (“Sea Breeze”) was first published in Berlin in 1906, he was already an established opera composer, largely due to his first opera Pagliacci, which had become an international success. An Impromptu is an informal piece usually for solo instrument. This French word can be translated loosely as “off-hand” and it’s used to describe relatively short pieces which sometimes have a partly improvised style, a simple structure and an emphasis on melody. Piano pieces entitled Impromptu first appeared in the early 19th century and remained popular for decades. This is a simplified edition of the piece and about ABRSM Clarinet grade 6 - 7 standard (UK). The work has been transposed down to concert E flat major (written F major) from the original. The clarinet part retains the phrasing of the original cello part. The music uses almost the entire clarinet range from low written E to top F above the staff, though this note occurs only once in the piece. The piano part has been simplified by reducing the number of notes in many of the chords, especially those played by the left hand. This is a lovely piece which deserves to be heard more often, with its lyrical melody, elegant changes of harmony and contrasting moods. It would make an excellent item for a clarinet recital. The piece runs for four minutes.
$11.99
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