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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
4 for 4
Non classifié
26 116
Piano & claviers
Piano seul
27 634
Piano, Voix et Guitare
13 262
Piano, Voix
11 769
Piano Facile
6 231
1 Piano, 4 mains
5 149
Orgue
2 327
Instruments en Do
1 248
Piano grosses notes
972
2 Pianos, 4 mains
770
Accompagnement Piano
384
Piano Trio: piano, violon, violoncelle
268
Piano (partie séparée)
217
Accordéon
165
Piano Quatuor: piano, violon, alto, violoncelle
98
Orgue, Piano (duo)
79
Orgue, Trompette (duo)
61
Clavecin
60
Piano Quintette: piano, 2 violons, alto, violoncelle
52
Piano Quatuor: piano, 2 violons, violoncelle
27
Accordéon, Voix
25
Clavier
24
1 Piano, 6 mains
15
2 Pianos, 8 mains
14
Ensemble d'Accordéons
13
Ligne De Mélodie, Piano
3
Orgue et Orchestre
3
2 Accordéons
3
Instrument seul et Orgue
2
Fake Book
2
Ensemble de Pianos
2
Accordéon, Piano
1
Orgue, Voix
1
+ 27 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7 509
Guitare
2 502
Ligne De Mélodie, (Paroles) et Accords
1 378
Basse electrique
880
Ukulele
684
4 Guitares (Quatuor)
684
2 Guitares (duo)
376
Guitare (partie séparée)
325
Piano, Guitare (duo)
163
Dulcimer
149
Mandoline
84
Paroles et Accords
78
3 Guitares (trio)
44
Ensemble de guitares
40
Banjo
33
2 Dulcimers (duo)
14
Guitare Pedal Steel
12
Mandoline, Guitare (duo)
11
2 Ukuleles
8
Mandoline, Piano (duo)
8
Guitare, Violon, Violoncelle (trio)
8
Basse électrique (partie séparée)
4
Ukulele Baryton
4
Guitare, Orchestre
2
Guitare, Quatuor à cordes
2
2 Mandolines (duo)
2
2 Guitares et Orchestre
1
Dobro
1
Ensemble de Ukulélés
1
+ 24 instrumentations
Retracter
Voix
Chorale SATB
8 355
Chorale TTBB
2 136
Chorale 3 parties
2 082
Chorale SSAA
1 412
Chorale 2 parties
1 302
Chorale Unison
978
Voix duo, Piano
534
Voix seule
308
Voix Soprano, Piano
307
Voix haute
239
Voix duo
213
Voix Alto, Piano
173
Voix Tenor, Piano
167
Voix Baryton, Piano
120
Chorale
96
Voix basse, Piano
80
Pack Instrumental pour Chorale
61
Voix moyenne, Piano
56
Voix Tenor
48
Voix Soprano
43
Voix, Guitare
41
Voix Moyenne
35
Voix d'Enfants
18
Voix Mezzo-Soprano, Piano
15
Chorale SSAATTBB
13
Voix basse
13
Chorale SSAB a cappella
11
Chorale SSATB
7
Chorale SSAB, Piano
6
Chorale SSATTB
5
Soli, choeur mixte et accompagnement
4
Voix duo, Orgue
4
Chorale SSAATB
3
Male Voice
3
Chorale, Orgue
3
Voix Baryton
2
Voix d'Enfants, Piano
1
Voix haute, Piano
1
Chorale SSATBB
1
Chorale SATBB
1
+ 35 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
7 610
Quatuor de Clarinettes: 4 clarinettes
4 844
Quatuor de Flûtes : 4 flûtes
2 744
Saxophone (partie séparée)
2 323
Flûte traversière et Piano
2 026
2 Saxophones (duo)
1 871
Clarinette et Piano
1 756
Clarinette (partie séparée)
1 474
Flûte traversière
1 467
Saxophone Alto et Piano
1 363
Hautbois, Piano (duo)
1 336
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 311
2 Clarinettes (duo)
1 201
2 Flûtes traversières (duo)
1 171
Clarinette
1 059
Saxophone Tenor et Piano
994
Flûte, Hautbois, Clarinette, Basson
991
Saxophone Alto
853
Saxophone Tenor
738
3 Saxophones (trio)
584
Saxophone Soprano et Piano
563
Ensemble de Clarinettes
521
Flûte, Clarinette (duo)
474
Hautbois (partie séparée)
462
2 Hautbois (duo)
406
Quintette de Saxophone: 5 saxophones
397
Hautbois
393
Flute (partie séparée)
384
3 Clarinettes (trio)
373
Quintette de Clarinettes: 5 clarinettes
370
Quatuor de Flûtes à bec
361
Ensemble de saxophones
344
Hautbois, Basson (duo)
339
Flûte et Guitare
333
Saxophone Baryton, Piano
321
Ensemble de Flûtes
317
Saxophone
298
Cor anglais, Piano
286
Saxophone, Clarinette (duo)
269
Hautbois, Clarinette (duo)
247
Clarinette, Violon (duo)
239
Trio de Flûtes: 3 flûtes
232
Flûte, Violon
216
Clarinette, Basson (duo)
185
2 Flûte à bec (duo)
173
Hautbois, Flûte
172
Clarinette Basse, Piano
157
Flûte, Violoncelle
143
Clarinette, Trompette (duo)
136
Flûte, Trompette (duo)
129
Clarinette, Guitare (duo)
129
Flûte, Alto (duo)
128
Clarinette et Alto
114
Flûte, Hautbois, Basson
110
Flûte, Hautbois, Clarinette (trio)
110
Flûte, Clarinette et Basson
105
Clarinette, Violoncelle (duo)
103
Flûte, Saxophone (duo)
102
Flûte à bec Soprano
97
Flûte, Hautbois (duo)
93
Flûte à Bec
86
Piccolo
86
Flûte, Violon et Violoncelle
83
Hautbois, Violoncelle
81
Quintette de Flûte : 5 flûtes
81
4 Hautbois
73
Flûte, Clarinette, Piano (trio)
72
Hautbois, Clarinette, Basson (trio d'anches)
68
Ocarina
64
Flûte, Trombone (duo)
64
Flûte, Violon, Piano
62
Flûte à bec Alto
61
3 Hautbois
59
Hautbois, violon (duo)
57
Cor Anglais
51
Clarinette Basse
44
Saxophone Soprano
42
2 Flûtes traversières, Piano
41
Flûte à bec Alto, Piano
40
Flûte, Violoncelle, Piano (trio)
39
Cornemuse
36
3 Flûtes à bec (trio)
35
Clarinette, Trombone (duo)
34
Harmonica
34
Hautbois et alto (duo)
30
2 Clarinettes, Piano
28
Flûte, Tuba (duo)
27
Flûte traversière, Orgue (duo)
27
Flûte à bec Soprano, Piano
27
Ensemble De Flûte à bec
26
Flûte, Basson et Piano
24
Hautbois, Guitare (duo)
22
Flûte, Hautbois, Piano (trio)
21
Saxophone, Violon (duo)
20
5 Flûtes à bec
20
Clarinette, Violoncelle, Piano (trio)
20
Saxophone Baryton
18
Flûte, Violon, Violoncelle et Piano
18
Saxophone, Basson (duo)
17
2 Saxophones, Piano
17
Clarinette, Tuba
17
Hautbois, trombone (duo)
16
Piccolo, Piano
15
Flute, harpe et violon
15
Flûte à bec Tenor
15
Flûte, Alto et Piano
14
2 Cors Anglais Et Pianoforte
14
Saxophone et Guitare
14
Cor anglais, Guitare (duo)
13
Hautbois, Trompette (duo)
12
Flûte à bec, Guitare (duo)
11
Harmonica, Piano
11
Clarinette, Harpe (duo)
11
Saxophone et Orgue
11
Ensemble à vent
9
2 Clarinettes, Basson
9
Clarinette, Basson, Piano (trio)
9
Saxophone et violoncelle
8
Clarinette, Alto et Piano (trio)
8
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
8
Flûte à Bec, Piano
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
2 Hautbois, Piano
6
Clarinette, Contrebasse (duo)
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Hautbois, Harpe
6
Instruments en Mib
5
Hautbois, Violoncelle et Piano
5
Flûte, alto et harpe
5
Flûte à bec Alto, Basse continue
5
Saxophone et Piano
4
Flûte, Harpe et Violoncelle
4
Flûte, Violoncelle, Guitare
4
Hautbois, Violon, Piano
4
Saxophone et Harpe
4
Hautbois, Basson et Piano
3
Hautbois, Clarinette et Piano (Trio)
3
Flute, Cor (duo)
3
2 Flûtes à bec, Piano
3
Flûte irlandaise
3
Flûte et Trio à cordes
3
2 Hautbois et Cor anglais
2
Clarinette, Orgue
2
Flûte, Hautbois, Violon
2
Flûte à bec Soprano, Basse continue
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Orgue
1
2 Flûtes traversières, Guitare
1
Saxophone, Tuba (duo)
1
3 Flûtes à bec, Piano
1
2 clarinettes, 2 bassons
1
Hautbois, Quatuor à cordes
1
Flûte de Pan
1
Flûte à bec, Harpe
1
Ensemble de Hautbois
1
Flûte traversière, Basse continue
1
Flûte, trombone et piano
1
+ 153 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
1 795
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 359
Trompette (partie séparée)
1 255
Trompette
1 095
Trombone et Piano
1 055
Trompette, Piano
1 048
Quatuor de cuivres: 4 trombones
997
Quatuor de Cuivres : 2 trompettes, trombone, tuba
850
Trombone
773
Cor et Piano
758
Quatuor de cuivres: 4 cors
743
Cor (partie séparée)
687
Cor
598
4 Tubas
552
2 Trompettes (duo)
539
2 Trombones (duo)
456
Tuba et Piano
394
2 Cors (duo)
360
Trompette, Trombone (duo)
351
Quatuor de Cuivres: 2 trompettes, Cor, trombone
347
Cor anglais, Piano
286
Tuba
285
Euphonium, Piano (duo)
236
Quatuor de cuivres: 4 trompettes
227
Trompette, Saxophone (duo)
213
Ensemble de Trombones
167
Tuba (partie séparée)
158
Quatuor de Cuivres
149
Trompette, Cor (duo)
135
2 Tubas (duo)
108
Ensemble de Cors
84
2 Euphoniums et 2 Tubas
80
Euphonium
77
3 Trombones (trio)
73
Ensemble de Trompettes
57
Cor Anglais
51
Cornet A Pistons
51
Euphonium, Tuba (duo)
50
Trompette, Tuba (duo)
43
2 Euphoniums (duo)
41
Trio de Cuivres
37
Trompette, violon (duo)
36
Tuba ou Euphonium ou Saxhorn
34
Trombone, Cor (duo)
34
Trombone, Violon (duo)
34
Cor, Violoncelle (duo)
33
3 Trompettes (trio)
32
Trompette, Violoncelle (duo)
30
Cor, Tuba (duo)
30
Trombone, violoncelle (duo)
29
Trombone, Tuba (duo)
26
Trompette, Basson (duo)
23
Trombone basse et Piano
20
Tuba et Orgue
20
Clarinette, Cor (duo)
16
Trombone basse
16
3 Cors (trio)
16
Cor et Basson (duo)
14
Ensemble de Tubas
14
2 Cors Anglais Et Pianoforte
14
Cor anglais, Guitare (duo)
13
2 Trompettes, Clavier (piano ou orgue)
9
Instruments en Sib
8
Trombone, Alto (duo)
7
Cor et Harpe
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
Euphonium (partie séparée)
6
Trombone, Orgue
6
Cor et Orgue
6
Bass Clef Instruments
6
Trompette, Trombone, Piano
6
3 Euphoniums
6
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
5
Trompette, Violoncelle et Piano
5
Trompette, Harpe
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
4 Euphoniums
4
Cornet et Piano
3
Trompette, Euphonium (duo)
2
Bugle
2
3 Tubas (trio)
2
Trombone et orchestre
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Cor, Trompette, Trombone (trio)
1
Cor, Orchestre
1
Trompette, Orchestre
1
Cornet et orchestre
1
Instruments en Fa
1
+ 83 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 121
Violon et Piano
2 792
Violon
1 880
Violoncelle, Piano
1 671
Violon, Violoncelle (duo)
1 526
Alto, Piano
1 513
Violoncelle
1 167
Harpe
1 145
2 Violons (duo)
1 036
Trio à Cordes: violon, alto, violoncelle
930
Alto seul
904
Violon (partie séparée)
869
2 Violoncelles (duo)
805
4 Violoncelles
775
Violon, Alto (duo)
700
Contrebasse (partie séparée)
645
2 Altos (duo)
583
Quatuor à cordes: 4 violons
374
Alto, Violoncelle (duo)
371
Violoncelle (partie séparée)
336
Trio à Cordes: 2 violons, violoncelle
289
Alto (partie séparée)
281
Contrebasse, Piano (duo)
272
Quatuor à cordes : 4 altos
231
Quintette à cordes: 2 violons, alto, violoncelle, basse
225
Contre Basse
183
Violon, Guitare (duo)
177
Trio à cordes: 3 violins
153
Violoncelle , Guitare (duo)
130
Trio à Cordes: 3 violoncelles
121
2 Contrebasses (duo)
102
2 Harpes (duo)
97
Violoncelle, Contrebasse (duo)
89
Trio à cordes: 3 altos
83
Alto, Guitare (duo)
82
Violon, Basson (duo)
72
Piano Trio: Violon, Alto, Piano
68
4 Contrebasses
66
Trio à Cordes: 2 violons, alto
59
Harpe, Flûte (duo)
54
Trio à cordes
46
Harpe, Violon (duo)
39
Alto et Basson
37
Harpe, Violoncelle (duo)
25
2 Violons, Piano
23
Alto et Harpe
20
Ensemble de Violons
17
Flûte, Contrebasse (duo)
17
Violoncelle, Orgue
16
Violon, Orgue
16
Violon, Tuba (duo)
15
Quintette à cordes: 2 violons, 2 altos, violoncelle
15
Violon, Clarinette, Piano (trio)
14
Ensemble d'Altos
14
4 Harpes
10
Ensemble de Violoncelles
9
Harpe, Voix
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Alto, Orgue
6
Harpe, Violon, Violoncelle
6
Violoncelle, Orchestre
4
Harpe et Piano
4
3 Contrebasses
3
2 Altos, Piano
2
3 Harpes
2
2 Violoncelles, Piano
2
5 Harpes
2
Harpe, Trombone (duo)
2
Harpe et mandoline
2
2 Violons et Basse continue
1
Harpe, Quatuor à cordes
1
Autoharp
1
Harpe (partie séparée)
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
Violon, Contrebasse (duo)
1
+ 72 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4 928
Orchestre
2 508
Ensemble Jazz
2 441
Orchestre à Cordes
2 015
Ensemble de cuivres
1 486
Cloches
1 455
Orchestre de chambre
952
Jazz combo
582
Batterie
516
Percussion (partie séparée)
482
Fanfare
355
Ensemble de Percussions
292
Batterie (partie séparée)
256
Percussion
200
Marimba
120
Timbales (partie séparée)
100
Vibraphone
77
Timbales
48
Xylophone, Piano
29
Caisse Claire
21
2 Xylophones
14
Vibraphone et Marimba
14
Xylophone
12
Big band
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble d'École
7
2 Marimbas
4
Piano et Orchestre
4
Marimba et Orgue
2
Quintette à Vent
2
3 Marimbas
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
2
Marimba, Piano (duo)
1
Marimba, Saxophone (duo)
1
2 Caisses Claires (duo)
1
Bodhran
1
+ 32 instrumentations
Retracter
Autres
Formation musicale - Solfège
52
Papeterie
2
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
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A-Z
difficulté (tous)
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Grieg: Morning Mood from Peer Gynt Suite for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549515 Composed by Edvard Grieg. A…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549515 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502595. Published by jmsgu3 (A0.549515). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works really well on the Alto Flute! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.38 €
#
Flûte traversière et Piano
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.551503 Composed by Edvard Grieg. A…
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Flute,Piano - Level 4 - Digital Download SKU: A0.551503 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306331. Published by jmsgu3 (A0.551503). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.27 €
#
Flûte traversière et Piano
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complete for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.551494 Composed by Edvard Grieg. A…
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Flute,Piano - Level 4 - Digital Download SKU: A0.551494 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306283. Published by jmsgu3 (A0.551494). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.27 €
#
Flûte traversière et Piano
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complete for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Flûte traversière et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
#
Flûte traversière et Piano
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J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.38 €
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Flûte traversière et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Flute & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23 €
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Flûte traversière et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
23 €
#
Flûte traversière et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
23 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.85 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
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SheetMusicPlus
What Was I Made For?
Flûte traversière et Piano
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1377135 By Billie Eilish. …
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Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1377135 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Score and part. 4 pages. JLVPartitura #961781. Published by JLVPartitura (A0.1377135). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Flute + Piano. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.6 €
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Flûte traversière et Piano
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Billie Eilish
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Jhonatan Lucio Viana
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What Was I Made For?
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JLVPartitura
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SheetMusicPlus
What Was I Made For?
Flûte traversière et Piano
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1377136 By Billie Eilish. …
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Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1377136 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Score and part. 4 pages. JLVPartitura #961782. Published by JLVPartitura (A0.1377136). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Flute + Piano + Chords. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.6 €
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Flûte traversière et Piano
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Billie Eilish
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Jhonatan Lucio Viana
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What Was I Made For?
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JLVPartitura
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SheetMusicPlus
Cantique de Noël for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548672 Composed by Adam. Arranged …
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Flute,Piano - Level 1 - Digital Download SKU: A0.548672 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410429. Published by jmsgu3 (A0.548672). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Â
$24.95
23 €
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Flûte traversière et Piano
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Adam
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James M
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Cantique de Noël for Flute & Piano
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jmsgu3
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SheetMusicPlus
Etude No. 4 for "G" Flute - Floating Day Thoughts
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021341 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021341 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047621. Published by Salvadorian Boy Productions (A0.1021341). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.56 €
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Flûte traversière et Piano
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Enoch Chapman
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Etude No. 4 for "G" Flute - Floating Day Thoughts
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Salvadorian Boy Productions
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SheetMusicPlus
Etude No. 4 for "F#" Flute - Floating Day Thoughts
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021342 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021342 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047619. Published by Salvadorian Boy Productions (A0.1021342). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.56 €
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Flûte traversière et Piano
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Enoch Chapman
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Etude No. 4 for "F#" Flute - Floating Day Thoughts
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Salvadorian Boy Productions
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SheetMusicPlus
Etude No. 4 for "A" Flute - Floating Day Thoughts
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021338 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021338 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047617. Published by Salvadorian Boy Productions (A0.1021338). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.56 €
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Flûte traversière et Piano
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Enoch Chapman
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Etude No. 4 for "A" Flute - Floating Day Thoughts
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Salvadorian Boy Productions
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SheetMusicPlus
A MIGHTY FORTRESS - FLUTE SOLO with Piano Accompaniment
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.807095 Composed by Martin Luther. …
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Flute,Piano - Level 2 - Digital Download SKU: A0.807095 Composed by Martin Luther. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 8 pages. Arrangements by GPoehlmann #6287565. Published by arrangements by GPoehlmann (A0.807095). A MIGHTY FORTRESS - FLUTE SOLO with Piano Accompaniment64 measures. Performance Time approx. 3:00. Medium Easy (Grade 2)Key: C. Meter: 4/4 - 2/4. Flute Range (C4=middle C): G4 - C6.
$4.90
4.52 €
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Flûte traversière et Piano
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Martin Luther
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Glen Poehlmann
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Performance Time approx
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A MIGHTY FORTRESS - FLUTE SOLO with Piano Accompaniment
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arrangements by GPoehlmann
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SheetMusicPlus
Turkish March by Beethoven for Flute
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1155636 Composed by Ludwig van Bee…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1155636 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755939. Published by Woods Only, Arrangements (A0.1155636). This arrangement adapted for flute and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.83 €
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Flûte traversière et Piano
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Flute
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Woods Only, Arrangements
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SheetMusicPlus
Blessed Assurance, Gospel Hymn for Flute and Piano
Flûte traversière et Piano
Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Fanny …
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Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Fanny J. Crosby (1820-1915). Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 4 pages. Published by David McKeown
Blessed Assurance is a beautiful hymn arranged here for Solo Flute and Piano.<br> <br> Blessed Assurance was written by the blind hymn writer Fanny Crosby and her friend Phoebe Knapp in 1873, and first published in the same year.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Blessed Assurance. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Blessed Assurance, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Flute and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Flute and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203Blessed Assurance is a beautiful hymn arranged here for Solo Flute and Piano.<br> <br> Blessed Assurance was written by the blind hymn writer Fanny Crosby and her friend Phoebe Knapp in 1873, and first published in the same year.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Blessed Assurance. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Blessed Assurance, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Flute and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Flute and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203
$2.49
2.3 €
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Flûte traversière et Piano
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Fanny J
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David McKeown
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Worship
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Blessed Assurance, Gospel Hymn for Flute and Piano
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David McKeown
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550471 Composed by Antonio Vivaldi…
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Flute,Piano - Level 3 - Digital Download SKU: A0.550471 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641209. Published by jmsgu3 (A0.550471). Sonata da Chiesa No. 4 in Bb Major for Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Flûte traversière et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550470 Composed by Antonio Vivaldi…
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Flute,Piano - Level 3 - Digital Download SKU: A0.550470 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4640709. Published by jmsgu3 (A0.550470). Sonata da Chiesa No. 4 in Bb Major for Alto Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.38 €
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Flûte traversière et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert.…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.61 €
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Flûte traversière et Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert.…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.61 €
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Flûte traversière et Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mosaic for Piccolo or Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.754993 Composed by Sy Brandon. 20t…
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Flute,Piano - Level 4 - Digital Download SKU: A0.754993 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 28 pages. Sy Brandon #3235521. Published by Sy Brandon (A0.754993). The American Heritage Dictionary defines mosaic as a picture or decorative design made by setting small colored pieces, such as tile, in mortar. The musical ideas in this composition are treated in a similar fashion. The small colored pieces can be compared to the musical motifs of the composition. Sometimes these fragments form a larger unit and become a recognizable melody. At other times, the fragments are combined differently therefore creating a variation to the original idea. Throughout the three-movement composition, this technique has been employed to create loose formal structures that still have unity and variety through the use of contrasting sections. The three movements themselves create contrast by being organized in a fast-slow-fast arrangement. The musical language is tonal with frequent shifts in the tonal center and with harmony in thirds and fourths. It was been recorded by Cristina Ledford and Michael McGhee on the CD Mosaic on Emeritus Recordings label.
$9.99
9.21 €
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Flûte traversière et Piano
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Sy Brandon
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Mosaic for Piccolo or Flute and Piano
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Sy Brandon
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.85 €
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Flûte traversière et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
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