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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
composer
Sheetmusicplus
Non classifié
7 166
Piano & claviers
Piano seul
6 099
Piano Facile
1 175
Piano, Voix
986
Orgue
853
Piano, Voix et Guitare
375
1 Piano, 4 mains
187
Instruments en Do
185
Accompagnement Piano
134
Piano Trio: piano, violon, violoncelle
124
2 Pianos, 4 mains
77
Piano Quintette: piano, 2 violons, alto, violoncelle
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Piano (duo)
23
Accordéon
21
Clavecin
14
Orgue, Trompette (duo)
14
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
8
1 Piano, 6 mains
6
2 Pianos, 8 mains
4
2 Accordéons
2
Fake Book
2
Accordéon, Piano
1
Ensemble de Pianos
1
Clavier
1
+ 20 instrumentations
Retracter
Guitares
Guitare
587
Ukulele
286
Guitare notes et tablatures
270
Ligne De Mélodie, (Paroles) et Accords
136
Piano, Guitare (duo)
128
2 Guitares (duo)
105
Guitare (partie séparée)
24
4 Guitares (Quatuor)
22
Mandoline
19
Basse electrique
14
3 Guitares (trio)
11
Guitare, Violon, Violoncelle (trio)
9
Mandoline, Guitare (duo)
7
Ensemble de guitares
5
Dulcimer
4
Ukulele Baryton
3
Paroles et Accords
2
2 Ukuleles
1
Guitare, Quatuor à cordes
1
Banjo
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
Luth
1
Guitare, Orchestre
1
Orchestre à Plectres
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 052
Chorale 3 parties
486
Chorale 2 parties
210
Chorale Unison
196
Chorale TTBB
113
Voix Soprano, Piano
104
Voix haute
102
Chorale SSAA
84
Voix duo
62
Voix Alto, Piano
61
Voix Baryton, Piano
61
Voix Tenor, Piano
60
Voix moyenne, Piano
45
Voix duo, Piano
36
Voix seule
31
Chorale SSAATTBB
23
Voix basse, Piano
15
Voix Tenor
12
Voix Mezzo-Soprano, Piano
10
Voix basse
10
Chorale SSATTB
8
Voix Soprano
5
Soli, choeur mixte et accompagnement
3
Chorale SSATB
3
Chorale
2
Chorale SSAATB
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
Chorale SATBB
1
Voix, Guitare
1
Chorale SSAB a cappella
1
+ 27 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 114
Clarinette et Piano
782
Hautbois, Piano (duo)
651
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
621
Saxophone Alto et Piano
594
Quatuor de Saxophones: 4 saxophones
429
2 Flûtes traversières (duo)
320
Quatuor de Clarinettes: 4 clarinettes
307
Saxophone Tenor et Piano
305
2 Saxophones (duo)
285
Flûte, Hautbois, Clarinette, Basson
244
Clarinette
224
Flûte traversière
218
Saxophone Soprano et Piano
205
Quintette de Saxophone: 5 saxophones
203
Quatuor de Flûtes : 4 flûtes
180
2 Clarinettes (duo)
173
Ensemble de Clarinettes
169
Saxophone Alto
146
Ensemble de Flûtes
136
Ensemble de saxophones
116
Saxophone (partie séparée)
115
Cor anglais, Piano
109
Flûte et Guitare
95
Flûte, Violon, Piano
95
Quintette de Clarinettes: 5 clarinettes
95
Saxophone Baryton, Piano
86
3 Clarinettes (trio)
86
Saxophone Tenor
82
3 Saxophones (trio)
77
Hautbois (partie séparée)
77
Clarinette, Guitare (duo)
67
Quintette de Flûte : 5 flûtes
66
2 Hautbois (duo)
49
Clarinette Basse, Piano
44
Flûte, Clarinette (duo)
43
Trio de Flûtes: 3 flûtes
40
Quatuor de Flûtes à bec
38
Flûte à bec Soprano
35
2 Flûte à bec (duo)
35
Ensemble De Flûte à bec
34
Saxophone, Clarinette (duo)
33
Hautbois, Basson (duo)
33
Clarinette, Violon (duo)
28
Flûte, Violon
26
Clarinette, Basson (duo)
25
Clarinette, Violoncelle (duo)
23
Flute (partie séparée)
22
Flûte, Violoncelle
19
Flûte à bec Tenor
19
Flûte, Violoncelle, Piano (trio)
18
Hautbois, Flûte
17
Flûte à Bec
17
Clarinette, Trompette (duo)
17
Flûte à bec Alto
16
Flûte, Hautbois, Clarinette (trio)
15
Hautbois, Clarinette (duo)
15
Clarinette et Alto
15
Hautbois
14
5 Flûtes à bec
14
Flûte, Alto (duo)
14
Saxophone Soprano
13
Flûte, Saxophone (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Cor Anglais
12
Flûte, Clarinette, Piano (trio)
12
3 Flûtes à bec (trio)
11
Hautbois, Violoncelle
11
Clarinette (partie séparée)
10
Flûte, Hautbois, Piano (trio)
10
Flûte, Clarinette et Basson
10
Piccolo, Piano
10
2 Clarinettes, Piano
10
Flûte à bec, Guitare (duo)
9
Clarinette, Harpe (duo)
9
2 Flûtes traversières, Piano
9
Ocarina
9
Flûte, Trompette (duo)
9
Harmonica
8
Flûte à bec Soprano, Piano
8
Clarinette, Violoncelle, Piano (trio)
7
Flûte à bec Alto, Piano
7
Saxophone et Guitare
7
Saxophone Baryton
7
Flûte, Hautbois (duo)
7
Flûte, Alto et Piano
6
2 Clarinettes, Basson
6
Piccolo
6
2 Saxophones, Piano
5
Flûte à Bec, Piano
5
Saxophone et Harpe
5
Cor anglais, Guitare (duo)
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Violon et Violoncelle
4
Flûte, Violoncelle, Guitare
4
Flûte, Hautbois, Basson
4
2 Cors Anglais Et Pianoforte
4
Hautbois, Harpe
3
Flûte, Basson et Piano
3
Saxophone
3
4 Hautbois
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Cor anglais et Harpe (duo)
3
Saxophone et Orgue
3
Flûte traversière, Orgue (duo)
2
Hautbois, Guitare (duo)
2
Flûte à bec Alto, Basse continue
2
2 Hautbois, Piano
2
3 Hautbois
2
Flûte, Trombone (duo)
2
Flûte à bec, Harpe
2
Flûte, alto et harpe
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Piano
2
Flûte, Clarinette, Violon (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Basson, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Harpe et Violoncelle
1
2 Flûtes traversières, Harpe
1
Hautbois, Violon, Piano
1
Clarinette Basse
1
Clarinette, Orchestre
1
Flûte et Trio à cordes
1
Clarinette, Orgue
1
Clarinette, Alto et Piano (trio)
1
2 Flûtes, Basse continue
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Flute, harpe et violon
1
Hautbois, Violoncelle et Piano
1
Cornemuse
1
Flûte et Quatuor à Cordes
1
+ 128 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
761
Trombone et Piano
423
Trompette, Piano
343
Quatuor de Cuivres : 2 trompettes, trombone, tuba
335
Trompette
309
Cor et Piano
243
Trombone
144
Tuba et Piano
124
Quatuor de Cuivres: 2 trompettes, Cor, trombone
115
Cor anglais, Piano
109
Euphonium, Piano (duo)
108
Ensemble de Trombones
87
Quatuor de Cuivres
82
Trompette (partie séparée)
76
Trombone (partie séparée)
68
Quatuor de cuivres: 4 trombones
68
2 Trompettes (duo)
65
2 Cors (duo)
61
Cor
60
Ensemble de Trompettes
57
2 Trombones (duo)
50
Tuba
42
Quatuor de cuivres: 4 cors
35
Trompette, Trombone (duo)
31
Trompette, Saxophone (duo)
23
Quatuor de cuivres: 4 trompettes
20
Cor (partie séparée)
19
Ensemble de Cors
18
Tuba (partie séparée)
13
Cor Anglais
12
2 Euphoniums et 2 Tubas
11
3 Trombones (trio)
10
4 Tubas
10
2 Tubas (duo)
9
3 Tubas (trio)
8
Trio de Cuivres
8
Trombone basse et Piano
8
Euphonium
7
Trombone basse
7
Trompette, Cor (duo)
7
Euphonium, Tuba (duo)
6
2 Euphoniums (duo)
6
Trombone, Cor (duo)
5
Cor anglais, Guitare (duo)
5
Cor et Harpe
5
Cor, Violoncelle (duo)
4
2 Cors Anglais Et Pianoforte
4
Trompette, Basson (duo)
3
3 Cors (trio)
3
Trombone et orchestre
3
Trompette, Harpe
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Trombone, Tuba (duo)
3
Tuba et Orgue
3
Cor anglais et Harpe (duo)
3
Trombone, Orgue
2
Cor, Tuba (duo)
2
Trompette et Guitare
2
Trompette, Violoncelle (duo)
2
3 Euphoniums
2
Cor et Orgue
1
Cor et Basson (duo)
1
Clarinette, Cor (duo)
1
Cornet et orchestre
1
Trompette, Violoncelle et Piano
1
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 448
Violon et Piano
1 293
Violoncelle, Piano
718
Alto, Piano
669
Violon
310
Violoncelle
227
Trio à Cordes: violon, alto, violoncelle
172
2 Violons (duo)
153
Harpe
150
Violon, Violoncelle (duo)
135
Violon, Guitare (duo)
108
Alto seul
102
2 Violoncelles (duo)
100
2 Altos (duo)
87
Violon, Alto (duo)
80
Violoncelle , Guitare (duo)
69
Contrebasse, Piano (duo)
65
Alto, Guitare (duo)
64
Trio à Cordes: 2 violons, violoncelle
48
Quintette à cordes: 2 violons, 2 altos, violoncelle
47
4 Violoncelles
45
Trio à cordes: 3 violins
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Violon (partie séparée)
38
Alto, Violoncelle (duo)
37
Alto (partie séparée)
32
Harpe, Flûte (duo)
29
Contre Basse
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
21
Trio à Cordes: 3 violoncelles
19
Harpe, Violon (duo)
17
Quatuor à cordes : 4 altos
15
Piano Trio: Violon, Alto, Piano
15
Violoncelle, Contrebasse (duo)
15
Trio à cordes: 3 altos
14
Trio à Cordes: 2 violons, alto
14
Quatuor à cordes: 4 violons
12
Ensemble de Violons
11
Harpe, Violoncelle (duo)
11
Ensemble d'Altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Violon, Basson (duo)
8
Violoncelle, Orgue
7
2 Contrebasses (duo)
7
Alto et Harpe
6
Violoncelle (partie séparée)
4
Flûte, Contrebasse (duo)
4
Alto et Basson
4
Harpe, Trombone (duo)
4
Ensemble de Violoncelles
4
Violon, Clarinette, Piano (trio)
4
Harpe et Piano
3
3 Harpes
3
Harpe, Violon, Violoncelle
2
Harpe et Orgue
2
4 Contrebasses
2
Violon, Basse continue
2
Violoncelle, Orchestre
2
Alto, Orgue
2
Harpe et mandoline
2
Violoncelle, Basse continue
2
4 Harpes
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
Violon, Orgue
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 801
Orchestre
791
Orchestre à Cordes
667
Orchestre de chambre
355
Ensemble de cuivres
278
Cloches
269
Ensemble Jazz
200
Ensemble de Percussions
74
Jazz combo
73
Fanfare
65
Marimba
28
Batterie
17
Vibraphone
15
Batterie (partie séparée)
13
Piano et Orchestre
8
Percussion (partie séparée)
5
Xylophone, Piano
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone
2
Orchestre, Violon
2
Marimba et Orgue
1
Marimba, Piano (duo)
1
Ensemble d'École
1
2 Marimbas
1
Vibraphone et Marimba
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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776
Estudo sobre Alban Berg
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Clarinette et Piano
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Sergio Roberto de Oliveira
#
Estudo sobre Alban Berg
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Sergio Roberto de Oliveira
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SheetMusicPlus
Clarinet,Piano - SKU: A0.962331 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and part. 13 pages. Sergio Roberto de Oli...
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Clarinet,Piano - SKU: A0.962331 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and part. 13 pages. Sergio Roberto de Oliveira #4609031. Published by Sergio Roberto de Oliveira (A0.962331). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$7.64
Pachelbel: Canon for Clarinet & Piano
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Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
James M
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Pachelbel: Canon for Clarinet
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386285. Published by jmsgu3 (A0.548466). The famous Pachelbel Canon arranged for clarinet in Bb and piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. .
$32.95
Romance
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Amy Marcy Beach
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Steven Nunes
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Romance
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Nagamon Publications
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1492036 Composed by Amy Marcy Beach. Arranged by Steven Nunes. Classical,Romantic Period. Score and part. 15 p...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1492036 Composed by Amy Marcy Beach. Arranged by Steven Nunes. Classical,Romantic Period. Score and part. 15 pages. Nagamon Publications #1068710. Published by Nagamon Publications (A0.1492036). Amy Marcy Cheney Beach (September 5, 1867 – December 27, 1944) was an American composer and pianist. She was the first successful American female composer of large-scale art music. She was one of the first American composers to succeed without the benefit of European training, and one of the most respected and acclaimed American composers of her era. As a pianist, she was acclaimed for concerts she gave featuring her own music in the United States and in Germany.This tuneful piece is perfect for any recital situation. The PDF contains the piano score and part.
$15.00
Fauré: Élégie Op. 24 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Per...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531397. Published by jmsgu3 (A0.549728). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
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Clarinette et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
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Clarinette et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Clarinet,Piano - Level 2 - SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 7 pages. Jmsgu3 #4888331. Published by jmsgu3 (A0.550925). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Harp
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Clarinette et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Tr...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Traditional. Score and part. 11 pages. Jmsgu3 #905408. Published by jmsgu3 (A0.1316712). This arrangement features the controversial Schwencke measure (ms. 27) initially introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. They are based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1, and well suited for church meditations, school programs, or recital encores. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach's Prelude No. 1 from Well-Tempered Clavier I. This and Schubert's versions have become essential at weddings, masses, and funerals.Bach OverviewFirst, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most striking, though, are the St. John Passion and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$32.95
Vivaldi: Sonata No. 5 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Clar
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.550502 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Clarinet,Piano - Level 3 - SKU: A0.550502 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4716177. Published by jmsgu3 (A0.550502). Sonata da Chiesa No. 5 in E Minor for Bb Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Clar
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.550527 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Clarinet,Piano - Level 3 - SKU: A0.550527 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4725491. Published by jmsgu3 (A0.550527). Sonata da Chiesa No. 6 in Bb Major for Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Clarinet in Bb. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Clar
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.550402 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33...
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Clarinet,Piano - Level 3 - SKU: A0.550402 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628675. Published by jmsgu3 (A0.550402). Sonata da Chiesa in Bb for Bb Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Alto Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Alto
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.550529 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. S...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.550529 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4726125. Published by jmsgu3 (A0.550529). Sonata da Chiesa No. 6 in Bb Major for Alto Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for Alto Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Alto
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.550403 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and p...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.550403 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628797. Published by jmsgu3 (A0.550403). Sonata da Chiesa in Bb for Alto Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Clar
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.550425 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score an...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.550425 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 30 pages. Jmsgu3 #4632955. Published by jmsgu3 (A0.550425). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Alto Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Alto
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.550503 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. S...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.550503 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4716471. Published by jmsgu3 (A0.550503). Sonata da Chiesa No. 5 in E Minor for Alto Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Clar
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.550451 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Clarinet,Piano - Level 3 - SKU: A0.550451 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4635283. Published by jmsgu3 (A0.550451). Sonata da Chiesa No. 3 in A Minor for Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Clar
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.550477 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Clarinet,Piano - Level 3 - SKU: A0.550477 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641503. Published by jmsgu3 (A0.550477). Sonata da Chiesa No. 4 in Bb Major for Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Eb Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Eb C
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jmsgu3
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - SKU: A0.552863 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christ...
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - SKU: A0.552863 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and parts. 18 pages. Jmsgu3 #4632995. Published by jmsgu3 (A0.552863). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Luther: Out of the Depths for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
La fille aux cheveux de lin / The girl with the flaxen hair for clarinet in Bb and piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Klas Krantz
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La fille aux cheveux de lin /
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Amadeus Music
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.532341 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical,Contemporary. Score a...
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Clarinet,Piano - Level 4 - SKU: A0.532341 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical,Contemporary. Score and part. 5 pages. Amadeus Music #6020517. Published by Amadeus Music (A0.532341). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
$4.95
Bach: Wachet auf for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
Italian Polka for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for Clarinet &am
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Diego Marani
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.669252 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romanti...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.669252 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278248. Published by Diego Marani (A0.669252). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for Bb Clarinet with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
The Swan (Le Cygne) by Saint-Saens - Bb Clarinet and Piano (Full Score)
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1222981 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Rom...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1222981 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #819181. Published by Sheet Music To Play Editions (A0.1222981). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Bb Clarinet and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
The Swan (Le Cygne) by Saint-Saens - Clarinet in A and Piano (Individual Parts)
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
A Clarinet,Piano - Level 3 - SKU: A0.1222991 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic...
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A Clarinet,Piano - Level 3 - SKU: A0.1222991 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #819191. Published by Sheet Music To Play Editions (A0.1222991). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Clarinet in A and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Clair de Lune by Debussy - Bb Clarinet and Piano (Full Score)
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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César Madeira
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Clair de Lune by Debussy - Bb
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1231218 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Classical,Multicul...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1231218 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Classical,Multicultural,Romantic Period,World. Score and part. 8 pages. Sheet Music To Play Editions #826903. Published by Sheet Music To Play Editions (A0.1231218). Clair de Lune by Debussy from Suite Bergamasque. Arrangement for Bb Clarinet and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Claude Debussy (1862 - 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
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