English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
122
Partitions
Numériques
183
Librairie
Musicale
39
Matériel
de Musique
2 181
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1370
PIANO & CLAVIERS
Piano seul
630
Piano, Voix
276
Piano, Voix et Guitare
77
Orgue
65
Instruments en Do
40
Piano Trio: piano, violon, violoncelle
19
Piano Facile
14
1 Piano, 4 mains
9
Accompagnement Piano
7
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Orgue, Trompette (duo)
3
2 Pianos, 4 mains
3
Fake Book
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano (partie séparée)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
82
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
11
Ukulele
11
Piano, Guitare (duo)
10
Basse electrique
9
2 Guitares (duo)
8
4 Guitares (Quatuor)
5
Mandoline
4
2 Mandolines (duo)
2
Banjo
2
Ensemble de guitares
2
3 Guitares (trio)
1
Dulcimer
1
Paroles et Accords
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
261
Chorale 3 parties
75
Chorale TTBB
45
Chorale SSAA
32
Chorale 2 parties
18
Chorale Unison
14
Voix duo, Piano
14
Voix Alto, Piano
14
Voix haute
5
Chorale
3
Voix moyenne, Piano
3
Voix duo
3
Voix seule
2
Voix Soprano, Piano
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
188
Flûte traversière et Piano
183
2 Saxophones (duo)
170
Clarinette et Piano
167
Saxophone Alto et Piano
105
Quatuor de Clarinettes: 4 clarinettes
103
Hautbois, Piano (duo)
101
Quatuor de Saxophones: 4 saxophones
98
Quintette de Saxophone: 5 saxophones
95
Flûte, Hautbois, Clarinette, Basson
95
Saxophone, Clarinette (duo)
79
2 Clarinettes (duo)
76
Saxophone Soprano et Piano
74
2 Flûtes traversières (duo)
63
Saxophone Tenor et Piano
56
Ensemble de saxophones
56
Ensemble de Clarinettes
55
Clarinette, Violon (duo)
54
Clarinette, Trompette (duo)
46
Cor anglais, Piano
41
Saxophone Baryton, Piano
36
Quatuor de Flûtes : 4 flûtes
35
2 Hautbois (duo)
35
Ensemble de Flûtes
34
Flûte, Clarinette (duo)
33
Clarinette
31
Hautbois, Clarinette (duo)
29
Hautbois, Basson (duo)
28
Flûte, Violon
27
Clarinette et Alto
27
Hautbois, Flûte
26
Quintette de Clarinettes: 5 clarinettes
26
Clarinette Basse, Piano
26
Flûte, Saxophone (duo)
22
Flûte, Trompette (duo)
22
Saxophone Alto
21
Flûte traversière
20
Ensemble De Flûte à bec
20
Flûte, Alto (duo)
17
3 Saxophones (trio)
15
Quintette de Flûte : 5 flûtes
14
Saxophone (partie séparée)
14
Hautbois (partie séparée)
14
3 Clarinettes (trio)
11
Flûte et Guitare
11
Saxophone Tenor
11
2 Flûte à bec (duo)
9
Cor Anglais
9
Flûte à bec Soprano
9
Quatuor de Flûtes à bec
7
Saxophone
6
Clarinette, Basson (duo)
6
Flûte, Clarinette et Basson
5
Clarinette, Guitare (duo)
5
Clarinette, Violoncelle (duo)
5
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Violon et Violoncelle
3
Flûte à bec Soprano, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Trio de Flûtes: 3 flûtes
3
Piccolo, Piano
3
Flûte, Violoncelle
3
Saxophone et Guitare
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Piano
3
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
2
Saxophone et Harpe
2
5 Flûtes à bec
1
Clarinette Basse
1
Flûte, Trombone (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Alto et Piano
1
Flûte à bec Alto
1
Flûte, Basson et Piano
1
Hautbois, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Flute (partie séparée)
1
Hautbois, Harpe
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Basson
1
Cor anglais, Guitare (duo)
1
Flûte à Bec, Piano
1
3 Hautbois
1
Flûte traversière, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Ensemble à vent
1
Flûte, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
189
Quatuor de Cuivres : 2 trompettes, trombone, tuba
159
Trombone et Piano
73
Cor et Piano
63
Trompette, Piano
62
Trompette, Saxophone (duo)
58
Trompette
48
Cor anglais, Piano
41
Euphonium, Piano (duo)
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
2 Trompettes (duo)
36
2 Trombones (duo)
35
Trompette, Trombone (duo)
29
Ensemble de Trombones
20
Ensemble de Trompettes
19
Tuba et Piano
18
Trombone
17
Quatuor de Cuivres
14
Cor
13
Quatuor de cuivres: 4 trombones
11
Trompette (partie séparée)
9
Cor Anglais
9
Tuba
8
Quatuor de cuivres: 4 cors
8
2 Cors (duo)
6
Ensemble de Cors
6
4 Tubas
6
Quatuor de cuivres: 4 trompettes
4
Trompette, Harpe
2
3 Tubas (trio)
2
Trombone, Tuba (duo)
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
3 Trompettes (trio)
2
Euphonium
2
Trombone, Cor (duo)
2
2 Tubas (duo)
2
2 Euphoniums et 2 Tubas
2
Cor et Harpe
2
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
3 Cors (trio)
1
Trio de Cuivres
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
Cor et Orgue
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
273
Violon et Piano
201
Violoncelle, Piano
153
Alto, Piano
149
Violon, Violoncelle (duo)
89
Trio à Cordes: 2 violons, violoncelle
62
Trio à Cordes: violon, alto, violoncelle
51
2 Violons (duo)
46
Violon
45
2 Violoncelles (duo)
43
2 Altos (duo)
38
Violon, Alto (duo)
35
Violoncelle
27
Harpe
25
2 Harpes (duo)
23
Contrebasse, Piano (duo)
20
Alto seul
18
4 Violoncelles
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Ensemble de Violons
12
Contre Basse
12
Ensemble d'Altos
10
Violon, Guitare (duo)
8
Alto (partie séparée)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 3 violoncelles
4
Harpe, Voix
3
Alto, Violoncelle (duo)
3
Violon (partie séparée)
2
Alto et Harpe
2
Alto, Guitare (duo)
2
Harpe, Violon, Violoncelle
2
Violoncelle, Contrebasse (duo)
2
4 Contrebasses
2
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Orgue
2
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
241
Orchestre
118
Orchestre à Cordes
115
Ensemble de cuivres
80
Ensemble Jazz
46
Orchestre de chambre
37
Cloches
23
Jazz combo
14
Ensemble de Percussions
12
Fanfare
11
Batterie
6
Vibraphone
3
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
As It Was
intermédiaire
Flûte traversière et Piano
Partitions à imprimer
183 partitions trouvées
<
1
26
51
....
176
It's Been A Long, Long Time
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.592535 Composed by Jule Styne. Arr…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.592535 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366339. Published by David McKeown (A0.592535). It’s Been a Long Long Time is arranged as a solo for one Flute with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.43 €
#
Flûte traversière et Piano
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
As It Was
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1110960 By Harry Styles. By Harry …
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1110960 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Ricardo Cesar dos Santos Castilho Filho. Contest,Festival,Multicultural,Pop,Rock,Wedding,World. Score and part. 10 pages. Ricardo Cesar dos Santos Castilho Filho #713227. Published by Ricardo Cesar dos Santos Castilho Filho (A0.1110960).
$8.99
8.15 €
#
Flûte traversière et Piano
#
Harry Styles
#
As It Was
#
Ricardo Cesar dos Santos Castilho Filho
#
SheetMusicPlus
Take My Life and Let It Be (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.727637 Composed by Frances Haverga…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.727637 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Score and part. 4 pages. Carol Troutman Wiggins #6320003. Published by Carol Troutman Wiggins (A0.727637). Based on Romans 12:1, this hymn was written as a song of self-consecration by Frances Havergal and set to the tune Messiah by LouÂis J. HérÂold, 1830. ArÂranged by George KingÂsley, 1838. I urge you, brothers, in view of God’s mercy, to offer your bodies as living sacrifices, holy and pleasing to God-this is your spiritual act of worship. ~ Romans 12:1 Intermediate level piano & easy instrument part Great for preludes, offertories, baptism, and general worship.Key change from F to G Piano Track includes piano & instrumental part combined.
$9.99
9.06 €
#
Flûte traversière et Piano
#
Frances Havergal, Louis Herold
#
Carol Troutman Wiggins
#
Take My Life and Let It Be
#
Carol Troutman Wiggins
#
SheetMusicPlus
Pachelbel: Canon for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbe…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95
24.44 €
#
Flûte traversière et Piano
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Sorry Seems To Be The Hardest Word
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.747031 By Elton John. By Bernie Ta…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.747031 By Elton John. By Bernie Taupin and Elton John. Arranged by Music for all Occasions. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902601. Published by Keith Terrett (A0.747031). Arranged for Flute & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
9.06 €
#
Flûte traversière et Piano
#
Elton John
#
Music for all Occasions
#
&
#
Sorry Seems To Be The Hardest Word
#
Keith Terrett
#
SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
(+)
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
The Wedding Album, for Solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587625 Composed by Various. Arrang…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.587625 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594685. Published by David McKeown (A0.587625). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Flute with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.06 €
#
Flûte traversière et Piano
#
Various
#
David McKeown
#
The Wedding Album, for Solo Flute and Piano
#
David McKeown
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.09 €
#
Flûte traversière et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.09 €
#
Flûte traversière et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587593 Composed by Jeremiah Clarke…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.587593 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367410. Published by David McKeown (A0.587593). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Flute and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.17 €
#
Flûte traversière et Piano
#
Jeremiah Clarke
#
David McKeown
#
Trumpet Voluntary,
#
David McKeown
#
SheetMusicPlus
Vivaldi: Sonata No. 1 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550397 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pages. Jmsgu3 #4628299. Published by jmsgu3 (A0.550397). Sonata da Chiesa in Bb for Flute & Piano by Antonio Vivaldi in Four movements.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period who is widely considered one of the greatest composers of all time. He significantly influenced many other composers of the Baroque era, and his impact can still be felt in music today.Vivaldi's most significant contribution to music history was his development of the Sonata da Chiesa or church sonata. This composition was a variation of the Baroque sonata and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, focusing on melody and harmonic structure. Vivaldi was one of the first composers to use this form, and his works set the standard for future composers. His church sonatas were written in various keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the Sonata da Chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy shapes modern-era music.The mood of Vivaldi's Sonata No. 1 can be described as diverse, as it typically consists of multiple movements with varying emotional qualities. Vivaldi's cello sonatas, including Sonata No. 1, are known for their attractive melodies, stylistic variety, and dance-like movements, which can evoke emotions from lively and joyful to reflective and sad. The sonatas often feature a combination of slow and quick movements, reflecting the typical structure of church sonatas from the Baroque period. Therefore, the mood of Sonata No. 1 is likely to encompass a spectrum of emotional expressions characteristic of Vivaldi's compositional style.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 1 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Pomp and Circumstance March No. 1 for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. …
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1038234 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #643165. Published by Diego Marani (A0.1038234). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for flute with piano is suitable for classroom, repertoire and recital.
$9.99
9.06 €
#
Flûte traversière et Piano
#
Edward Elgar
#
Diego Marani
#
Pomp and Circumstance March No. 1 for Flute and Piano
#
Diego Marani
#
SheetMusicPlus
Adagio from BWV 974 for Flute and Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1206481 Composed by Johann…
(+)
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1206481 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #804685. Published by Diego Marani (A0.1206481). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for flute with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
8.15 €
#
Flûte traversière et Piano
#
Johann Sebastian Bach
#
Diego Marani
#
Adagio from BWV 974 for Flute and Piano
#
Diego Marani
#
SheetMusicPlus
'Cradle song' (for flute and piano)
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1015016 Composed by Vasil Belezhko…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1015016 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and part. 6 pages. Vasil Belezhkov #5041133. Published by Vasil Belezhkov (A0.1015016). 'Cradle song' is the 4th movement of 'The Gold-fingered' Suite for kaval & orchestra written in 2011. The composition won 2nd award at the 11th 'International composition competition for symphonic work in 7/8' where it was premiered by soloist Kiril Belezhkov (the composer's brother) and New Symphony Orchestra in Sofia (see the YouTube link). It was also one of the works by Belezhkov for which he had won the 'Creative activity' cathegory of the 'Musician of the year 2011' vote of the Bulgarian National Radio. At the ceremony held at the National Palace of Culture it was performed again but in chamber version - kaval (Kiril Belezhkov again), 2 guitars (one of them performed by Vasil Belezhkov) and string quartet (consisted of NSO members who already had played the original orchestral score). Later the composer did this one version for flute and piano and Kiril (who is flutist as well) edited the ornaments in the solo part. This version is yet to be performed.
$6.99
6.34 €
#
Flûte traversière et Piano
#
Vasil Belezhkov
#
orchestra written in 2011
#
'Cradle song'
#
Vasil Belezhkov
#
SheetMusicPlus
Vivaldi: Sonata No. 5 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550495 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550495 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4715625. Published by jmsgu3 (A0.550495). Sonata da Chiesa No. 5 in E Minor for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 5 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550419 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550419 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632863. Published by jmsgu3 (A0.550419). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 2 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 3 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550445 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550445 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634775. Published by jmsgu3 (A0.550445). Sonata da Chiesa No. 3 in A Minor for Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 3 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 4 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550471 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550471 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641209. Published by jmsgu3 (A0.550471). Sonata da Chiesa No. 4 in Bb Major for Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 4 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 1 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550396 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550396 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 34 pages. Jmsgu3 #4628357. Published by jmsgu3 (A0.550396). Sonata da Chiesa in Bb for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 1 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 4 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550470 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550470 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4640709. Published by jmsgu3 (A0.550470). Sonata da Chiesa No. 4 in Bb Major for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 4 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550418 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550418 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632259. Published by jmsgu3 (A0.550418). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 2 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 5 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550496 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550496 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4715639. Published by jmsgu3 (A0.550496). Sonata da Chiesa No. 5 in E Minor for Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 5 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 3 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550444 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550444 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634759. Published by jmsgu3 (A0.550444). Sonata da Chiesa No. 3 in A Minor for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 3 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 6 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550521 Composed by Antonio Vivaldi…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.550521 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4719705. Published by jmsgu3 (A0.550521). Sonata da Chiesa No. 6 in Bb Major for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 6 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 5 for Bass Flute & Piano
Flûte traversière et Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550497 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550497 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4715643. Published by jmsgu3 (A0.550497). Sonata da Chiesa No. 5 in E Minor for Bass Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
29.88 €
#
Flûte traversière et Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 5 for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
176
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
