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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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HARMONICA
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127
Piano & claviers
Instruments en Do
97
Piano seul
46
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31
Orgue
12
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8
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3
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2
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1
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1
2 Pianos, 4 mains
1
+ 5 instrumentations
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Guitare
10
Basse electrique
4
Guitare notes et tablatures
3
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2
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Mandoline
1
Dulcimer
1
Ukulele
1
Piano, Guitare (duo)
1
2 Dulcimers (duo)
1
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42
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9
Chorale SSAA
8
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6
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2
Voix Soprano
2
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2
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1
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1
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1
Voix duo
1
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1
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Quatuor de Saxophones: 4 saxophones
11
Flûte traversière et Piano
9
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7
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6
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6
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6
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Piano (duo)
5
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5
Clarinette
5
2 Flûtes traversières (duo)
5
Saxophone Baryton, Piano
4
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4
Clarinette et Piano
4
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3
Quatuor de Clarinettes: 4 clarinettes
3
Ensemble de Flûtes
3
2 Saxophones (duo)
2
3 Saxophones (trio)
2
Saxophone Tenor
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois
2
Saxophone Alto
2
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2
2 Clarinettes (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Baryton
2
Clarinette Basse, Piano
2
Saxophone Soprano
2
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2
3 Clarinettes (trio)
2
Flûte à bec Soprano
1
Flûte et Guitare
1
Flûte, Clarinette (duo)
1
Ensemble de saxophones
1
Cor anglais, Piano
1
Ensemble de Clarinettes
1
5 Flûtes à bec
1
Hautbois (partie séparée)
1
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8
Trompette, Piano
5
Trompette
5
Tuba et Piano
3
2 Trombones (duo)
3
Cor et Piano
2
4 Tubas
2
Tuba
2
Trombone
2
Cor
2
Trombone et Piano
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Euphonium (duo)
1
Ensemble de Cors
1
Cor anglais, Piano
1
Ensemble de Trompettes
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
6
Violon
5
Violoncelle, Piano
5
Alto, Piano
5
Violon et Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Violons (duo)
3
Alto seul
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
1
Violon, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Contrebasses
1
2 Altos (duo)
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
Harpe
1
Trio à cordes: 3 violins
1
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Orchestre d'harmonie
15
Orchestre à Cordes
11
Ensemble Jazz
8
Orchestre
6
Orchestre de chambre
4
Ensemble de cuivres
4
Jazz combo
2
Batterie
1
Ensemble de Percussions
1
Fanfare
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
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Flûte traversière et Piano
Partitions à imprimer
9 partitions trouvées
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1
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Pachelbel: Canon for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386...
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Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95
Ave Maria - Franz Schubert
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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acquiring this score, you will
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Franz Schubert
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Glauco f
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Ave Maria - Franz Schubert
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1427554 Composed by Franz Schubert. Arranged by Glauco f. Wedding. Score and part. 3 pages. Glauco Fernandes #10...
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Piano,Soprano Flute - Level 3 - SKU: A0.1427554 Composed by Franz Schubert. Arranged by Glauco f. Wedding. Score and part. 3 pages. Glauco Fernandes #1008288. Published by Glauco Fernandes (A0.1427554). We are proud to exclusively present the new score arrangement of the iconic Ave Maria by Franz Schubert. This piece, globally renowned for its beauty and emotional depth, is now accessible for musicians looking to add a touch of refinement to their repertoire.Ideal for special events, particularly weddings, this arrangement captures both the sacred and celebratory essence, making each performance unforgettable. Schubert's Ave Maria is often chosen for deeply meaningful and personal moments, such as the bride's entrance, thanks to its gentle melody and enveloping harmony that enhance any ceremony's atmosphere.This arrangement has been carefully crafted to allow for a rich and detailed interpretation of the work. By acquiring this score, you will be equipped to deliver a high-level performance that will surely touch the hearts of all attendees.Perfect for both experienced musicians and those in technical development, this arrangement raises the standard of any performance, ensuring unforgettable moments at any event.Do not miss the chance to incorporate this sublime arrangement into your repertoire. Purchase it today and let Schubert's Ave Maria elevate the standard of your performances at important events.Tags: Ave Maria score, events, weddings, Franz Schubert, musical arrangement, musician performance.
$6.99
Ave Maria - Franz Schubert
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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acquiring this score, you will
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Franz Schubert
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Glauco Fernandes
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Ave Maria - Franz Schubert
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1427556 Composed by Franz Schubert. Arranged by Glauco Fernandes. Wedding. Score and part. 3 pages. Glauco Ferna...
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Piano,Soprano Flute - Level 3 - SKU: A0.1427556 Composed by Franz Schubert. Arranged by Glauco Fernandes. Wedding. Score and part. 3 pages. Glauco Fernandes #1008290. Published by Glauco Fernandes (A0.1427556). We are proud to exclusively present the new score arrangement of the iconic Ave Maria by Franz Schubert. This piece, globally renowned for its beauty and emotional depth, is now accessible for musicians looking to add a touch of refinement to their repertoire.Ideal for special events, particularly weddings, this arrangement captures both the sacred and celebratory essence, making each performance unforgettable. Schubert's Ave Maria is often chosen for deeply meaningful and personal moments, such as the bride's entrance, thanks to its gentle melody and enveloping harmony that enhance any ceremony's atmosphere.This arrangement has been carefully crafted to allow for a rich and detailed interpretation of the work. By acquiring this score, you will be equipped to deliver a high-level performance that will surely touch the hearts of all attendees.Perfect for both experienced musicians and those in technical development, this arrangement raises the standard of any performance, ensuring unforgettable moments at any event.Do not miss the chance to incorporate this sublime arrangement into your repertoire. Purchase it today and let Schubert's Ave Maria elevate the standard of your performances at important events.Tags: Ave Maria score, events, weddings, Franz Schubert, musical arrangement, musician performance.
$6.99
A Night In Tunisia
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
3 Pieces Op4 for Eb Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Lisa Ochoco
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3 Pieces Op4 for Eb Flute and
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1240196 Composed by Edward Elgar. Arranged by Lisa Ochoco. 20th Century,Romantic Period. Score and part. 20 pages. Lisa ...
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Flute,Piano - Level 3 - SKU: A0.1240196 Composed by Edward Elgar. Arranged by Lisa Ochoco. 20th Century,Romantic Period. Score and part. 20 pages. Lisa L Ochoco #835567. Published by Lisa L Ochoco (A0.1240196). Edward Elgar is mostly known for his fantastic composition, Enigma Variations, and his Cello Concerto in E minor. The first piece of this set of 3 was his first published piece in 1883, at the age of 27. It was originally written for violin and piano, and it was said to been dedicated to a secret woman that he met in Scotland. These pieces are calm and not fancy or complicated. They are simple, easy-listening works that would do well in a peaceful setting. Scored for Eb flute and piano, this arrangement is geared towards musicians with intermediate music skills. Duration: 8.5 minutes.
$12.00
3 Pieces Op4 for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Lisa Ochoco
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3 Pieces Op4 for Flute and Pia
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Lisa L Ochoco
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1236804 Composed by Edward Elgar. Arranged by Lisa Ochoco. 20th Century,Romantic Period. Score and part. 20 page...
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Piano,Soprano Flute - Level 3 - SKU: A0.1236804 Composed by Edward Elgar. Arranged by Lisa Ochoco. 20th Century,Romantic Period. Score and part. 20 pages. Lisa L Ochoco #832334. Published by Lisa L Ochoco (A0.1236804). Edward Elgar is mostly known for his fantastic composition, Enigma Variations, and his Cello Concerto in E minor. The first piece of this set of 3 was his first published piece in 1883, at the age of 27. It was originally written for violin and piano, and it was said to been dedicated to a secret woman that he met in Scotland. These pieces are calm and not fancy or complicated. They are simple, easy-listening works that would do well in a peaceful setting. This arrangement is geared towards musicians with intermediate music skills. Duration: 8.5 minutes.
$12.00
Always Remember Us This Way
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Pop musique
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Lady Gaga
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Kevin P Holdgate
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Brass
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Always Remember Us This Way
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Kevin P Holdgate
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.791182 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani German...
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Flute,Piano - Level 3 - SKU: A0.791182 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Kevin P Holdgate. Pop. Score and part. 7 pages. Kevin P Holdgate #5349669. Published by Kevin P Holdgate (A0.791182). KPHMS Solo CollectionLady Gaga - for Brass?!! Really??This is a great song and works really well as an instrumental solo for brass instruments. It comes from the 2018 remake of the film 'A Star is Born' and is sung originally by Lady Gaga.I was asked to do an arrangement of the song for a young lady to sing with Boobs & Brass. I was struck by the quality of the words and the music and immediately thought of it as a great addition to the solo repertoire.In terms of standard, I would judge this to be around Grades 5 to 6 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.
$4.99
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