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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All About That Bass
Non classifié
740
Piano & claviers
Piano, Voix
118
Piano seul
55
Piano, Voix et Guitare
23
Piano Facile
19
Accompagnement Piano
14
Instruments en Do
7
Piano grosses notes
3
Piano (partie séparée)
2
Accordéon
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Basse electrique
18
Guitare
18
Guitare notes et tablatures
14
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
4
Paroles et Accords
3
4 Guitares (Quatuor)
3
Ensemble de guitares
2
Mandoline
2
Basse électrique (partie séparée)
1
Banjo
1
Guitare (partie séparée)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale SSAA
16
Chorale 2 parties
13
Chorale TTBB
12
Chorale 3 parties
12
Voix duo, Piano
7
Voix Soprano, Piano
7
Voix Alto, Piano
3
Voix basse, Piano
2
Chorale Unison
2
Pack Instrumental pour Chorale
2
Voix Baryton, Piano
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
118
Flûte, Hautbois, Clarinette, Basson
45
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone (partie séparée)
15
Ensemble de Flûtes
12
Quatuor de Flûtes à bec
12
Clarinette (partie séparée)
9
Quintette de Saxophone: 5 saxophones
9
2 Clarinettes (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Clarinette Basse, Piano
7
Ensemble de Clarinettes
7
Flûte traversière et Piano
5
Flûte traversière
4
2 Flûtes traversières (duo)
4
Clarinette
4
2 Saxophones (duo)
4
Hautbois, Piano (duo)
3
Saxophone Tenor
3
Ensemble de saxophones
3
3 Saxophones (trio)
3
Saxophone Alto
2
Quatuor de Saxophones: 4 saxophones
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Alto et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flute (partie séparée)
2
Hautbois
2
Clarinette et Piano
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Saxophone Baryton
2
Saxophone Baryton, Piano
2
Clarinette Basse
1
Clarinette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble De Flûte à bec
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon, Piano
1
Hautbois (partie séparée)
1
Clarinette, Guitare (duo)
1
Saxophone Soprano et Piano
1
Saxophone Soprano
1
Flûte, Clarinette et Basson
1
Instruments en Mib
1
+ 41 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone et Piano
7
Ensemble de Trombones
7
Trombone (partie séparée)
6
Trombone
5
Tuba
4
Cor
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
4
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
Euphonium, Piano (duo)
3
3 Trombones (trio)
3
Bass Clef Instruments
2
Tuba (partie séparée)
2
2 Trompettes (duo)
2
Cor (partie séparée)
2
Tuba et Piano
2
Quatuor de Cuivres
1
Trombone basse
1
Cor anglais et Harpe (duo)
1
Cor et Piano
1
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Piano
1
Instruments en Sib
1
2 Cors (duo)
1
4 Tubas
1
+ 24 instrumentations
Retracter
Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
55
Quatuor à cordes: 2 violons, alto, violoncelle
39
Contre Basse
19
Trio à Cordes: violon, alto, violoncelle
16
Violon
15
Violon, Violoncelle (duo)
11
Contrebasse, Piano (duo)
9
Violon et Piano
6
Violoncelle
5
Alto, Piano
4
2 Violoncelles (duo)
3
2 Violons (duo)
3
Violon (partie séparée)
3
Contrebasse (partie séparée)
3
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Harpe
2
Violoncelle, Piano
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
44
Orchestre d'harmonie
32
Orchestre
31
Ensemble Jazz
20
Jazz combo
11
Orchestre de chambre
8
Batterie
7
Ensemble de Percussions
7
Percussion (partie séparée)
6
Ensemble de cuivres
6
Cloches
5
Ensemble d'École
5
Fanfare
4
Batterie (partie séparée)
3
Timbales
1
Timbales (partie séparée)
1
+ 11 instrumentations
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Autres
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ACCORDEON
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AUTRES INST…
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CLOCHES
CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
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Vous avez sélectionné:
All About That Bass
Flûte traversière et Piano
Partitions à imprimer
5 partitions trouvées
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All About That Bass
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Flûte traversière et Piano
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FACILE
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Meghan Trainor
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Jps Arrangements
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All About That Bass
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Jps Arrangements
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SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1379866 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Jps Arrangements. Film/TV,Pop,R & B,S...
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Piano,Soprano Flute - Level 2 - SKU: A0.1379866 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Jps Arrangements. Film/TV,Pop,R & B,Soul,Standards. Score and part. 6 pages. Jps Arrangements #964574. Published by Jps Arrangements (A0.1379866). All About That Bass for Flute and piano is a catchy, powerful pop song written by Meghan Trainor and Kevin Kadish. This arrangement captures the infectious rhythm and playful spirit of the original recording. Perfect for beginner/intermediate musicians.The arrangement has the figures and is in Eb major.
$4.99
Bach-Gounod: Ave Maria for Bass Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Bach-Gounod
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James M
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Piano
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easte...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Pachelbel: Canon for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386...
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Flute,Piano - Level 3 - SKU: A0.548462 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386271. Published by jmsgu3 (A0.548462). Pachelbel's Canon arranged for alto flute & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$26.95
Breeze for Flute and Piano (2023)
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Flûte traversière et Piano
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AVANCÉ
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Iva Ugrcic, flute and Satoko H
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Breeze for Flute and Piano
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Mary Ellen Haupert
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. ...
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Flute,Piano - Level 5 - SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. Score and part. 8 pages. Mary Ellen Haupert #905092. Published by Mary Ellen Haupert (A0.1316351). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$10.00
Breeze for Flute and Piano - FLUTE (2023)
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Flûte traversière et Piano
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Iva Ugrcic, flute and Satoko H
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Breeze for Flute and Piano - F
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Mary Ellen Haupert
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SheetMusicPlus
Flute,Piano - SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Score and part. 3 pa...
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Flute,Piano - SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Score and part. 3 pages. Mary Ellen Haupert #905095. Published by Mary Ellen Haupert (A0.1316354). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$5.00
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All About That Bass
