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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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COR ANGLAIS
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
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Guitare
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7
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
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VOIX
Chorale SATB
43
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18
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5
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3
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2
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2
Voix Soprano, Piano
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1
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1
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VENTS
Saxophone
25
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15
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14
2 Clarinettes (duo)
13
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11
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11
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7
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7
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7
Flûte traversière et Piano
7
2 Saxophones (duo)
6
Clarinette et Piano
6
Hautbois (partie séparée)
5
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5
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3
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3
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3
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3
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3
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2
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Piccolo
1
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3 Hautbois
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5 Flûtes à bec
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1
Quatuor de Flûtes : 4 flûtes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
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29
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22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trombone
21
Ensemble de Trombones
20
Trompette
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Trombone et Piano
7
Tuba
5
Trompette (partie séparée)
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Cor
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Quatuor de Cuivres
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Trombone (partie séparée)
4
Trombone basse
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Euphonium
3
3 Trombones (trio)
3
Euphonium, Piano (duo)
2
2 Cors (duo)
2
2 Trombones (duo)
2
Tuba et Piano
2
Trompette, Piano
2
2 Euphoniums et 2 Tubas
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
Trompette, Trombone, Piano
1
Ensemble de Cors
1
Cor et Piano
1
3 Tubas (trio)
1
2 Trompettes (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon
30
Violoncelle
18
Violon et Piano
13
Violoncelle, Piano
11
Alto seul
7
Violon, Alto (duo)
6
Harpe
5
Violon, Violoncelle (duo)
5
2 Violons (duo)
4
Alto, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Violon (partie séparée)
3
Trio à cordes
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
4 Contrebasses
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Contre Basse
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
35
Orchestre de chambre
19
Orchestre
17
Ensemble de cuivres
16
Fanfare
12
Orchestre à Cordes
12
Batterie
10
Cloches
8
Ensemble Jazz
7
Jazz combo
4
Percussion
2
Ensemble de Percussions
2
Xylophone
1
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AUTRES
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Flûte traversière et Piano
Partitions à imprimer
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Sheep May Safely Graze - J. S. Bach, for Flute and Piano
Flûte traversière et Piano
Piano Accompaniment, Flute - Advanced - Digital Download Composed by Johann Sebastian Ba…
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Piano Accompaniment, Flute - Advanced - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Len Rhodes. Baroque Period, Lent, Wedding, Funeral, Recital. Score, Sheet Music Single, Solo Part. 6 pages. Published by Len Rhodes Music Inc
$5.99
5.48 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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Len Rhodes
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Sheep May Safely Graze - J. S. Bach, for Flute and Piano
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Len Rhodes Music Inc
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SheetMusicPlus
Sonata for Flute and Piano, Op. 12
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
18.28 €
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Flûte traversière et Piano
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Tyler J
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Sonata for Flute and Piano, Op. 12
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TJHoltMusic
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SheetMusicPlus
Flûte en suite
Flûte traversière et Piano
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
51.19 €
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Flûte traversière et Piano
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Jazzy Bones - Flute and Piano Duet
Flûte traversière et Piano
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.902473 Composed by Christine…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.902473 Composed by Christine J. James (Christine Schumann James). Contemporary,Jazz. 13 pages. CJJames Music Publications #5806061. Published by CJJames Music Publications (A0.902473). Frolicking Fun for both Flutist and Pianist, this lively duet passes its melodic themes and rhythms back and forth between the two performers. Runs, ornamentation, glissandi and plenty of syncopation give this piece a jazzy feel within a classical structure. This piece was debuted by world renowned flutist, Christine Potter, at Songmakers' Almanac in Boulder, Colorado. .
$7.99
7.3 €
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Flûte traversière et Piano
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Christine J
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Jazzy Bones - Flute and Piano Duet
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CJJames Music Publications
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SheetMusicPlus
J.S.Bach - Flute and Piano - Five Concertos
Flûte traversière et Piano
Composed by Bach Johann Sebastian. Arranged by Santino Cara. For Piano,Flute. Baroque Peri…
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Composed by Bach Johann Sebastian. Arranged by Santino Cara. For Piano,Flute. Baroque Period. Advanced. Sheet Music Single. 90 pages. Published by Santino Cara
$16.60
15.18 €
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Flûte traversière et Piano
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Bach Johann Sebastian
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Santino Cara
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J.S.Bach - Flute and Piano - Five Concertos
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Santino Cara
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SheetMusicPlus
J.S.Bach - Concerto in A minor BWV 1041 Version for Flute and Piano
Flûte traversière et Piano
Composed by Bach Johann Sebastian. Arranged by Santino Cara. For Piano,Flute. Baroque Peri…
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Composed by Bach Johann Sebastian. Arranged by Santino Cara. For Piano,Flute. Baroque Period. Advanced. Sheet Music Single. Published by Santino Cara
$16.40
14.99 €
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Flûte traversière et Piano
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Bach Johann Sebastian
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Santino Cara
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J.S.Bach - Concerto in A minor BWV 1041 Version for Flute and Piano
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Santino Cara
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SheetMusicPlus
J.S.Bach - Concerto in E major BWV 1042 for Flute and Piano
Flûte traversière et Piano
Composed by Bach Johann Sebastian. Arranged by Santino Cara. For Piano,Flute. Baroque Peri…
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Composed by Bach Johann Sebastian. Arranged by Santino Cara. For Piano,Flute. Baroque Period. Advanced. Sheet Music Single. 32 pages. Published by Santino Cara
$12.20
11.15 €
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Flûte traversière et Piano
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Bach Johann Sebastian
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Santino Cara
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J.S.Bach - Concerto in E major BWV 1042 for Flute and Piano
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Santino Cara
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SheetMusicPlus
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