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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
3 Sonatas
Non classifié
196
Piano & claviers
Piano seul
50
Orgue
2
Clavecin
1
Guitares
Guitare
37
Ukulele
7
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
3 Guitares (trio)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
1
Vents
3 Saxophones (trio)
59
Flûte, Hautbois, Clarinette (trio)
45
3 Clarinettes (trio)
41
Flûte, Hautbois, Basson
34
Flûte traversière et Piano
27
Flûte, Violon et Violoncelle
23
Flûte, Clarinette et Basson
22
2 Clarinettes, Basson
20
2 Flûtes traversières (duo)
18
Trio de Flûtes: 3 flûtes
17
Clarinette et Piano
14
Saxophone Alto et Piano
12
Hautbois, Piano (duo)
11
Saxophone Tenor et Piano
11
Hautbois, Clarinette, Basson (trio d'anches)
10
Saxophone Baryton, Piano
10
Saxophone Soprano et Piano
9
Flûte traversière
8
Clarinette Basse, Piano
8
2 Saxophones (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
2 Clarinettes (duo)
7
Cor anglais, Piano
7
Flûte à Bec
5
Ensemble de Clarinettes
5
Flûte, Violon
4
Flûte traversière, Basse continue
3
Saxophone, Clarinette (duo)
3
2 Hautbois (duo)
3
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Violon (duo)
2
Flûte à bec Alto, Basse continue
2
Quatuor de Clarinettes: 4 clarinettes
2
Piccolo, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Basson (duo)
2
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Flûte
1
Quintette de Saxophone: 5 saxophones
1
2 Hautbois et Basson
1
Clarinette
1
Flûte, Saxophone (duo)
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Alto (duo)
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
14
Trombone et Piano
9
Cor et Piano
8
Trompette, Piano
7
Cor anglais, Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
2 Cors (duo)
2
2 Trombones (duo)
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
+ 9 instrumentations
Retracter
Cordes
Violon, Alto (duo)
17
Violon et Piano
16
Violoncelle, Piano
16
Violon
11
Trio à Cordes: violon, alto, violoncelle
11
Alto, Piano
10
Harpe
9
Quatuor à cordes: 2 violons, alto, violoncelle
8
2 Violons (duo)
8
Violoncelle
6
Alto seul
5
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
5
Contre Basse
4
2 Altos (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
1
Alto, Violoncelle (duo)
1
Violon, Basse continue
1
Violon, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Violons et Basse continue
1
2 Contrebasses (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 violins
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
5
Orchestre à Cordes
4
Orchestre
2
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
3 Sonatas
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Flûte traversière et Piano
Partitions à imprimer
27 partitions trouvées
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26
3 ONE MOVEMENT HYMN SONATAS (for Flute and Piano with Score/Parts)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gary Lanier, Lowell Mason, Tra
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Gary Lanier
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3 ONE MOVEMENT HYMN SONATAS
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The Lanier Company
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.617743 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score ...
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Flute,Piano - Level 3 - SKU: A0.617743 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6048337. Published by The Lanier Company (A0.617743). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Flute and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99
Handel - 14 Flute Sonatas Op.1 for Flute and Harpsichord or Piano - Scores and Part
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Handel George Frideric
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Santino Cara
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Handel - 14 Flute Sonatas Op.1
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517476 Composed by Handel George Frideric. Arranged by Santino Car...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517476 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts. 190 pages. Santino Cara #5725067. Published by Santino Cara (A0.517476). Complete scores and Part of the 14 Sonatas for Flute and Harpsichord or Piano Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$28.40
Vivaldi: The Six Sonatas Complete for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: The Six Sonatas Compl
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.551202 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Wedding. Score and par...
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Flute,Piano - Level 3 - SKU: A0.551202 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Wedding. Score and part. 149 pages. Jmsgu3 #5003821. Published by jmsgu3 (A0.551202). Antonio Vivaldi: The Six Sonatas - Complete
$59.95
Vivaldi: The Six Sonatas Complete for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
#
Antonio Vivaldi
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James M
#
Vivaldi: The Six Sonatas Compl
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.551191 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Flute,Piano - Level 3 - SKU: A0.551191 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 150 pages. Jmsgu3 #5003795. Published by jmsgu3 (A0.551191). Antonio Vivaldi: The Six Sonatas - Complete
$59.95
Telemann: Four Sonatas for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Alt
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.551667 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Sc...
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Flute,Piano - Level 3 - SKU: A0.551667 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330381. Published by jmsgu3 (A0.551667). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Handel - Flute Sonata No.3 in A major Op.1 HWV 361 for Flute and Harpsichord or Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Handel George Frideric
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Santino Cara
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Handel - Flute Sonata No.3 in
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517472 Composed by Handel George Frideric. Arranged by Santino Car...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517472 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts. 14 pages. Santino Cara #5722535. Published by Santino Cara (A0.517472). Complete score and part of the Flute Sonata No.3 in A major HWV 361 for Flute and Harpsichord or Piano. Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$12.20
Vivaldi: Sonata No. 3 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Flut
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550445 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Flute,Piano - Level 3 - SKU: A0.550445 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634775. Published by jmsgu3 (A0.550445). Sonata da Chiesa No. 3 in A Minor for Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Alto
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550444 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Flute,Piano - Level 3 - SKU: A0.550444 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634759. Published by jmsgu3 (A0.550444). Sonata da Chiesa No. 3 in A Minor for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Vivaldi: Sonata No. 1 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pa...
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Flute,Piano - Level 3 - SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pages. Jmsgu3 #4628299. Published by jmsgu3 (A0.550397). Sonata da Chiesa in Bb for Flute & Piano by Antonio Vivaldi in Four movements.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period who is widely considered one of the greatest composers of all time. He significantly influenced many other composers of the Baroque era, and his impact can still be felt in music today.Vivaldi's most significant contribution to music history was his development of the Sonata da Chiesa or church sonata. This composition was a variation of the Baroque sonata and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, focusing on melody and harmonic structure. Vivaldi was one of the first composers to use this form, and his works set the standard for future composers. His church sonatas were written in various keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the Sonata da Chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy shapes modern-era music.The mood of Vivaldi's Sonata No. 1 can be described as diverse, as it typically consists of multiple movements with varying emotional qualities. Vivaldi's cello sonatas, including Sonata No. 1, are known for their attractive melodies, stylistic variety, and dance-like movements, which can evoke emotions from lively and joyful to reflective and sad. The sonatas often feature a combination of slow and quick movements, reflecting the typical structure of church sonatas from the Baroque period. Therefore, the mood of Sonata No. 1 is likely to encompass a spectrum of emotional expressions characteristic of Vivaldi's compositional style.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Vivaldi: Sonata No. 5 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Alto
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550495 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Flute,Piano - Level 3 - SKU: A0.550495 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4715625. Published by jmsgu3 (A0.550495). Sonata da Chiesa No. 5 in E Minor for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550419 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pa...
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Flute,Piano - Level 3 - SKU: A0.550419 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632863. Published by jmsgu3 (A0.550419). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Handel - Flute Sonata No.7 in C major Op.1 HWV 365 for Flute and Harpsichord or Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Handel George Frideric
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Santino Cara
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Handel - Flute Sonata No.7 in
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.517473 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and part. 20 pages. Santino Cara #57...
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Flute,Piano - Level 3 - SKU: A0.517473 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and part. 20 pages. Santino Cara #5723359. Published by Santino Cara (A0.517473). Complete score and part of the Flute Sonata No.7 in C major HWV 365 for Flute and Harpsichord or Piano. Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$18.60
Handel - Flute Sonata No.19 in B flat major Op.1 HWV 377 for Flute and Harpsichord or Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Handel George Frideric
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Santino Cara
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Handel - Flute Sonata No.19 in
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Santino Cara
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.517471 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and part. 10 pages. Santino Cara #57...
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Flute,Piano - Level 3 - SKU: A0.517471 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and part. 10 pages. Santino Cara #5721679. Published by Santino Cara (A0.517471). Complete score and part of the Flute Sonata No.19 in B flat major HWV 377 for Flute and Harpsichord or Piano. Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$18.40
Vivaldi: Sonata No. 4 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550471 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Flute,Piano - Level 3 - SKU: A0.550471 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641209. Published by jmsgu3 (A0.550471). Sonata da Chiesa No. 4 in Bb Major for Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Handel - Flute Sonata No.2 in G minor Op.1 HWV 360 for Flute and Harpsichord or Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Handel George Frideric
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Santino Cara
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Handel - Flute Sonata No.2 in
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517474 Composed by Handel George Frideric. Arranged by Santino Car...
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Instrumental Duet,Piano Flute,Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.517474 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts. 11 pages. Santino Cara #5724341. Published by Santino Cara (A0.517474). Complete score and part of the Flute Sonata No.2 in G minor HWV 360 for Flute and Harpsichord or Piano. Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$15.60
Vivaldi: Sonata No. 1 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Alto
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550396 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 34 pa...
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Flute,Piano - Level 3 - SKU: A0.550396 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 34 pages. Jmsgu3 #4628357. Published by jmsgu3 (A0.550396). Sonata da Chiesa in Bb for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Alto
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550470 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Flute,Piano - Level 3 - SKU: A0.550470 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4640709. Published by jmsgu3 (A0.550470). Sonata da Chiesa No. 4 in Bb Major for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Alto
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550418 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pa...
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Flute,Piano - Level 3 - SKU: A0.550418 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632259. Published by jmsgu3 (A0.550418). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550496 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Flute,Piano - Level 3 - SKU: A0.550496 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4715639. Published by jmsgu3 (A0.550496). Sonata da Chiesa No. 5 in E Minor for Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Alto
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.550521 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Flute,Piano - Level 3 - SKU: A0.550521 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4719705. Published by jmsgu3 (A0.550521). Sonata da Chiesa No. 6 in Bb Major for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Bass Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Bass
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.550497 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.550497 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4715643. Published by jmsgu3 (A0.550497). Sonata da Chiesa No. 5 in E Minor for Bass Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
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