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Flûte traversière et Piano
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Salome Tanz (Dance of the Seven Veils)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richa…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
27.42 €
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Flûte traversière et Piano
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flûte en suite
Flûte traversière et Piano
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
51.19 €
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Flûte traversière et Piano
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Passchaendale Poeme
Flûte traversière et Piano
Fl. Pft. - Advanced - Digital Download SKU: F2.FM641 Composed by Jonty Hall. Flute …
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Fl. Pft. - Advanced - Digital Download SKU: F2.FM641 Composed by Jonty Hall. Flute and Piano. Score and part. 22 pages. Forton Music - Digital #FM641. Published by Forton Music - Digital (F2.FM641). ISBN 9790570485406.Passchendaele, is a small village five miles north-east of Ypres. The 3rd Battle of Ypres was fought here... On 18 July 1917 the Allied troops began a heavy ten day bombardment before the main attack; 3,000 guns fired over 4 million shells. The battle commenced on the 31st of July, and stretched on until November the 10th, 1917. Heavy rain began on the day of attack, producing thick mud, which caked uniforms and clogged rifles; It became so deep that men, horses and pack mules drowned in it. The Germans, who had used chlorine gas in the 2nd Battle of Ypres, now used mustard gas which inflicted chemical burns. The offensive resulted in gains for the Allies, but it was not the great breakthrough that was hoped for; The Allies suffered 310,000 casualties, the Germans 260,000. Just south west of the village of Passchendaele is the Cemetery and Memorial - Tyne Cot. It is the resting place of 11,954 Commonwealth soldiers and is the largest Commonwealth military cemetery in the world. The Tyne Cot Memorial is a long wall which carries the names of 34,863 British soldiers who have no known grave. Pals battalions became synonymous with the towns of northern Britain; Men enlisted because they could serve alongside their friends, relatives and workmates.
$9.95
9.1 €
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Flûte traversière et Piano
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Jonty Hall
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Passchaendale Poeme
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Forton Music - Digital
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SheetMusicPlus
Murray - A Leap of Faith - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.823974 Composed by TK Tim Murray. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.823974 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and part. 21 pages. TK (Tim) Murray #4758279. Published by TK (Tim) Murray (A0.823974). 'A Leap of Faith' for Flute & Piano is a journey from uncertainty and hesitancy to Joyful daring - taking the risk to dive into the unknown. It has thrilled audiences through it's journey of abrupt contrasts of mood from dark to vibrant light, percussive rhythm and gentle melody to it's final soaring ending full of joie de vivre. Commissioned by Ruth Artmonsky and premiered by Siobahn Greally and TK Murray it has been recorded by Julian Sperry (Flute) and Kathron Sturrock (Piano). (c. 9 mins.)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
$12.95
11.84 €
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Flûte traversière et Piano
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TK Tim Murray
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Murray - A Leap of Faith - Flute & Piano
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TK
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SheetMusicPlus
POEM FOR DANCE, op.31 No.1(1981) - A Duet For Flute solo and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1046219 Composed by An-lun Huang. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1046219 Composed by An-lun Huang. 20th Century,Classical,Contemporary. Score and part. 17 pages. DoReMi Edition #650720. Published by DoReMi Edition (A0.1046219). Created by An-lun Huang, “Poem for Dance†is a special music form for musicians and ballet dancers together appearing on a stage. Of course, the music could be performed itself as an instrumental piece, too. Huang’s three “Poem for Dance†have been quite successful. The Taste of Chinese color with the giving play to the Flute and Ballet skill, the “Poem for Dance#1†has been put on the stage of the National Ballet of Canada in 1984. It has also been also appointed as the official piece of the National Flute Competition of China, in 1984. The attached mp3 was a performance by the Moscow master Elmann and Feiping Hsu 2001. 舞詩第一號 长笛與鋼ç´çš„二é‡å¥ 黃安倫 作å“三å一號之一 ï¹ä¸€ä¹å…«é›¶ ─八二﹞ 黃安倫所作的《舞詩》是為器樂ç¨å¥èˆ‡èŠè•¾é›™äººèˆžæ‰€ç”¨çš„一種特殊曲體，演出時，ç¨å¥å®¶èˆ‡èˆžè¹ˆå®¶åŒæ™‚在舞å°ä¸Šå‡ºç¾ï¼Œè€Œä½œå“亦å¯ä½œç‚ºå–®ç¨çš„器樂ç¨å¥ã€‚黃安倫這類作å“å·²å–得相當æˆç¸¾ï¼Œä¸¦å‡å·²ç”±éŸ³æ¨‚出版社出版：《舞詩》第一號ï¹é•·ç¬›èˆ‡é‹¼ç´, Op.31, No.1﹞ä¸åƒ…æˆç‚ºä¸åœ‹ç¬¬ä¸€å±†é•·ç¬›æ¯”賽的決賽曲目，由æŽå¸å…¨ã€é®‘蕙蕎錄æˆå”±ç‰‡ï¼Œæ›´ç”±åŠ 拿大國家èŠè•¾èˆžåœ˜æ¬ä¸Šèˆžå°ã€‚.
$19.99
18.28 €
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Flûte traversière et Piano
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An-lun Huang
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POEM FOR DANCE, op.31 No.1(1981) - A Duet For Flute solo and Piano
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DoReMi Edition
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SheetMusicPlus
Guthrie: Toccata Agitato for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1384671 Composed by James M. Guthr…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968948. Published by jmsgu3 (A0.1384671). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
30.12 €
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Flûte traversière et Piano
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James M
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Guthrie: Toccata Agitato for Flute & Piano
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jmsgu3
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SheetMusicPlus
Flute Sonata No.1
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1031877 Composed by Alejandro Diaz…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1031877 Composed by Alejandro Diaz. 20th Century,Contemporary. Score and part. 26 pages. Alejandro Diaz #3638155. Published by Alejandro Diaz (A0.1031877). Sonata No.1 for Flute and Piano - General Piano Score.Contents: 1. Allegro giocoso; 2. Andante; 3. Allegro con brio.Duration: Approx. 6 minutes.The Flute Sonata No.1 is the first of 5 pieces for Flute and Piano written by Alejandro Diaz, colombian contemporary composer. The musical language used in this piece is a mixture of classical and contemporary harmony. The piece counts with the classical sonata form, composed in 3 movements, each one with its own random cadenza. The piece has been written in 2015, under the influence of Hindemith compositive language and from his Sonata for Flute and Piano.This sonata represents 2 kids playing around on a hill. Both characters must be performed with energy and in a playful way. For more details, the complete Piano Score has information you would like to know about the composer and his suggestions of how you must play this piece.The composer recommends to play this sonata with a fluent flute and piano technique, because it is considered as a high-level piece. If you want to record and upload a video or MP3 to any social and musical media, please consider to contact the composer for any legal or copyright questions and requests. Any shared publication or copy of this material can be consider as a crime, and it could have legal consequences.To contact the composer, do not hesitate to write an e-mail to: diaz.alejo12@gmail.comFacebook: adgiraldo1
$21.99
20.1 €
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Flûte traversière et Piano
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Alejandro Diaz
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2. Andante
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Flute Sonata No.1
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Alejandro Diaz
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SheetMusicPlus
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehan…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
32 €
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Flûte traversière et Piano
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Douglas Knehans
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Tempest-Concerto for Flute and Orchestra
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Armadillo Edition
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SheetMusicPlus
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