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3 Conversations
Flûte traversière et Piano
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Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Sunshine. Original Jazz Waltz for Flute and Piano.
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Grant Horsley
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Sunshine. Original Jazz Waltz
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Grant Horsley
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1459933 Composed by Grant Horsley. Instructional,Jazz,Standards,Wedding. Score and part. 20 pages. Grant Horsley #103889...
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Flute,Piano - Level 3 - SKU: A0.1459933 Composed by Grant Horsley. Instructional,Jazz,Standards,Wedding. Score and part. 20 pages. Grant Horsley #1038890. Published by Grant Horsley (A0.1459933). Sunshine is a happy bright jazz waltz for Flute and Piano. The Piano Accompaniment Track is also available here on Sheet Music Plus as well as duet versions, and versions for other instruments. It is in concert F major and in ternary form. Its a great introduction to the jazz waltz style featuring swung quavers/eighth notes and there is a conversational type written out improvisation section in the middle- between the players.The Flute part has a range of 2 octaves and the whole score is on the youtube link for you to assess suitability. It is 3 minutes 30 in length. Upper end intermediate level.It would work well in a number of situations- concerts, weddings, productions, recitals, graduations etc.
$5.50
Handel: Largo from Xerxes for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Flute,Piano - Level 3 - SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Spartacus - Love Theme
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Alex North Alex
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Alex NorthÂ
Performed b
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Popnroll 1976
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Spartacus - Love Theme
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Popnroll 1976
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1296421 By Alex North Alex. By Alex North. Arranged by Popnroll 1976. 20th Century,Film/TV,Jazz. Score and part....
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Piano,Soprano Flute - Level 4 - SKU: A0.1296421 By Alex North Alex. By Alex North. Arranged by Popnroll 1976. 20th Century,Film/TV,Jazz. Score and part. 16 pages. Popnroll 1976 #886632. Published by Popnroll 1976 (A0.1296421). Spartacus Love Theme - Bill Evans & Jeremy Steig (Lead Sheet for Piano & Flute)This is a complete transcription of the theme section of the 1969 recording Spartacus - Theme of Love with jazz pianist Bill Evans and flutist Jeremy Steig.The last theme is also available. Flute, piano and bass (including 2 choruses of ad-lib parts) are also taken.The interaction between the two (Bill & Jeremy) is wonderful. The solos are not one by one, but more like a conversation. Eddie Gomez's bass guitar also joins in between the solos. Please enjoy the beautiful dialogue of sound.PDF format, 16 pages. Contents: Score 5 pages, Parts: Flute & Piano 4 pages, Flute 2 pages, Piano 3 pages, Bass 2 pages.Composed by Alex North Performed by：Bill Evans, piano Jeremy Steig, flute Eddie Gomez, bassAlbum: What's New (1969)Discog link:https://www.discogs.com/ja/master/271066-Bill-Evans-With-Jeremy-Steig-Whats-New.
$19.99
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