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Apasionamiento
Flûte traversière et Piano
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Ires y venires
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.924602 Composed by Bruno Tapia. 20…
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Flute,Piano - Level 4 - Digital Download SKU: A0.924602 Composed by Bruno Tapia. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part. 91 pages. Bruno Tapia #3860097. Published by Bruno Tapia (A0.924602). Versión completa de la colección Ires y venires, que tiene una historia propia. Una colección de seis piezas para piano y flauta.Historia de Ires y venires.1) Flores y pájaros: La princesa, como es costumbre, salió a pasear por los jardines cercanos al castillo. Un dÃa soleado, se le apareció un pequeño pájaro. Mayúscula sorpresa se llevó al enterarse de que ese pájaro era en realidad un dragón cambiaformas. Ella quedó cautivada por él.2) Mariposa del invierno: El dragón se hace humano y se le declara a la princesa. Le dice que la ama. Ella le contesta que lo ama, pero que su mano está prometida, y que su matrimonio traerÃa estabilidad polÃtica al reino. No podÃa corresponder al amor del dragón, pero aún asà estuvieron juntos un rato.3) Vals Bizarre: Tras haber sufrido el frÃo beso de la mariposa del invierno, el dragón habÃa agonizado y visto su muerte. Se logró salvar y recuperarse gracias a su amor por ella. No obstante, ella ya no estaba. El vals Bizarre suena en sus encuentros y desencuentros.4) Tango del diablo: Las tensiones entre ambos son cada vez mayores. Ella ya no puede estar con él, el tiempo la sofoca. Entonces, el dragón y la princesa bailan el apasionado tango del diablo, persiguiéndose con miedo a encontrarse.5) Himno de despedida angelical: El dragón se queda en la montaña, y de repente los ángeles lo encuentran. Los ángeles, como tributo a Dios, pretenden matarlo para que no amenace a la humanidad. Empieza entonces una batalla frenética con los ángeles volando por todos lados, tratando de atacar a un dragón que recibÃa y repartÃa mucho daño. Todos los ángeles murieron tras cantar su himno. El dragón quedó herido de gravedad.6) Marcha fúnebre: La princesa se iba en tren a otra ciudad a casarse. HabÃan pasado meses desde que dejó de ver al dragón. La última vez que vio algo fue meses atrás. Tuvo miedo por él. Por su parte, el dragón no tenÃa fuerzas y estaba muy herido. Se acurrucó y se preparó para dormir. Entrando al sueño, comienza a viajar, a proyectarse y encontrar a su amada princesa. Ella, cabeceando, sintió en su cabeza la voz de su amado dragón. Le contó que estaba herido, y que encontraba que la vida no tenÃa sentido. Que los dragones revivÃan cada cierto tiempo, y que sin ella nada serÃa lo mismo. Ella le cantó a su vez que lo amaba, y que tenÃa que salvarse. Pero el dragón fue claro. DormirÃa cientos de años, y nadie iba a detenerlo.A la distancia, la princesa alcanzó a ver la última llamarada en señal de despedida.
$25.00
22.86 €
#
Flûte traversière et Piano
#
Bruno Tapia
#
Ires y venires
#
Bruno Tapia
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.81 €
#
Flûte traversière et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
SERENATA - flute and piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.857515 Composed by Anthony Giamanc…
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Flute,Piano - Level 3 - Digital Download SKU: A0.857515 Composed by Anthony Giamanco. Contemporary,Contest,Festival,New Age,Wedding. Score and part. 11 pages. Whole Tone Press #464006. Published by Whole Tone Press (A0.857515). A wistful 'serenade' for flute and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org. YouTube Link https://youtu.be/f3wTua50gV0.
$4.25
3.89 €
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Flûte traversière et Piano
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Anthony Giamanco
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SERENATA - flute and piano
#
Whole Tone Press
#
SheetMusicPlus
La Lisonjera - flute-piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chamina…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99
6.39 €
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Flûte traversière et Piano
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Cecile Chaminade
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Phil Beaman
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La Lisonjera - flute-piano
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Phil Beaman
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.81 €
#
Flûte traversière et Piano
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
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