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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was
Non classifié
827
Piano & claviers
Piano seul
369
Instruments en Do
131
Piano, Voix et Guitare
127
Piano, Voix
109
Orgue
19
1 Piano, 4 mains
10
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Facile
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
40
Guitare notes et tablatures
28
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
5
4 Guitares (Quatuor)
3
Basse electrique
3
Mandoline
1
Piano, Guitare (duo)
1
Guitare, Orchestre
1
Ensemble de guitares
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
140
Chorale TTBB
21
Chorale SSAA
16
Chorale 3 parties
12
Voix Soprano, Piano
7
Voix duo, Piano
6
Voix Baryton, Piano
5
Chorale Unison
3
Voix haute
3
Voix duo
2
Voix Tenor
2
Chorale 2 parties
2
Voix seule
2
Voix Tenor, Piano
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Ensemble de saxophones
67
Quatuor de Saxophones: 4 saxophones
56
Quintette de Saxophone: 5 saxophones
52
2 Saxophones (duo)
33
Ensemble de Clarinettes
33
Clarinette et Piano
29
Flûte traversière et Piano
29
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto et Piano
25
2 Flûtes traversières, Piano
24
Flûte, Hautbois, Clarinette, Basson
21
Ensemble de Flûtes
19
2 Clarinettes (duo)
19
Saxophone, Clarinette (duo)
17
Hautbois, Piano (duo)
17
Saxophone Tenor et Piano
16
Saxophone Soprano et Piano
15
Quintette de Clarinettes: 5 clarinettes
14
Clarinette, Violon (duo)
13
2 Flûtes traversières (duo)
13
Clarinette, Trompette (duo)
11
Quatuor de Flûtes : 4 flûtes
10
Flûte, Clarinette (duo)
10
Flûte, Violon
7
Flûte traversière
7
Quintette de Flûte : 5 flûtes
7
Flûte, Saxophone (duo)
6
Hautbois (partie séparée)
6
Flûte, Alto (duo)
6
Clarinette et Alto
6
Clarinette
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Saxophone Alto
5
Hautbois, Flûte
5
Trio de Flûtes: 3 flûtes
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Cor anglais, Piano
5
3 Saxophones (trio)
4
Flûte et Guitare
4
Clarinette, Guitare (duo)
4
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
Flute (partie séparée)
3
Saxophone Baryton, Piano
3
Flûte, Violoncelle, Piano (trio)
2
Saxophone Tenor
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, alto et harpe
1
Ensemble De Flûte à bec
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Violon et Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Harpe
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Saxophones, Piano
1
Saxophone
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
108
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Ensemble de Trombones
26
Trombone et Piano
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres
15
Trompette, Saxophone (duo)
12
2 Euphoniums et 2 Tubas
12
Ensemble de Trompettes
12
Trompette
11
Cor et Piano
10
Trompette, Trombone (duo)
9
Tuba et Piano
8
Trompette, Piano
8
2 Trompettes (duo)
7
Quatuor de cuivres: 4 cors
7
Cor
7
Euphonium, Piano (duo)
6
2 Trombones (duo)
6
Ensemble de Cors
5
Trombone
5
Cor anglais, Piano
5
Trompette (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba
3
Euphonium
2
Cor et Orgue
2
Trio de Cuivres
2
Bass Clef Instruments
1
Trombone et orchestre
1
4 Tubas
1
Trombone basse et Piano
1
Cor et Harpe
1
Quatuor de cuivres: 4 trompettes
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon et Piano
56
Violon, Violoncelle (duo)
46
Violoncelle, Piano
36
Trio à Cordes: violon, alto, violoncelle
34
Alto, Piano
26
Trio à Cordes: 2 violons, violoncelle
24
Harpe
21
Violon
16
Violoncelle
14
2 Violons (duo)
11
2 Harpes (duo)
11
2 Violoncelles (duo)
11
Violon, Alto (duo)
10
Ensemble d'Altos
7
Contrebasse, Piano (duo)
7
2 Altos (duo)
7
Ensemble de Violons
7
Alto (partie séparée)
6
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Contrebasses
3
Alto seul
3
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
2
Ensemble de Violoncelles
2
4 Violoncelles
2
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Violon, Tuba (duo)
1
Violoncelle, Orchestre
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
132
Orchestre
122
Orchestre à Cordes
62
Ensemble de cuivres
48
Ensemble Jazz
43
Orchestre de chambre
39
Jazz combo
14
Ensemble de Percussions
8
Fanfare
6
Cloches
4
Vibraphone
3
Batterie
3
Marimba
2
Orchestre, Violon
1
+ 9 instrumentations
Retracter
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BASSON
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DULCIMER
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FLUTE A DIX…
FLUTE DE PA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
As It Was
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Flûte traversière et Piano
Partitions à imprimer
29 partitions trouvées
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1
26
Sullivan: The Lost Chord for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Amir Awad
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Gabriel Fauré : Fantais
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Amir Awad
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pa...
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Chamber Orchestra - Level 4 - SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel Fauré for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the Opéra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la Société des Instruments à Vent, and, from 1893, as a professor at the Conservatoire. Fauré was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. Fauré decided to pass the orchestration of his incidental music for Maeterlinck's play Pelléas et Mélisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, Fauré complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.
$5.00
Brave
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Josh Groban
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Gary D
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Brave
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DR GARY D BELSHAW
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.796761 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Contem...
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Flute,Piano - Level 4 - SKU: A0.796761 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Contemporary,Pop. Score and part. 17 pages. DR GARY D BELSHAW #5968179. Published by DR GARY D BELSHAW (A0.796761). For the Advanced Intermediate flautist. 5 pages. Duration: less than 4 minutes. In the key of E-flat Major, this arrangement is also available in the original key of E Major.First released as a single in 2012, Brave was included in josh's sixth album, All That Echoes and included in the All That Echoes World Tour. Groban says the song is about about rejuvenation. It is an anthem in the style of You Raise Me Up. Josh Groban's musical style is often placed in the classical category, so it was perfectly natural to take this tune a step further and design it for recitals, seminars, recruiting tours, and for the advanced players in one's studio. Your accompanist will like the way the pizzicato rhythmic figures in the string section have been fleshed out with notes on strong beats to help make the rhythm fit the hand better.Of course, it would be a great show-piece for social and civic events; its inspiring message would even serve in church-related functions. It may take a bit longer to get under the fingers, as anything worth showing off would demand. Keep your eye open for performance opportunities for social groups tackling issues like depression and self-image.Thank you for considering my work. I welcome your reviews or comments about it; I will honor any and all suggestions for improvement. Follow me on Facebook (Gary D. Belshaw Music) and Twitter (@GaryDBelshawMus) - I'll follow you back!
$7.99
Maple Leaf Rag, by Scott Joplin, for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.587787 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Flute,Piano - Level 4 - SKU: A0.587787 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967671. Published by David McKeown (A0.587787). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Flute and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683.
$4.60
Coventry No 1
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Katherine Brookes
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Coventry No 1
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Katherine Brookes
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.999066 Composed by Katherine Brookes. 20th Century,Concert,Contemporary,Standards. Score and part. 7 pages. Katherine Br...
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Flute,Piano - Level 4 - SKU: A0.999066 Composed by Katherine Brookes. 20th Century,Concert,Contemporary,Standards. Score and part. 7 pages. Katherine Brookes #5374099. Published by Katherine Brookes (A0.999066). 'Coventry No 1' is a piece for flute and piano. It was inspired by the steam engine, Coventry No 1. The engine had been used at Newdigate Colliery, near Bedworth (Warwickshire, UK) and my father was instrumental in saving it from being scrapped while it was there. In recent years the engine has been used as 'Thomas The Tank Engine' and resides at the Buckinghamshire Railway Centre, Quainton (UK). Duration: ca. 2:19. Katherine Brookes is a Guinness World Record holding flute player. To contact Katherine please email katherine@katherinebrookes.com and for more information about her please visit her website www.katherinebrookes.com
$4.50
Variations on "Non piu mesta" for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Gioachino Rossini, Frederic Ch
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Yoon Jae Lee
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Variations on "Non piu me
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Ondine Press
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Sta...
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Flute,Piano - Level 4 - SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Score and part. 31 pages. Ondine Press #5377025. Published by Ondine Press (A0.866120). This is a piano reduction to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score and set of parts are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/rossini-chopin_-_variations_on__non.
$15.00
Newton Park Experience
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Colin Smith
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Colin Smith
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Newton Park Experience
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Colin Smith
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1402141 By Colin Smith. By Colin Smith. Arranged by Colin Smith. Classical,Jazz. Score and part. 15 pages. Colin Smith #...
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Flute,Piano - Level 4 - SKU: A0.1402141 By Colin Smith. By Colin Smith. Arranged by Colin Smith. Classical,Jazz. Score and part. 15 pages. Colin Smith #985349. Published by Colin Smith (A0.1402141). This piece was written at Newton Park campus as part of my composition course at Bath Spa university.  It was inspired by the lovely countryside which surrounded it and the people and experiences that I had there.  Musically it is influenced by Paul Hart who wrote for the National youth jazz orchestra and the micro jazz pieces by Christopher Norton  This piece also contains a separate flute part.
$10.17
Newton Park Experience
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Colin Smith
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Colin Smith
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Newton Park Experience
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Colin Smith
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1381560 By Colin Smith. By Colin Smith. Arranged by Colin Smith. 21st Century. Score and part. 14 pages. Colin Smith #96...
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Flute,Piano - Level 4 - SKU: A0.1381560 By Colin Smith. By Colin Smith. Arranged by Colin Smith. 21st Century. Score and part. 14 pages. Colin Smith #966253. Published by Colin Smith (A0.1381560). I wrote this piece as part of my music degree course at Bath Spa university.        it was inspired by  Newton park campus  where my course was held and the lovely surroundings and the expreiences of people that I had met. This piece contains a fusion of Jazz mixed with classical influences. It is also inspired by a piece called Remembrance By Paul Hart who wrote for the National youth jazz orchestraÂ
$6.99
Pastorale
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Lynn L
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Pastorale
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Lynn L. Petersen
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.973250 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 16 pages. Lyn...
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Flute,Piano - Level 4 - SKU: A0.973250 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 16 pages. Lynn L. Petersen #6275061. Published by Lynn L. Petersen (A0.973250). Pastorale is a piece for flute and piano and is 6-7 minutes in duration. I composed Pastorale in 1986 while I was in graduate school at the University of Minnesota. It was intended as a companion piece to Capriccio, but it may be performed alone. The form is ABA. A haunting melody with sustained notes in the flute is accompanied by a slow moving ostinato in the piano. The middle section has a quicker pace and contains fragmented ideas echoing between the flute and piano in higher registers.
$8.99
Capriccio
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Lynn L
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Capriccio
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Lynn L. Petersen
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.973252 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 19 pages. Lyn...
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Flute,Piano - Level 4 - SKU: A0.973252 Composed by Lynn L. Petersen. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 19 pages. Lynn L. Petersen #6294001. Published by Lynn L. Petersen (A0.973252). Capriccio is a composition in one movement for flute and piano, 4-5 minutes in duration. I composed Capriccio in 1986 while I was in graduate school at the University of Minnesota. It was first performed by several students at recitals and studio classes. The form is sonata-allegro. The first theme utilizes irregular, fragmented ideas passing back and forth between the flute and piano. The second theme consists of long, lyrical lines in the flute complemented by a syncopated pattern in the piano. Capriccio may be performed as a solo piece or paired with its companion piece, Pastorale.
$9.99
Mosaic for Piccolo or Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Mosaic for Piccolo or Flute an
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Sy Brandon
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.754993 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 28 pages. Sy Brandon #3235521. Published by Sy...
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Flute,Piano - Level 4 - SKU: A0.754993 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 28 pages. Sy Brandon #3235521. Published by Sy Brandon (A0.754993). The American Heritage Dictionary defines mosaic as a picture or decorative design made by setting small colored pieces, such as tile, in mortar. The musical ideas in this composition are treated in a similar fashion. The small colored pieces can be compared to the musical motifs of the composition. Sometimes these fragments form a larger unit and become a recognizable melody. At other times, the fragments are combined differently therefore creating a variation to the original idea. Throughout the three-movement composition, this technique has been employed to create loose formal structures that still have unity and variety through the use of contrasting sections. The three movements themselves create contrast by being organized in a fast-slow-fast arrangement. The musical language is tonal with frequent shifts in the tonal center and with harmony in thirds and fourths. It was been recorded by Cristina Ledford and Michael McGhee on the CD Mosaic on Emeritus Recordings label.
$9.99
Arioso BWV 156 (Ich steh mit einem Fuss am Grabe)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Johann Sebastian Bach
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Helene Schulthess
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Arioso BWV 156
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Helene Schulthess
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1402435 Composed by Johann Sebastian Bach. Arranged by Helene Schulthess. Baroque,Chamber,Christian,Praise & Wor...
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Piano,Soprano Flute - Level 4 - SKU: A0.1402435 Composed by Johann Sebastian Bach. Arranged by Helene Schulthess. Baroque,Chamber,Christian,Praise & Worship,Religious. Score and part. 4 pages. Helene Schulthess #985654. Published by Helene Schulthess (A0.1402435). This famous arioso is from the cantata Ich steh mit einem Fuss am Grabe, BWV 156. It was composed for oboe.However, the same melody also appears in the Harpsichord Concerto in f minor, BWV 1056. In this concerto composed as the middle movement Largo in A-flat major.
$15.00
Jacques Leguerney: Sonate for piano and flute
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jacques Leguerney
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Jacques Leguerney: Sonate for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publi...
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Flute,Piano - Level 4 - SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flûteI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : décembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?†and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.
$19.95
Fauré: Élégie Op. 24 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standa...
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Flute,Piano - Level 4 - SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531379. Published by jmsgu3 (A0.549725). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
La Lisonjera - flute-piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Cecile Chaminade
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Phil Beaman
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La Lisonjera - flute-piano
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil ...
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Flute,Piano - Level 4 - SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99
Grieg: Peer Gynt Suite Complete for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.551503 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Stand...
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Flute,Piano - Level 4 - SKU: A0.551503 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306331. Published by jmsgu3 (A0.551503). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Peer Gynt Suite Complete for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.551494 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Stand...
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Flute,Piano - Level 4 - SKU: A0.551494 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306283. Published by jmsgu3 (A0.551494). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Adagio de la Symphonie en Ré
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Joseph Haydn
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Louis Fleury
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Adagio de la Symphonie en R&ea
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53374 (Nr. 24). Composed by Franz Joseph Haydn. Edited by Edmund Wachter and Elisabeth Wein...
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Flute and piano - intermediate to advanced - SKU: S9.Q53374 (Nr. 24). Composed by Franz Joseph Haydn. Edited by Edmund Wachter and Elisabeth Weinzierl. Arranged by Louis Fleury. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53374. Published by Schott Music - Digital (S9.Q53374). English • German.Joseph Haydn wrote his Symphony Hob. I:24 in D major in 1764, when he was deputy music director in the service of Prince Nikolaus I. Esterházy, before his appointment as Director of music in 1766. In the second movement, Adagio, the flute plays a cantabile solo melody, sparingly accompanied by orchestral strings. This movement sounds as though it were from a flute concerto, readily suggesting an arrangement for flute and piano. This arrangement is by flautist Louis Fleury, who was born in Lyon; at the age of fifteen he moved to Paris, where he spent the rest of his life. After studying with Paul Taffanel he decided upon a career as a freelance flautist – a very unusual choice at the time. Fleury rediscovered early music and commissioned new music, too: Debussy’s , for example, was dedicated to him. Through the publication of several essays Fleury made a significant contribution to the acceptance of the flute as a fully fledged concert instrument in the 20th Century. Plate no. 29512 / published in 1912.
$3.99
Korean Simple Suite No.1 (For Flute and Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6362069. Published by Han-Ki Kim (A0.511807). Korean Simple Suite No.1 For Flute and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99
Mazurka de Salon
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Albert Franz Doppler
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Mazurka de Salon
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q25990 Composed by Albert Franz Doppler. This edition: Sheet music. Il Flauto traverso. Das abwechs...
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Flute and piano - intermediate to advanced - SKU: S9.Q25990 Composed by Albert Franz Doppler. This edition: Sheet music. Il Flauto traverso. Das abwechslungsreiche Charakterstück für Flöte und Klavier, mit ihren reizvollen, elegischen wie virtuosen Passagen, ist dank seines gemäßigten Schwierigkeitsgrades schon für ambitionierte Liebhaber eine Repertoire-Bereicherung. Downloadable. Op. 16. Schott Music - Digital #Q25990. Published by Schott Music - Digital (S9.Q25990). This Mazurka de Salon for flute and piano with its delightful elegiac and virtuoso passages is a character piece full of contrasts; moderate in difficulty, it represents a valuable addition to the repertoire for ambitious amateur players.Along with his younger brother Carl (1825–1900), Albert Franz Doppler (1821–1883) was one of the most celebrated flautists of the nineteenth Century. Their virtuoso duo playing was greatly admired and they captivated audiences in the musical capitals of Europe with works they had composed themselves.In 1842 the brothers were founder members of the Vienna Philharmonic orchestra. After spending some time as principal flautist at the Bucharest Opera (1835) and in the orchestra of the Hungarian National Theatre (1841), Franz Doppler decided to return to Vienna, where he worked as principal flautist and conductor at the Court opera and was appointed professor at the Conservatoire in 1865. Awarded the Franz-Joseph medal by the Kaiser in 1881, he died in Baden near Vienna in 1883.
$9.99
'Minute Waltz'
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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David D
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David D
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'Minute Waltz'
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David D Mason
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1322231 By David D. Mason. By Frederic Chopin. Arranged by David D. Mason. Comedy,Multicultural,Romantic Period,...
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Piano,Soprano Flute - Level 4 - SKU: A0.1322231 By David D. Mason. By Frederic Chopin. Arranged by David D. Mason. Comedy,Multicultural,Romantic Period,World. Score and part. 13 pages. David D Mason #910574. Published by David D Mason (A0.1322231). Most poeple thought this piece was to be played in one minute but Chopin was inspired to write it as he watched the antics of a small dog chasing it's tail. Originally written for piano I have arranged it for Flute with Piano accompaniment.
$5.99
Brahms - Capriccio Op.76 No.2 - Flute Duo, 2 Flutes, Flute Group
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Tim TK Murray
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Brahms - Capriccio Op.76 No.2
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TK
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.824089 Composed by Johannes Brahms. Arranged by Tim TK Murray. Concert,Romanti...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.824089 Composed by Johannes Brahms. Arranged by Tim TK Murray. Concert,Romantic Period,Standards. Score and parts. 10 pages. TK (Tim) Murray #5375319. Published by TK (Tim) Murray (A0.824089). Brahms' whimsical Capriccio makes a perfect encore or interlude between larger works in a concert programme. It is like a relaxed scherzo with many changes of mood and character and immediately draws the audience into its charming world. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Presto from Sonata No.1, BWV 1001 - Flute and Piano (Individual Parts)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Robe
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César Madeira
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Presto from Sonata No.1, BWV 1
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1229884 Composed by Johann Sebastian Bach and Robert Schumann. Arranged by César Madeira. 19th Century,Baroqu...
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Piano,Soprano Flute - Level 4 - SKU: A0.1229884 Composed by Johann Sebastian Bach and Robert Schumann. Arranged by César Madeira. 19th Century,Baroque,Classical,Early Music,Romantic Period. Score and part. 6 pages. Sheet Music To Play Editions #825642. Published by Sheet Music To Play Editions (A0.1229884). Presto from Bach's Sonata No.1 in G Minor, BWV 1001. Adapted by Schumann. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
Presto from Sonata No.1, BWV 1001 - Flute and Piano (Full Score)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Robe
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César Madeira
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Presto from Sonata No.1, BWV 1
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1229886 Composed by Johann Sebastian Bach and Robert Schumann. Arranged by César Madeira. 19th Century,Baroqu...
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Piano,Soprano Flute - Level 4 - SKU: A0.1229886 Composed by Johann Sebastian Bach and Robert Schumann. Arranged by César Madeira. 19th Century,Baroque,Classical,Early Music,Romantic Period. Score and part. 8 pages. Sheet Music To Play Editions #825644. Published by Sheet Music To Play Editions (A0.1229886). Presto from Bach's Sonata No.1 in G Minor, BWV 1001. Adapted by Schumann. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
The Easy Winners, for Alto Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Alto Flu
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David McKeown
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.1106222 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and...
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Alto Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.1106222 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and individual part. 8 pages. David McKeown #709336. Published by David McKeown (A0.1106222). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplinâ??s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Alto Flute with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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