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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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Non classifié
164
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288
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104
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73
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21
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7
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4
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2
Orgue
2
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2
2 Pianos, 4 mains
1
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
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Guitare
28
Guitare notes et tablatures
22
Basse electrique
20
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
2
Banjo
2
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1
3 Guitares (trio)
1
Mandoline
1
4 Guitares (Quatuor)
1
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Voix
Chorale SATB
63
Chorale 2 parties
55
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34
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24
Chorale Unison
23
Voix seule
14
Voix duo
9
Chorale TTBB
8
Chorale SSAA
8
Voix Alto, Piano
1
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Vents
Saxophone
58
Flûte traversière
24
Clarinette
23
Quatuor de Saxophones: 4 saxophones
19
Quatuor de Clarinettes: 4 clarinettes
16
Trio de Flûtes: 3 flûtes
16
Flûte, Hautbois, Clarinette, Basson
14
Saxophone (partie séparée)
10
Saxophone Alto
8
Saxophone Tenor
8
2 Saxophones (duo)
7
Saxophone Tenor et Piano
7
Hautbois, Piano (duo)
7
Flûte traversière et Piano
6
2 Flûtes traversières (duo)
6
Saxophone Soprano et Piano
6
Clarinette et Piano
5
3 Saxophones (trio)
5
Quintette de Saxophone: 5 saxophones
5
2 Clarinettes (duo)
4
Saxophone Alto et Piano
4
Clarinette (partie séparée)
3
3 Clarinettes (trio)
3
Saxophone Soprano
3
Ensemble de Clarinettes
2
Saxophone Baryton
2
Hautbois (partie séparée)
2
Flûte, Violon, Violoncelle et Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
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2
Ensemble de saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûte à bec (duo)
1
Clarinette Basse, Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Basson (duo)
1
Saxophone Baryton, Piano
1
3 Flûtes à bec (trio)
1
Flute (partie séparée)
1
Cor anglais, Piano
1
Ensemble de Flûtes
1
Hautbois
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte et Guitare
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 43 instrumentations
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Cuivres
Trombone
24
Trompette
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor
7
Trompette (partie séparée)
6
Trombone et Piano
5
Trombone (partie séparée)
4
2 Trompettes (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Piano
3
Euphonium
2
Quatuor de Cuivres
2
Tuba
2
Trombone, Orgue
2
2 Trombones (duo)
2
3 Trombones (trio)
1
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
Tuba et Piano
1
2 Tubas (duo)
1
3 Tubas (trio)
1
Cor anglais, Piano
1
4 Tubas
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon
12
Violoncelle
10
Violon et Piano
8
2 Violons (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: violon, alto, violoncelle
4
Harpe
4
Alto seul
4
Trio à Cordes: 2 violons, violoncelle
4
Piano Trio: Violon, Alto, Piano
3
Violon, Violoncelle (duo)
3
Trio à cordes: 3 violins
3
Alto, Piano
2
Violon, Alto (duo)
2
2 Harpes (duo)
2
Quatuor à cordes : 4 altos
1
2 Altos (duo)
1
Trio à cordes: 3 altos
1
Violoncelle, Piano
1
Alto (partie séparée)
1
Contre Basse
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
23
Batterie
19
Orchestre à Cordes
11
Ensemble de Percussions
6
Ensemble Jazz
6
Cloches
4
Fanfare
4
Ensemble de cuivres
4
Batterie (partie séparée)
3
Orchestre
3
Percussion (partie séparée)
2
Orchestre de chambre
1
Jazz combo
1
Quintette de Cuivres: autres combinaisons
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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Partitions à imprimer
6 partitions trouvées
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1
Be More Like Jesus - (Lent/Good Friday) flute solo and piano
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Flûte traversière et Piano
#
FACILE
#
Musique Sacrée
#
Connie Boss
#
Be More Like Jesus -
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Connie Boss
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.801764 Composed by Connie Boss. Easter,Sacred. Score and part. 3 pages. Connie Boss #6697163. Published by Connie Boss (...
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Flute,Piano - Level 2 - SKU: A0.801764 Composed by Connie Boss. Easter,Sacred. Score and part. 3 pages. Connie Boss #6697163. Published by Connie Boss (A0.801764). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.
$5.50
Bach: Bist du bei mir BWV 508 for Flute & Piano
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Flûte traversière et Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
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James M
#
Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Flute,Piano - Level 2 - SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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Flûte traversière et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score a...
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Flute,Piano - Level 2 - SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Pie Jesus, from Fauré's Requiem, for Flute and Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.587707 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Sc...
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Flute,Piano - Level 2 - SKU: A0.587707 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810597. Published by David McKeown (A0.587707). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Flute with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
Cloud Nine (for flute and piano)
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Flûte traversière et Piano
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FACILE
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Colin Kirkpatrick
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Cloud Nine
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1229186 Composed by Colin Kirkpatrick. Holiday,Instructional. Score and part. 5 pages. Colin Kirkpatrick Publications #8...
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Flute,Piano - Level 2 - SKU: A0.1229186 Composed by Colin Kirkpatrick. Holiday,Instructional. Score and part. 5 pages. Colin Kirkpatrick Publications #819933. Published by Colin Kirkpatrick Publications (A0.1229186). Cloud Nine is a stand-alone piece for flute and piano. It's written in concert G minor/B flat major which modulates to C major. The top note for the flute is the D above the staff and this occurs only once. The lowest note is the D just below the staff which occurs several times. The piece is not difficult (around UK Associated Board Grade 3-4) and the piano part is quite accessible. It's a slow, dreamy piece which is ideal for the intermediate flute player. It would make a good recital piece or could be effective as a relaxing encore.
$7.99
Four Hispanic Children’s Songs for Flute or Oboe and Piano
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Flûte traversière et Piano
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FACILE
#
Traditional
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William Pagan-Perez
#
#
Four Hispanic Children’s
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William Pagan-Perez
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,St...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3023279. Published by William Pagan-Perez (A0.933816). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases.
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