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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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Mozart Pop
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60
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33
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4
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
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Retracter
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14
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11
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Clarinette et Piano
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Clarinette
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Saxophone Tenor et Piano
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Saxophone Baryton, Piano
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Quintette de Saxophone: 5 saxophones
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Clarinette Basse, Piano
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2 Saxophones, Piano
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Flûte, Clarinette (duo)
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Saxophone Alto
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Ensemble de saxophones
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Flûte à bec, Guitare (duo)
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Clarinette, Guitare (duo)
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Ensemble de Clarinettes
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2 Clarinettes, Piano
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+ 31 instrumentations
Retracter
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6
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5
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5
2 Trombones (duo)
4
Cor et Piano
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Trombone et Piano
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2 Cors (duo)
4
Trompette
3
Trompette, Piano
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Trombone
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
1
Trompette, Trombone, Piano
1
Tuba
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Ensemble de Cors
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Tuba et Piano
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Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trombones
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Cor anglais, Piano
1
4 Tubas
1
Cor
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon et Piano
8
Violoncelle, Piano
7
Alto, Piano
6
Violon, Alto (duo)
6
Violon
6
Trio à Cordes: violon, alto, violoncelle
5
2 Violoncelles (duo)
4
2 Violons (duo)
3
Violon, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Altos (duo)
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle
1
2 Violoncelles, Piano
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6
Orchestre à Cordes
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Orchestre de chambre
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Ensemble de cuivres
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Quintette de Cuivres: autres combinaisons
1
Orchestre
1
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6
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Partitions à imprimer
13 partitions trouvées
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1
"Rondo Alla Turca"-Piano Background for Flute and Piano (Jazz/Pop Version)
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Fishel Pustilnik
#
Piano (Jazz/Pop Version)
#
"Rondo Alla Turca"-P
#
F & N Enterprise
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.633556 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 6 page...
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Flute,Piano - Level 3 - SKU: A0.633556 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 6 pages. F & N Enterprise #3430841. Published by F & N Enterprise (A0.633556). Piano Background for famous Song Rondo Alla Turca- Flute & Piano (Jazz/Pop Version). Plus Version at SMP: SO. 310553 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
"Rondo Alla Turca" for Flute and Piano (Jazz/Pop Version)-Video
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Fishel Pustilnik
#
"Rondo Alla Turca" f
#
F & N Enterprise
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.633555 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 6 page...
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Flute,Piano - Level 3 - SKU: A0.633555 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 6 pages. F & N Enterprise #3430839. Published by F & N Enterprise (A0.633555). An excellent arrangement of famous Rondo Alla Turca for Flute and Piano (Jazz/Pop Version). Video For Piano:https://www.youtube.com/watch?v=WnNwU5x4dpUThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
Turkish March for Flute and Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Diego Marani
#
Turkish March for Flute and Pi
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Diego Marani
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.528083 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score a...
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Flute,Piano - Level 3 - SKU: A0.528083 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and part. 7 pages. Diego Marani #4728409. Published by Diego Marani (A0.528083). The Piano Sonata No. 11 in A major, K. 331, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The last one, marked Alla turca, popularly known as the Turkish Rondo or Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces. This arrangement for Flute with Piano Accompaniment faithfully reproduces the original for piano.
$9.90
Ave Verum Corpus - Flute and Piano - Intermediate level
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Raymond Fenech
#
Ave Verum Corpus - Flute and P
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Raymond Fenech
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.760695 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. ...
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Flute,Piano - Level 3 - SKU: A0.760695 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. Score and part. 10 pages. Raymond Fenech #5795147. Published by Raymond Fenech (A0.760695). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791). The duration is 2.43 minutes and it is an Intermediate level piece.
$3.99
Eine Kleine Nachtmusik (1st Mov.) for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Diego Marani
#
Eine Kleine Nachtmusik
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Diego Marani
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.528327 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding....
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Flute,Piano - Level 3 - SKU: A0.528327 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and part. 11 pages. Diego Marani #5754351. Published by Diego Marani (A0.528327). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Flute faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$9.99
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
PAISIELLO SONATA IN D MAJOR Opus 23 no. 1 for flute & piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Giovanni Paisiello
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PAISIELLO SONATA IN D MAJOR Op
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Piper Publications
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.811782 Composed by Giovanni Paisiello (1740 - 1816). Arranged by Edited & arranged by Pat Spence. Classical,Concert,Grad...
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Flute,Piano - Level 3 - SKU: A0.811782 Composed by Giovanni Paisiello (1740 - 1816). Arranged by Edited & arranged by Pat Spence. Classical,Concert,Graduation,Standards,Wedding. Score and part. 14 pages. Piper Publications #6301163. Published by Piper Publications (A0.811782). The six quartets for flute, violin, viola and cello were probably composed in Naples in about 1800. This Sonata is an arrangement of the first quartet for flute and piano. The first five quartets each have two movements, the sixth having only one. They are all engaging and enjoyable to play and listen to as might be expected from a composer whose operas in his life time were more popular than those of a certain W. A. Mozart.Players of intermediate standard and above will enjoy playing this tuneful operatic style piece.The editing has been lightly done and all editings are shown in Parentheses ( ) or dashed lines. Obvious small errors have been corrected without comment.Piper Publications is also publishing a new edition of the quartet version of this piece. (PPF040).
$12.00
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Die Zauberflöte
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Die Zauberflöte
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute and piano - intermediate - SKU: S9.Q54660 From Opera Transcriptions op. 45“. Composed by Wolfgang Amadeus Mozart. Arranged by Karl Jo...
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Flute and piano - intermediate - SKU: S9.Q54660 From Opera Transcriptions op. 45“. Composed by Wolfgang Amadeus Mozart. Arranged by Karl Joachim Andersen and Werner Richter. This edition: Sheet music. Flöte im Salon. Downloadable. Duration 6 minutes, 30 seconds. Musikverlag Zimmermann - Digital #Q54660. Published by Musikverlag Zimmermann - Digital (S9.Q54660). German • English • French.Joachim Andersen's Operatic Transcriptions for Flute and Pianoforte, op. 45, though typical products of the bourgeois salons of the nineteenth Century, stand in a thoroughly respectable tradition whose origins reach far back into the past and which attained an unsurpassable culmination in the famous piano transcriptions of Franz Liszt. Potpourris, as this type of domestic music-making can be called, often gave bourgeois music lovers of the time their only opportunity to become acquainted with and to discuss important or popular works by prominent tone-poets of die day. (For further information see Count Gallenberg's Kleine Ballettmusik für zwei Flöten, available from the same publisher under the order number ZM 2625.) Carl Joachim Andersen (1847-1909) was one of the most important and internationally best regarded flautists of his day; in later years he also performed as a conductor. His numerous pedagogical and recital pieces for flute stand well above the qualitative level of the virtuoso and salon music being mass-produced at the time. These works reveal him to have been a composer with taste, a strong sense of form and a mastery of harmony.
$9.99
20 Classical Themes for Flute Solo with Piano Accompaniment
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Various
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B
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20 Classical Themes for Flute
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Ben Dockery
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1285435 Composed by Various. Arranged by B. C. Dockery. 19th Century,Baroque,Chamber,Classical,Romantic Period. ...
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Piano,Soprano Flute - Level 3 - SKU: A0.1285435 Composed by Various. Arranged by B. C. Dockery. 19th Century,Baroque,Chamber,Classical,Romantic Period. Score and part. 114 pages. Ben Dockery #876546. Published by Ben Dockery (A0.1285435). Some of the most popular and beloved compositions by Bach, Beethoven, Mozart, Brahms, Chopin and more are included in this collection of twenty classical themes: arranged for flute solo with piano accompaniment. Great for lessons, recitals, and performances of all kinds. A range of early to late intermediate levels. Â Includes scores and individual parts.Air on the G String, Ave Maria, Brahm's Lullaby, Canon in D, Dido's Lament, Eine Kleine Nachtmusik, Funeral March, Fur Elise, Hallelujah Chorus, In the Hall of the Mountain King, Jupiter, Largo, Ode to Joy, Pavane, Pomp and Circumstance, Sleeping Beauty, Spring, Blue Danube, The Sorcerer's Apprentice, Trumpet Voluntary.
$9.99
Best of Flute Classics
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Best of Flute Classics
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate - Digital Download 10 Famous Pieces for Flute and Piano. This edition: Sheet music. Klassik, Flote, Konzert. Best of C...
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Flute and piano - intermediate - Digital Download 10 Famous Pieces for Flute and Piano. This edition: Sheet music. Klassik, Flote, Konzert. Best of Classics. Downloadable. Schott Music - Digital #Q43466. Published by Schott Music - Digital
The most popular works of flute literature in one volume: Best of Flute Classics features music from four centuries by Handel, J.S. and C.P.E. Bach, Mozart, Donizetti, Faure, Roussel, Chaminade, Reinecke and Taffenl. The collection of original works for flute is ideal study or concert repertoire for intermediate and advanced flautists. The edition also comes with a basso continuo part for the sonatas by J.S. Bach, C.P.E. Back and Handel.
BEST OF FLUTE CLASSICS - press reviews:
Love this new book from Schott. Great material, beautifully produced and amazing price. -- FLUTEWISE.
$17.99
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