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16
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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always there
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Flûte traversière et Piano
Partitions à imprimer
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Itsumo Nandodemo (Always With Me)
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1491141 By Youmi Kimura. By Wakako…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1491141 By Youmi Kimura. By Wakako Kaku and Youmi Kimura. Arranged by Gail Ford. 21st Century,Film/TV. Score and part. 4 pages. Gail Ford #1067890. Published by Gail Ford (A0.1491141). There's a medieval text which says something like In the plain true notes all the sweetness doth lie - and this plaintive melody, so well suited for the flute is an excellent example. From the movie 'Spirited Away'. Great for encores, movie themed music/concert nights at school, college or wherever. Or just because it's a lovely melody.
$5.99
5.52 €
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Flûte traversière et Piano
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Youmi Kimura
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Gail Ford
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Itsumo Nandodemo
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Gail Ford
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SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.587707 Composed by Gabriel Faure. …
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Flute,Piano - Level 2 - Digital Download SKU: A0.587707 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810597. Published by David McKeown (A0.587707). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Flute with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.24 €
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Flûte traversière et Piano
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's Requiem, for Flute and Piano
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David McKeown
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SheetMusicPlus
Three Welsh Folk Songs for flute and piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1424326 Composed by Tradit…
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1424326 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Traditional. Score and part. 16 pages. Colin Kirkpatrick Publications #1005516. Published by Colin Kirkpatrick Publications (A0.1424326). Wales is often referred to as “The Land of Song” and singing has always been an important part of Welsh culture. There are many hundreds of Welsh folk songs, some of which are now recognized internationally. The three songs in this publication were originally from a set of six arranged for mezzo-soprano and piano in 1963 when the arranger, Colin Kirkpatrick was a music student in London. These new arrangements for flute and piano have retained many features of the original but have been slightly adapted for instrumental use. They would make excellent recital pieces for the intermediate player. The three songs are: 1. Cysga di, fy Mhlentyn Tlws (Sleep, my Pretty Child)2. Migildi Magildi (Song at the Smithy)3. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby)
$4.99
4.6 €
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Flûte traversière et Piano
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Traditional
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Colin Kirkpatrick
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Three Welsh Folk Songs for flute and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - flute and piano by Jean-Thierry Boisseau
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.533212 Composed …
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Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.533212 Composed by Traditional Welch. Arranged by Jean-Thierry Boisseau. Folk,Standards,World. Score and individual part. 13 pages. Musik Fabrik Music Publishing #2054483. Published by Musik Fabrik Music Publishing (A0.533212). This is an arrangement of the famous Welsh lullaby. This work for flutist and piano is not at all a set of variations on a theme, because the flute always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the flutist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.25 €
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Flûte traversière et Piano
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Traditional Welch
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - flute and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute and Piano
Flûte traversière et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.33 €
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Flûte traversière et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Flute and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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