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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Flûte traversière et Piano
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"Winter" from the Four Season 1 st Mov. - Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.759876 Composed by Antonio Vivaldi…
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Flute,Piano - Level 5 - Digital Download SKU: A0.759876 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Contest,Easter,Festival,Holiday,Wedding. Score and part. 19 pages. Raymond Fenech #3422417. Published by Raymond Fenech (A0.759876). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1721 and were published in 1725. The Four Seasons is the best known of Vivaldi's works. Winter is arranged for Flute and Piano. The level is Difficult and the duration is 3.37 minutes.
$5.95
5.48 €
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Flûte traversière et Piano
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Antonio Vivaldi
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Raymond Fenech
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"Winter" from the Four Season 1 st Mov. - Flute and Piano
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Raymond Fenech
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SheetMusicPlus
Objets Trouvés for flute and piano
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.98…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.980586 Composed by William Grosvenor Neil. Contemporary. Score and parts. 18 pages. TheComposerStudio.Com, LLC #4579299. Published by TheComposerStudio.Com, LLC (A0.980586). Objets Trouvés (2019) (score and parts) This piece for flute and piano is dedicated to the silenced artists that perished during WWII and is inspired by two fragments that I found in the in the United States Holocaust Museum in Washington, D.C.: an ink drawing entitled A Brighter Future, by Bedrich Fritta, and a musical sketch of a twelve-tone row composed by the Moravian composer, Gideon Klein. I was captivated by the ink drawing with its clear expression of freedom and the still life that depicts a violin and musical manuscript containing a music motive in Ab major. The construction of my composition is largely derived from the dual tonal-atonal nature of the two motives as it drives forward in thematic variations expressing the conflicting emotions of hope and despair. WN The download contains the score and flute part. More information on this piece can be found at www.thecomposerstudio.com and www.williamneil.net The audio is from a concert performed at Viterbo University in La Crosse, WI performed by Jonathan Borja, flute and Mary Ellen Haupert, piano .
$30.00
27.62 €
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Flûte traversière et Piano
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William Grosvenor Neil
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Objets Trouvés for flute and piano
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Friction
Flûte traversière et Piano
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
18.42 €
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Flûte traversière et Piano
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
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